A New Philosophy of Opera

A New Philosophy of Opera

Author: Yuval Sharon

Publisher: Liveright Publishing

Published: 2024-09-03

Total Pages: 312

ISBN-13: 1631496875

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From “the most imaginative director in the US” (New York Times) comes this generational work with a vision for transforming opera into a powerhouse cultural phenomenon. "This book builds a compelling roadmap for the future of opera, and how it can truly be accessible for everyone." —Gustavo Dudamel Known as opera’s “disrupter-in-residence,” director Yuval Sharon has never adhered to the art form’s conventions. In his many productions in both the United States and Europe, he constantly challenges the perception of opera as aloof by urging, among other things: performing operas in “non-places,” such as parking lots; encouraging the use of amplification; and shuffling the traditional structure of classic works, like performing Puccini’s La bohème in reverse order, ending not with the tubercular heroine Mimi’s death but with her first falling in love. With A New Philosophy of Opera, Sharon has crafted a radical and refreshing book that can act as an introduction to the art form for the culturally curious, or as a manifesto for his fellow artists. In an engaging style that ranges from the provocative to the personal, Sharon offers a 360-degree view of the art form, from the audience experience to the artist’s process; from its socially conscious potential to its economic reality; and from its practical to its emotional and spiritual dimensions. Surveying the role of opera in the United States and drawing on his experiences from Berlin to Los Angeles, Sharon lays out his vision for an “anti-elite opera” that celebrates the imagination and challenges the status quo. With an illustrated and unconventional history of the art form (not following a straight line but tracing a fantastical “time-curve”) weaving throughout the book, Sharon resists the notion of the opera as “dying” and instead portrays it as a glorious chaos constantly being reborn and reshaped. With its advocacy of opera as an “enchanted space” and its revolutionary message, A New Philosophy of Opera is itself a work of art—a living book with profound philosophical implications—that will stand the test of time.


Osmin's Rage

Osmin's Rage

Author: Peter Kivy

Publisher: Cornell University Press

Published: 2018-09-05

Total Pages: 332

ISBN-13: 1501727400

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In his new concluding chapter, Peter Kivy advances his argument on behalf of a distinctive intellectual and musical character of opera before Mozart. He proposes that happy endings were a musical—as opposed to a dramatic—necessity for opera during this period and that Mozart's Idomeneo is properly enjoyed and judged only when listeners are attuned to its seventeenth and eighteenth-century forebears.


Metaphysical Song

Metaphysical Song

Author: Gary Tomlinson

Publisher: Princeton University Press

Published: 1999-02-21

Total Pages: 206

ISBN-13: 9780691004099

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The author "connects opera to shifting visions of metaphysics and selfhood across the last four hundred years."--Cover.


A History of Opera

A History of Opera

Author: Carolyn Abbate

Publisher: W. W. Norton & Company

Published: 2015-09-08

Total Pages: 648

ISBN-13: 0393089533

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“The best single volume ever written on the subject, such is its range, authority, and readability.”—Times Literary Supplement Why has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their “effervescent, witty” (Die Welt, Germany) retelling of the history of opera, examining its development, the musical and dramatic means by which it communicates, and its role in society. Now with an expanded examination of opera as an institution in the twenty-first century, this “lucid and sweeping” (Boston Globe) narrative explores the tensions that have sustained opera over four hundred years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre’s most popular and enduring works were almost all written in a distant European past, opera continues to change the viewer— physically, emotionally, intellectually—with its enduring power.


Opera's Second Death

Opera's Second Death

Author: Slavoj Zizek

Publisher: Routledge

Published: 2013-10-18

Total Pages: 247

ISBN-13: 113520778X

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Opera's Second Death is a passionate exploration of opera - the genre, its masterpieces, and the nature of death. Using a dazzling array of tools, Slavoj Zizek and coauthor Mladen Dolar explore the strange compulsions that overpower characters in Mozart and Wagner, as well as our own desires to die and to go to the opera.


Black Opera

Black Opera

Author: Naomi Andre

Publisher: University of Illinois Press

Published: 2018-05-04

Total Pages: 386

ISBN-13: 0252050614

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From classic films like Carmen Jones to contemporary works like The Diary of Sally Hemings and U-Carmen eKhayelitsa, American and South African artists and composers have used opera to reclaim black people's place in history. Naomi André draws on the experiences of performers and audiences to explore this music's resonance with today's listeners. Interacting with creators and performers, as well as with the works themselves, André reveals how black opera unearths suppressed truths. These truths provoke complex, if uncomfortable, reconsideration of racial, gender, sexual, and other oppressive ideologies. Opera, in turn, operates as a cultural and political force that employs an immense, transformative power to represent or even liberate. Viewing opera as a fertile site for critical inquiry, political activism, and social change, Black Opera lays the foundation for innovative new approaches to applied scholarship.


