Explores the tensions within an artistic bourgeois family living in the prewar Intramuros of Old Manila. The dying Don Lorenzo el Magnifico and his two spinster daughters, 43-y/o Candida and 40-y/o Paula are still living in their old ancestral house located inside Intramuros, the walled city located inside the city. The house is decaying and the two daughters are now collecting bills. Their only hope is to sell the famous (and un-exhibited) self-portrait that their father painted, called “Portrait of an Artist as Filipino” but they don't wish to.
Now available as an e-book! This definitive volume brings together Nick Joaquin’s classic play, A Portrait of the Artist as Filipino, Rolando Tinio’s libretto of Ang Larawan, The Musical (which is based on the play), and the screenplay of Ang Larawan, The Movie. Includes 16 colored pages of photos of the stage musical and movie, the last interview of Tinio, a learning guide, the behind-the-scenes photos of the film-making process and more. An indispensable guide for students and teachers. A collector’s item for theater and film fans. A book that truly captures Joaquin’s vocation, “To remember and to sing!”
Imagine an author who has become a legend in his own lifetime - all because of the novel he wrote in the first flush of youth. Novelist Eugene Pota is a cultural icon of the twentieth century, struggling to write what will be the last novel of his career. But what to write about when, like so many noted authors before him, all of Pota's output since that first, landmark novel has been scrutinized and dissected - and found wanting? PORTRAIT OF THE ARTIST, AS AN OLD MAN follows Pota's efforts to settle on a subject for his final work. In his search, Heller - through Pota - pays homage to his favourite authors and discusses the problems that have plagued so many writers whose later works failed to live up to the successes of their first: F. Scott Fitzgerald, Henry James, Jack London, Joseph Conrad, to name but a few. It is a rare and enthralling look into the artist's search for creativity, a search that comes at a point in life when impotence - both sexual and spiritual - has become a frustrating fact. Joseph Heller must have known that this would be his final novel; it stands as a fitting testament to the life and works of a leading light in modern literature.
Celebrating the centennial of his birth, the first-ever U.S. publication of Philippine writer Nick Joaquin’s seminal works, with a foreword by PEN/Open Book Award–winner Gina Apostol A New York Times Book Review Editor's Choice Nick Joaquin is widely considered one of the greatest Filipino writers, but he has remained little-known outside his home country despite writing in English. Set amid the ruins of Manila devastated by World War II, his stories are steeped in the post-colonial anguish and hopes of his era and resonate with the ironic perspectives on colonial history of Gabriel García Márquez and Mario Vargas Llosa. His work meditates on the questions and challenges of the Filipino individual’s new freedom after a long history of colonialism, exploring folklore, centuries-old Catholic rites, the Spanish colonial past, magical realism, and baroque splendor and excess. This collection features his best-known story, “The Woman Who Had Two Navels,” centered on Philippine emigrants living in Hong Kong and later expanded into a novel, the much-anthologized stories “May Day Eve” and “The Summer Solstice” and a canonic play, A Portrait of the Artist as Filipino. As Penguin Classics previously launched his countryman Jose Rizal to a wide audience, now Joaquin will find new readers with the first American collection of his work. Introduction and Suggestions for Further Reading by Vicente L. Rafael For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The book is a descriptive survey of popular and academic writings on and by Filipino male homosexuals, as well as a genealogy of discourses of male homosexuality and the bakla and/or gay identities that emerged in urban Philippines from the1960s to the present. This conceptual history engages recent events in the Philippines' sexually self-aware present, but also explores colonial history in showing how modernity implanted a new sexual order of "homo/hetero" and further marginalized the effeminate local identity of bakla.
A Portrait of the Artist as a Young Man portrays Stephen Dedalus’s Dublin childhood and youth, providing an oblique self-portrait of the young James Joyce. At its center are questions of origin and source, authority and authorship, and the relationship of an artist to his family, culture, and race. Exuberantly inventive, this coming-of-age story is a tour de force of style and technique.
The chief art critic for "The New York Times" gives a painter's-, sculptor's-, and photographer's-eye view of art as he explores museums with some of today's most important artists. Photos throughout.
