A Poetess’ First Flight By: Carmen A. Cisnadean A Poetess’ First Flight is a collection of poetry that is sure to inspire, stimulate, awaken your senses, and give you the courage and strength to embrace life and the truth in a positive way. Readers will be transported spiritually to a deeper level of awakening, mentally to a higher state of awareness, all which will lead to experience life with a greater sense of appreciation, purpose, and responsibility. Inspired by a love for life and depth of life, this compilation of poems touches the heart in ways which are both memorable and heartfelt, ways that will soften the soul and leave one pondering with profundity over the wonders and complexities of human life experience.
Beyond Haiku peeks through the cockpit door to reveal the poetic heart of airline pilots. Captain Linda Pauwels, instructor pilot on the Boeing 787 and former aviation columnist for the Orange County Register, presents a selection of haiku and short poems by men and women who fly airplanes for a living. The writing is niche and empathetic. The humor is characteristically wry, befitting the pilot persona. Beautiful illustrations, by children of pilots aged 6 to 17, bring this flight of fancy in for a smooth landing. Proceeds from Beyond Haiku will go to the Allied Pilots Association Emergency Relief and Scholarship Fund, to provide support for pilots impacted by industry effects of COVID-19.
In the area of ballpark hopping, there have been a number of accounts written, recorded or talked about in recent times, sometimes for a cause or others just as a gimmick. Through Poet in the Grandstand, poet and writer Thomas Porky McDonald gives us a most unique twist on a preoccupation which has grown in the past few decades, in the wake of the closings of classic old yards and the birth of the more entertainment and nostalgia driven open-air parks. From his first trip in 1990, to the fabled Comiskey Park of Shoeless Joe Jackson, Bill Veeck and the Go-Go Sox, on through to the 2010 opening of Minnesotas fabulous Target Field, featuring the modern M&M Boys, Joe Mauer and Justin Mourneau, McDonald offers up a book that is part travelogue and part poetic tribute to all the places that men and women have gone to over the years for a very personal sense of joy. This journey, done methodically, over two decades, picks up steam as the chapters begin to flow. The effect of McDonald himself clearly growing as a poet through the years is accentuated by the fact that more and more pieces are written in the later trips. The end result is a most interesting volume of not just ballparks, but Americana, as numerous attractions taken in during those ballpark weeks and weekends are also noted and/or dissected. For fourteen seasons on his own and then six more accompanied by friend and confidant Adam Boneker, McDonalds travels, highlighted by over 300 poems, can take the reader back to a simpler time or into the possibilities of the future. In chapter and in verse, Poet in the Grandstand has something for both the baseball enthusiast and the curious traveler. Fans of the game and lovers of the road will each find much to offer within these pages.
This book of poems is called Blue Collar Poet because Rhoads is not a highbrow poet. Her writings are based on everyday happenings and the humor she finds in life, as well as the sadness that comes to us all. She writes about the beauty of Colorado and the joy she takes from the creatures that reside in this lovely space. Her writing is very personal and can easily take the reader from laughter to tears. The reader is apt to be amazed at how openly the author shares her deepest feelings on one page and shifts to fun and self-deprecation on the next. Her wish for this book is that it be enjoyed.
Aldous Huxley began as a poet. He perfected the voice of the modern satirical poet of ideas, who used art against itself to produce a parodic poetry of breakdowns, collapses, stalemates, and dead ends best suited to the apparent pointlessness of the post-war era. His cleverest, most irreverent poems are contrapuntal: they, in effect, silence venerable poets and cancel traditional formats. Huxley's poetic personas either fail to preserve conventional forms or purposely sabotage them. By 1920, Huxley became the parodic equivalent of the formative intelligences (i.e., Dante, Goethe, and Lucretius) who once synthesized their respective eras positively. In this book, author Jerome Meckier explicates most of Huxley's poems, including Leda, his masterpiece, an ironical modern myth. Meckier traces Huxley's development in terms of the poets he inserted in five of his eleven novels, along with their poems. These poets mostly fail as poets, their different stances falling apart one after another. But Huxley began to detect a spiritual significance underlying the creative urge. This allowed him to rehabilitate many of the Romantic and Victorian poets he formerly ridiculed as frauds and liars. Eventually, he celebrated mystical contemplation as silent poetry, positing a utopia in which everyone is a poet to the limits of his or her potentiality. Huxley became the perennial philosopher, a neo-Brahmin: the sage-like figure he initially personified parodically. His paradigmatic career took him from a Pyrrhonic silencing of outmoded poems and poets to the advocacy of a poetry of silence. (Series: "Human Potentialities". Studien zu Aldous Huxley & zeitgenossischer Kultur/Studies in Aldous Huxley & Contemporary Culture - Vol. 11)
Be Holding is a love song to legendary basketball player Julius Erving—known as Dr. J—who dominated courts in the 1970s and ‘80s as a small forward for the Philadelphia ‘76ers, as well as over his career in both the NBA and ABA. But this book-length poem is more than just an ode to a magnificent athlete. Through a kind of lyric research, or lyric meditation, Ross Gay connects Dr. J’s famously impossible move from the 1980 NBA Finals against the Los Angeles Lakers to pick-up basketball and the flying Igbo and the Middle Passage, to photography and surveillance and state violence, to music and personal histories of flight and familial love. Be Holding wonders how the imagination, or how our looking, might make us, or bring us, closer to each other. How our looking might make us reach for each other. And might make us be reaching for each other. And how that reaching might be something like joy.
This book explores the significance of flight to Romantic literature. Although the Romantic movement and the age of ballooning coincided, there has been a curious and long-time tendency to forget that flight was not impossible during this period. This study details the importance of this new technology to Romantic authors, primarily English Romantic poets. It combines accounts of the exploits and experiences of early balloonists with references to Romantic texts, using ballooning lore to illuminate a range of Romantic writings. The balloonists are seen as not just supplying these writers with a new code of metaphors, but as colleagues engaged in similarly imaginative enterprises. The book uncovers an ‘aerial imagination’ shared by a large number of writers in the Romantic period that has its origins in the balloon adventures of the 1780s and following two decades. It will appeal to scholars and students of Romantic cultural history, as well as those interested in Romantic poetry and the history of early aeronautics.
