Pictorial Archaeology

Pictorial Archaeology

Author: Roger Balm

Publisher: Taylor & Francis

Published: 2024-02-27

Total Pages: 290

ISBN-13: 100385057X

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This book explores the expressly pictorial type of visual archaeology, the transcribing of three-dimensional materiality into two-dimensional depictions, and its influential history within the discipline. The picturing of ancient sites and artifacts to convey information links visual reporting with the workings of the imagination and indicates that the study of antiquity has always had a hybrid identity: part artistic and part scientific. In examining expressly pictorial forms of visual story-telling about the past, this book looks beyond certain supposed "creative turns" and focuses instead on creative continuities, answering key questions about the power of picturing and its ability to not only inform documentary practices but actively structure those practices. How are prints, drawings, paintings and photographs able to collapse the three-dimensional world of the ancient past onto a flat page but also convey a sense of material reality? In contemporary practice, how do pictorial ways of seeing enable the interpretation of material remains but also shape the recognition of digital traces on a computer screen? Published illustrations, both historical and contemporary, are primary sources of evidence for answering such questions and identifying common patterns of pictorial information. This book provides a framework for scholars researching the visual culture of archaeology as well as the history of archaeology. It is also recommended for professionals in the fields of heritage studies, conservation and community archaeology.


Late Victorian Orientalism

Late Victorian Orientalism

Author: Eleonora Sasso

Publisher: Anthem Press

Published: 2020-06-30

Total Pages: 311

ISBN-13: 1785273299

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Late Victorian Orientalism is a work of scholarly research pushing forward disciplines into new areas of enquiry. This collection of essays tries to redefine the task of interpreting the East in the nineteenth century taking as a starting point Edward Said’s Orientalism (1978) in order to investigate the visual, fantasised, and imperialist representations of the East as well as the most exemplary translations of Oriental texts. The Victorians envisioned the East in many different modes or Orientalisms since as Said suggested ‘[t]here were, perhaps, as many Orientalisms as Orientalists’. By combining together Western and Oriental modes of art, this study is not only aimed at filling a gap in Victorian and Oriental studies but also at broadening the audiences it is intended for.


Travels Into Print

Travels Into Print

Author: Innes M. Keighren

Publisher: University of Chicago Press

Published: 2015-05-11

Total Pages: 395

ISBN-13: 0226429539

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The Age of Exploration and Discovery may well have started in the 15th century, but for the British, the 19th century saw the rise of the British Empire and an explosion in world travel. The travel narratives written during this century were profuse, and by some estimates more travel narratives were written during the first half of the 19th century than in all preceding centuries. These accounts tell of wondrous zoological and botanical finds, of topography never before imagined, and of exotic peoples as well. At the time, there was one publisher, John Murray, known for its utter domination of the travel narrative field. The caliber and profile of their list was known throughout the UK and Europe, and into the US as well. The authors of the house included Jane Austen, Lord Byron, Washington Irving, and Sir Walter Scott. And in its list of travel writing and exploration, the house boasted the authors Charles Darwin and Charles Lyell. Murray s name became as synonymous with travel writing and exploration as it was with literary giants. Travels into Print is a tour through the archives and files of the House of Murray, and marvelous expedition in the geography of travel and exploration writing, knowledge, and reception in the 19th century. Rather than focusing on narratives of a particular region, or scientific area of interest, or particular period, the work uses a source that cuts across all of these areas, the publisher. Steeped in book files, and correspondence about edits, and revisions, sent between Murray and his staff and explorers, the book addresses the ways in which the texts were written, the role of truth in the accounts, correspondence as a form of production, and the writings as travel documents. This is a wonderful history of the book, told from the perspective of a legendary book and author maker. "