California’s earliest European colonists—Russian merchants and Spanish missionaries—depended heavily on Native Americans for labor to build and maintain their colonies, but they did so in very different ways. This richly detailed book brings together disparate skeins of the past—including little-known oral histories, native texts, ethnohistory, and archaeological excavations—to present a vivid new view of how native cultures fared under these two colonial systems. Kent Lightfoot’s innovative work, which incorporates the holistic methods of historical anthropology, explores the surprising ramifications of these long-ago encounters for the present-day political status of native people in California. Lightfoot weaves the results of his own significant archaeological research at Fort Ross, a major Russian mercantile colony, into a cross-cultural comparison, showing how these two colonial ventures—one primarily mercantile and one primarily religious—contributed to the development of new kinds of native identities, social forms, and tribal relationships. His lively account includes personal anecdotes from the field and a provocative discussion of the role played by early ethnographers, such as Alfred Kroeber, in influencing which tribes would eventually receive federal recognition. Indians, Missionaries, and Merchants takes a fascinating, yet troubling, look at California’s past and its role in shaping the state today.
An intimate portrait, based on newly discovered archival sources, of one of the most famous Jewish artists of the Italian Renaissance who, charged with a scandalous crime, renounced his faith and converted to Catholicism. In 1491 the renowned goldsmith Salomone da Sesso converted to Catholicism. Born in the mid-fifteenth century to a Jewish family in Florence, Salomone later settled in Ferrara, where he was regarded as a virtuoso artist whose exquisite jewelry and lavishly engraved swords were prized by Italy’s ruling elite. But rumors circulated about Salomone’s behavior, scandalizing the Jewish community, who turned him over to the civil authorities. Charged with sodomy, Salomone was sentenced to die but agreed to renounce Judaism to save his life. He was baptized, taking the name Ercole “de’ Fedeli” (“One of the Faithful”). With the help of powerful patrons like Duchess Eleonora of Aragon and Duke Ercole d’Este, his namesake, Ercole lived as a practicing Catholic for three more decades. Drawing on newly discovered archival sources, Tamar Herzig traces the dramatic story of his life, half a century before ecclesiastical authorities made Jewish conversion a priority of the Catholic Church. A Convert’s Tale explores the Jewish world in which Salomone was born and raised; the glittering objects he crafted, and their status as courtly hallmarks; and Ercole’s relations with his wealthy patrons. Herzig also examines homosexuality in Renaissance Italy, the response of Jewish communities and Christian authorities to allegations of sexual crimes, and attitudes toward homosexual acts among Christians and Jews. In Salomone/Ercole’s story we see how precarious life was for converts from Judaism, and how contested was the meaning of conversion for both the apostates’ former coreligionists and those tasked with welcoming them to their new faith.
This book shows the singular importance of narrative in the process of spiritual direction and reflects on this interactive process of sharing our sacred stories in pastoral contexts in order to hear and respond more deeply to the story God is telling in our lives.
A New Tale from Award Winning Author of Cloak of ShadowsDelve even deeper into the Netherwalker Series with neophyte, Abigail Thorne, as she learns what truly lurks beneath the shadows...when a word is whispered. The gloaming has found you. Will you answer its call?
Exhibit-A To dream the im-poss-ible dream to fight the un-beat-able foe to run where the brave (or wise) dare not go -From the Broadway production of The Man of La Mancha, music by Darien and Leigh, 1965 Gracing the awesome coastline of California like a set of stained glass and adobe rosary beads, the 18th-century chain of twenty-one old Spanish missions offer the modern tourist a window into the history of the golden state at once colorful, quaint, often romanticized and just possibly not as benign as the tourist literature would lead us to believe. Investigating just that possibility, three amateur researchers have uncovered an historic mission artifact that, proven authentic, could shaken the golden state to its foundations. Nor would the repercussions end there, cautioned research director Brother Kolbe. Not by a long shot. At the state capitol in Sacramento, the governors Mission Affairs Department, and entrenched bereaucrazy representing the vested interest of the church, civic groups, university and private concerns, is naturally interested in the discovery. With real estate totaling in the multi-billion dollar range, including treasure troves of priceless relics and artwork, the Mission Affairs Department is somewhat hesitant at relinquishing control of their flock of iconic golden geese. Exposing the scandalous mission hullabaloo to the light of day may very well, researcher Samara Del Rio smiled with a perfectly beatific malfeasance, induce a state of anarchy. This my quest, to follow that star no matter how hopeless, no matter how far Along with Sam, ostensibly the team sociologist; Franciscan Brother and linguist Kolbe McCeanna and computer technician Felicia Bonaventura have tracked the legendary article to the derelict ruins of a minor auxiliary mission, Mision Estancia San Micmac, abandoned deep in the cathedral redwoods of Californias rugged pacific coast foothills. Exhibit-A.: as Sacramento knows, the notorious artifact is a legendary mission document lost since the colonial era, and thought to be a Spanish translation of aboriginal petroglyphs, entitled Las Cuentitas