No Mistakes Grammar

No Mistakes Grammar

Author: Giacomo Giammatteo

Publisher: Inferno Publishing Company

Published: 2016-09-12

Total Pages: 129

ISBN-13: 1940313139

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Misused Words Have you ever said something and no sooner than it escapes your lips, you wonder—did I say that right? Did I use the right word? Chances are it was one of the 200 words covered in this book. I’m not saying it covers all the words, but it touches base with most of the more common culprits. Ever wonder if you should use ‘good’ or ‘well’? How about ‘lie’ or ‘lay’–that’s one that almost no one gets right. How about then and than, try to and try and, which and that, which and who. There are many that seem to stump people. Learn these words, and many more when you read this book. It’s designed to help you remember the proper word to use in each circumstance. And not just words, but sayings, odd punctuation, and even a few Latin expressions, such as e.g., ergo, etc., and i.e. (Did I just say ‘ergo’. If I do that again, smack me.) I know you think you are familiar with these, but despite their ubiquitousness (Smack me for that also.), there might be a few odd rules that pertain to using Latin expressions that you’re not familiar with. It’s worthwhile to learn them (especially if you intend to write). So, get your act together. Forget the coffee today and pick up a copy of Misused Words. You’ll be glad you did.


A Plethora of Roses

A Plethora of Roses

Author: Neda Sarrami

Publisher:

Published: 2018-01-27

Total Pages: 174

ISBN-13: 9781979231282

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"A Plethora of Roses" is a collection of poetry and prose meant for those still growing and finding the beauty within the struggle.The topics of this emotional creation range from love and family to pain, struggle, and heartbreak. These words are meant to showcase human strength, overcoming one adversity after another, and growing with more love and power than ever before.


The A to Z of Postmodernist Literature and Theater

The A to Z of Postmodernist Literature and Theater

Author: Fran Mason

Publisher: Scarecrow Press

Published: 2009-07-23

Total Pages: 464

ISBN-13: 0810870215

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Postmodernist literature embraces a wide range of forms and perspectives, including texts that are primarily self-reflexive; texts that use pastiche, burlesque, parody, intertextuality and hybrid forms to create textual realities that either run in opposition to or in parallel with an external reality; fabulations that develop both of these strategies; texts that ironize their relationship to reality; works that use the aspects already noted to more fully engage with political or cultural realities; texts that deal with history as a fiction; and texts that elude categorization even within the variety already explored. For example, in fiction, a postmodernist novel might tell a story about a writer struggling with writing (only, perhaps, to find that he is a character in a book by another writer struggling to write a book). The A to Z of Postmodernist Literature and Theater examines the different areas of postmodernist literature and the variety of forms that have been produced. This is accomplished through a chronology, an introductory essay, a bibliography, and several hundred cross-referenced dictionary entries on individual postmodernist writers, the important postmodernist aesthetic practices, significant texts produced throughout the history of postmodernist writing, and important movements and ideas that have created a variety of literary approaches within the form. By placing these concerns within the historical, philosophical, and cultural contexts of postmodernism, this reference explores the frameworks within which postmodernist literature of the late twentieth and early twenty-first century operates.


Chinese Theories of Reading and Writing

Chinese Theories of Reading and Writing

Author: Ming Dong Gu

Publisher: State University of New York Press

Published: 2012-02-01

Total Pages: 350

ISBN-13: 0791483479

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This ambitious work provides a systematic study of Chinese theories of reading and writing in intellectual thought and critical practice. The author maintains that there are two major hermeneutic traditions in Chinese literature: the politico-moralistic mainstream and the metaphysico-aesthetical undercurrent. In exploring the interaction between the two, Ming Dong Gu finds a movement toward interpretive openness. In this, the Chinese practice anticipates modern and Western theories of interpretation, especially literary openness and open poetics. Classic Chinese works are examined, including the Zhouyi (the I Ching or Book of Changes), the Shijing (the Book of Songs or Book of Poetry), and selected poetry, along with the philosophical background of the hermeneutic theories. Ultimately, Gu relates the Chinese practices of reading to Western hermeneutics, offering a cross-cultural conceptual model for the comparative study of reading and writing in general.


Writing: Texts, Processes and Practices

Writing: Texts, Processes and Practices

Author: Christopher N. Candlin

Publisher: Routledge

Published: 2014-06-11

Total Pages: 267

ISBN-13: 1317882733

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Writing: Texts, Processes and Practices offers an innovative and multidisciplinary approach to writing in a variety of academic and professional settings. The book is composed of a series of original research-based accounts by leading authorities from a range of disciplines. The papers are linked through a unifying perspective which emphasises the role of cultural and institutional practices in the construction and interpretation of written texts. This important new book integrates different approaches to text analysis, different perspectives on writing processes, and the different methodologies used to research written texts. Throughout,an explicit link is made between research and practice illustrated with reference to a number of case studies drawn from professional and classroom contexts. The book will be of considerable interest to those concerned with professional or academic writing and will be of particular value to students and lecturers in applied linguistics, communication studies, discourse analysis, and professional communications training. The contributors to this volume are: Robert J. Barrett Vijay K. Bhatia Christopher N. Candlin Yu-Ying Chang Sandra Gollin Ken Hyland Roz Ivanic Mary R. Lea Ian G. Malcolm John Milton Greg Myers Guenter A. Plum Brian Street John M. Swales Sue Weldon Patricia Wright