Storytelling in Opera and Musical Theater

Storytelling in Opera and Musical Theater

Author: Nina Penner

Publisher: Indiana University Press

Published: 2020-10-06

Total Pages: 312

ISBN-13: 0253049989

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Storytelling in Opera and Musical Theater is the first systematic exploration of how sung forms of drama tell stories. Through examples from opera's origins to contemporary musicals, Nina Penner examines the roles of character-narrators and how they differ from those in literary and cinematic works, how music can orient spectators to characters' points of view, how being privy to characters' inner thoughts and feelings may evoke feelings of sympathy or empathy, and how performers' choices affect not only who is telling the story but what story is being told. Unique about Penner's approach is her engagement with current work in analytic philosophy. Her study reveals not only the resources this philosophical tradition can bring to musicology but those which musicology can bring to philosophy, challenging and refining accounts of narrative, point of view, and the work-performance relationship within both disciplines. She also considers practical problems singers and directors confront on a daily basis, such as what to do about Wagner's Jewish caricatures and the racism of Orientalist operas. More generally, Penner reflects on how centuries-old works remain meaningful to contemporary audiences and have the power to attract new, more diverse audiences to opera and musical theater. By exploring how practitioners past and present have addressed these issues, Storytelling in Opera and Musical Theater offers suggestions for how opera and musical theater can continue to entertain and enrich the lives of 21st-century audiences.


The Art of Philosophy

The Art of Philosophy

Author: Peter Sloterdijk

Publisher: Columbia University Press

Published: 2012-10-02

Total Pages: 121

ISBN-13: 0231530404

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In his best-selling book You Must Change Your Life, Peter Sloterdijk argued exercise and practice were crucial to the human condition. In The Art of Philosophy, he extends this critique to academic science and scholarship, casting the training processes of academic study as key to the production of sophisticated thought. Infused with humor and provocative insight, The Art of Philosophy further integrates philosophy and human existence, richly detailing the foundations of this relationship and its transformative role in making the postmodern self. Sloterdijk begins with Plato's description of Socrates, whose internal monologues were so absorbing they often rooted the philosopher in place. The original academy, Sloterdijk argues, taught scholars to lose themselves in thought, and today's universities continue this tradition by offering scope for Plato's "accommodations for absences." By training scholars to practice thinking as an occupation transcending daily time and space, universities create the environment in which thought makes wisdom possible. Traversing the history of asceticism, the concept of suspended animation, and the theory of the neutral observer, Sloterdijk traces the evolution of philosophical practice from ancient times to today, showing how scholars can remain true to the tradition of "the examined life" even when the temporal dimension no longer corresponds to the eternal. Building on the work of Husserl, Heidegger, Nietzsche, Arendt, and other practitioners of the life of theory, Sloterdijk launches a posthumanist defense of philosophical inquiry and its everyday, therapeutic value.


In Search of Opera

In Search of Opera

Author: Carolyn Abbate

Publisher: Princeton University Press

Published: 2003-08-31

Total Pages: 316

ISBN-13: 9780691117317

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In her new book, Carolyn Abbate considers the nature of operatic performance and the acoustic images of performance present in operas from Monteverdi to Ravel. Paying tribute to music's realization by musicians and singers, she argues that operatic works are indelibly bound to the contingency of live singing, playing, and staging. She seeks a middle ground between operas as abstractions and performance as the phenomenon that brings opera into being. Weaving between opera's "facts of life" and a series of works including The Magic Flute, Parsifal, and Pelléas, Abbate explores a spectrum of attitudes towards musical performance, which range from euphoric visions of singers as creators to uncanny images of musicians as lifeless objects that have been resuscitated by scripts. In doing so, she touches upon several critical issues: the Wagner problem; coloratura, virtuosity, and their critics; the implications of disembodied voice in opera and film; mechanical music; the mortality of musical sound; and opera's predilection for scenes positing mysterious unheard music. An intersection between transcendence and intense physical grounding, she asserts, is a quintessential element of the genre, one source of the rapture that operas and their singers can engender in listeners. In Search of Opera mediates between an experience of opera that can be passionate and intuitive, and an intellectual engagement with opera as a complicated aesthetic phenomenon. Marrying philosophical speculation to historical detail, Abbate contemplates a central dilemma: the ineffability of music and the diverse means by which a fugitive art is best expressed in words. All serious devotees of opera will want to read this imaginative book by s music-critical virtuoso.