Primaveritas de Isla Califia. Past as prologue, a highly divisive work of folkloric Outside Art, colonial-era historians date the slim manuscript to the year 1561. Spakespearean scholars, however, citing key internal references to The Bards colonial-era play The Tempest, insist that the text is no older that the year 1611. Anti-Stratfordians, of course, call the Spakespearean theory leaky as an unstaunched wench. Adding to the debate, pre-Columbian archivists at Villa Poggio Gherado in Canterbury, England claim tevidence supporting a composition date of 1348. Equally divided, modern pundits dismiss Las Cuentitas as nothing more than psychosocial gibberish and third-rate poetic doggerel anyway, or else venerate the document as instrumental to a radical psychosocial transformation. Either way, if birds of a feather flock together than the infamous manuscript resembles a traditional book to the extent a penguin resembles an ostrich. [Embedded in translation throughout the plot of The California Tales], Las Cuentitas represents an extraordinary multimedia-literary genre suppressed censored and banned since the 1960s as irredeemably subversive to the status quo. During its brief hayday in the sun, the tempestuous genre was known as Prosperos Salient Heliotropic Articulation Grids: pSHAGs. And, particularly threatening to the dominate paradigm, pSHAG poetry, (or poemetry), was known, rather tongue-in-cheek, as Teleothanantological Neuropeptidal Algorithms: T.N.A.s. Moreover, reputedly encrypted within a Prospero SHAG TNA are the sole surviving fragments of the theoretical Archetypical Tale: the mother of all manuscripts, the lore at the core. Archetypical Tale theorists insist that this so-called consummate communiqu is simultaneously primordial and pansophic, pro
"Cleopatra" - The story is set in the Ptolemaic era of Ancient Egyptian history and revolves around the survival of a dynasty bloodline protected by the Priesthood of Isis. The main character Harmachis (the living descendant of the pharaoh's bloodline) is charged by the Priesthood to overthrow the supposed impostor Cleopatra, drive out the Greeks and Romans and restore Egypt to its golden era. "Moon of Israel" narrates the events of the Biblical Exodus from Egypt told from the perspective of a scribe named Ana. "Eric Brighteyes", an epic viking novel, describes the adventures of its principal character in 10th century Iceland. Eric strives to win the hand of his beloved, Gudruda the Fair. Her father Asmund, a priest of the old Norse gods, opposes the match. Battles, intrigues, and treachery follow... "The Wanderer's Necklace": Olaf, a Viking in the eighth century A.D., flees his homeland after challenging the Norse god Odin's right to a human sacrifice. Olaf's adventures are woven within the intrigues of the Eastern Roman Empire. "Pearl Maiden" is a historical novel about the Fall of Jerusalem Table of Contents: Moon of Israel Queen of the Dawn The World's Desire Elissa: The Doom of Zimbabwe Pearl Maiden : A Tale of the Fall of Jerusalem Morning Star Cleopatra The Wanderer's Necklace Eric Brighteyes Belshazzar Sir Henry Rider Haggard (1856-1925) was an English writer of adventure novels and dark fantasy stories set in exotic locations, predominantly Africa, and a pioneer of the Lost World literary genre.
This carefully crafted ebook: "DICKENS'S LONDON" is formatted for your eReader with a functional and detailed table of contents: Novels The Pickwick Papers Oliver Twist Nicholas Nickleby The Old Curiosity Shop Barnaby Rudge Martin Chuzzlewit David Copperfield Little Dorrit A Tale of Two Cities Great Expectations Our Mutual Friend Short Stories Sketches by Boz The Beadle. The Parish Engine. The Schoolmaster. The Curate. The Old Lady. The Half-pay Captain The Four Sisters The Election for Beadle The Broker's Man The Ladies' Societies Our Next-door Neighbour The Streets – morning The Streets – night Shops and their Tenants Scotland Yard Seven Dials Meditations in Monmouth-Street Hackney-coach Stands Doctors' Commons London Recreations The River Astley's Greenwich Fair Private Theatres Vauxhall Gardens by Day Early Coaches Omnibuses The Last Cab-driver, and the First Omnibus cad A Parliamentary Sketch Public Dinners The First of May Brokers' and Marine-store Shops Gin-shops The Pawnbroker's Shop Criminal Courts A Visit to Newgate Thoughts about People A Christmas Dinner The New Year Miss Evans and the Eagle The Parlour Orator The Hospital Patient The Misplaced attachment of Mr. John Dounce The Mistaken Milliner The Dancing Academy Shabby-Genteel People Making a Night of It The Prisoners' Van The Boarding-house Mr. Minns and his Cousin Sentiment The Tuggses at Ramsgate Horatio Sparkins The Black Veil The Steam Excursion The Great Winglebury Duel Mrs. Joseph Porter A Passage in the Life of Mr. Watkins Tottle The Bloomsbury Christening The Drunkard's death Sketches of Young Gentlemen Sketches of Young Couples Master Humphrey's Clock Sunday Under Three Heads Charles Dickens (1812-1870) was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded as the greatest novelist of the Victorian era.
Six epic stories from the lands of Whitehawk: THE NOMADS OF SARDU: a monk dares travel across forbidden lands to obtain a forbidden book...but will he dare to read it? 2) THE DEMON PROOF: a retired philosopher receives an unexpected guest, one who is being hunted by the mind of darkness...3) DIALOGUE WITH A STRANGER: two would-be-hell-raiders get themselves involved in a secret society that is far deeper than they can fathom...4) THE TOWER WYRDD: a company of soldiers is led by a mad dwarf into the underworld with the promise of sacking Nystol, the wizardic academy of many towers...5) THE LAST DAYS OF THE MAGI: a condemned prisoner recounts how the most powerful academy of magic was compromised and finally betrayed by insane ideologies. 6) THE FALL OF NYSTOL: an eyewitness account of the barbarian sack of Nystol...
