A Mythology of Forms
A Mythology of Forms

Author: Carl Einstein

Publisher: University of Chicago Press

Published: 2019-12-26

Total Pages: 423

ISBN-13: 022646413X

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The German art historian and critic Carl Einstein (1885-1940) was at the forefront of the modernist movement that defined the twentieth century. One of the most prolific and brilliant early commentators on cubism, he was also among the first authors to assess African sculpture as art. Yet his writings remain relatively little known in the Anglophone world. With A Mythology of Forms, the first representative collection of Einstein’s art theory and criticism to appear in English translation, Charles W. Haxthausen fills this gap. Spanning three decades, it assembles the most important of Einstein’s writings on the art that was central to his critical project—on cubism, surrealism, Pablo Picasso, Georges Braque, and Paul Klee, and includes the full texts of his two pathbreaking books on African art, Negro Sculpture (1915) and African Sculpture (1921). With fourteen texts by Einstein, each presented with extensive commentary, A Mythology of Forms will bring a pivotal voice in the history of modern art into English.

A Mythology of Forms
A Mythology of Forms

Author: Carl Einstein

Publisher: University of Chicago Press

Published: 2019-12-26

Total Pages: 423

ISBN-13: 022646427X

DOWNLOAD EBOOK

The German art historian and critic Carl Einstein (1885-1940) was at the forefront of the modernist movement that defined the twentieth century. One of the most prolific and brilliant early commentators on cubism, he was also among the first authors to assess African sculpture as art. Yet his writings remain relatively little known in the Anglophone world. With A Mythology of Forms, the first representative collection of Einstein’s art theory and criticism to appear in English translation, Charles W. Haxthausen fills this gap. Spanning three decades, it assembles the most important of Einstein’s writings on the art that was central to his critical project—on cubism, surrealism, Pablo Picasso, Georges Braque, and Paul Klee, and includes the full texts of his two pathbreaking books on African art, Negro Sculpture (1915) and African Sculpture (1921). With fourteen texts by Einstein, each presented with extensive commentary, A Mythology of Forms will bring a pivotal voice in the history of modern art into English.

Theorizing Myth
Theorizing Myth

Author: Bruce Lincoln

Publisher: University of Chicago Press

Published: 1999

Total Pages: 315

ISBN-13: 0226482022

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In Theorizing Myth, Bruce Lincoln traces the way scholars and others have used the category of "myth" to fetishize or deride certain kinds of stories, usually those told by others. He begins by showing that mythos yielded to logos not as part of a (mythic) "Greek miracle," but as part of struggles over political, linguistic, and epistemological authority occasioned by expanded use of writing and the practice of Athenian democracy. Lincoln then turns his attention to the period when myth was recuperated as a privileged type of narrative, a process he locates in the political and cultural ferment of the eighteenth and nineteenth centuries. Here, he connects renewed enthusiasm for myth to the nexus of Romanticism, nationalism, and Aryan triumphalism, particularly the quest for a language and set of stories on which nation-states could be founded. In the final section of this wide-ranging book, Lincoln advocates a fresh approach to the study of myth, providing varied case studies to support his view of myth—and scholarship on myth—as ideology in narrative form.

The Critical Mythology of Irony
The Critical Mythology of Irony

Author: Joseph A. Dane

Publisher: University of Georgia Press

Published: 2011

Total Pages: 250

ISBN-13: 0820338087

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An ambitious theoretical work that ranges from the age of Socrates to the late twentieth century, this book traces the development of the concepts of irony within the history of Western literary criticism. Its purpose is not to promote a universal definition of irony, whether traditional or revisionist, but to examine how such definitions were created in critical history and what their use and invocation imply. Joseph A. Dane argues that the diverse, supposed forms of irony--Socratic, rhetorical, romantic, dramatic, to name a few--are not so much literary elements embedded in texts, awaiting discovery by critics, as they are notions used by critics of different eras and persuasions to manipulate those texts in various, often self-serving ways. The history of irony, Dane suggests, runs parallel to the history of criticism, and the changing definitions of irony reflect the changing ways in which readers and critics have defined their own roles in relation to literature. Probing and provocative, The Critical Mythology of Irony will appeal to a broad spectrum of critics and scholars, particularly those concerned with the historical basis of critical language and its political and educational implications.

Theory of Form
Theory of Form

Author: Florian Klinger

Publisher: University of Chicago Press

Published: 2022-06-14

Total Pages: 187

ISBN-13: 022634715X

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"The text is at once a meditation on theories of form and an essay on the painter Gerhard Richter as a philosophical pragmatist. Richter serves as the inspiration for a broader argument about the nature of "art" itself and for what Klinger professes to be a fresh approach to contemporary art more generally. He (1) addresses the widely conceded exhaustion of the modernist-postmodernist paradigm that has been used to negotiate the "essence of art" for decades and (2) offers what he says is a solution to the resulting gap that leaves us unclear on how to make art and talk about it. He draws on Kuhn's definition that a paradigm consists of the pre-theoretical framework of any practice: While rules and principles, where they exist, grow out of the paradigm, the paradigm can guarantee the functioning of a practice in the absence of rules. He sees Richter as relevant because the painter has never accepted the modern, neo-avant-garde, or postmodern movements as paradigms for his production. Klinger maintains that the goal of Richter's artistic program is "to replace traditional essentialist models of artistic form by a pragmatic model" of respecting the properties of actual physical substances at hand, such as paint, and making art in terms of process rather than with a prescribed end. This way, the modernist-postmodernist paradigm is neither affirmed nor perpetuated in the mode of its reversal, critique or deconstruction, but replaced by something else that forms an effective reaction to the situation without directly deriving from it"--

Mythologies
Mythologies

Author: Roland Barthes

Publisher: Macmillan

Published: 2013-03-12

Total Pages: 296

ISBN-13: 0809071940

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"This new edition of MYTHOLOGIES is the first complete, authoritative English version of the French classic, Roland Barthes's most emblematic work"--

The Handy Mythology Answer Book
The Handy Mythology Answer Book

Author: David A. Leeming

Publisher: Visible Ink Press

Published: 2014-08-18

Total Pages: 542

ISBN-13: 1578595223

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Vainglorious gods and irresistible seductresses. Beastly beasts and brutal warriors. Stories centuries in the making, and centuries worth of stories, are explained in this fascinating guide to mythology. Mythology forms our understanding of our origin, history, and traditions. They tell of our heroes and deities. Myths are vehicles for understanding religion, learning language, and understanding society, but they can often be difficult to understand and confusing. From a world of gods and goddesses to classic heroes and epic journeys to beastly monsters and irresistible seductresses, The Handy Mythology Answer Book answers nearly 600 questions and offers fun facts about the treachery and violence, the inspirational and epic, the supernatural monsters and heroic mortals found in mythology, including … What is the nature of Creation Myths? How can myths be compared to dreams? What was the Egyptian Book of the Dead? Why is the biblical flood story so like the Babylonian flood myth? How and why are the Odyssey and the Iliad so different from each other? How is myth used in politics? What was the Metamorphosis? How did the Vedas contribute to Hindu mythology? Who invented Chinese writing? What was the Aztec pantheon? What is the story of the Cherokee Grandmother Sun? Who are some Native American tricksters? What is the story of Schrödinger’s Cat? How did Freud use myths? A glossary of commonly used terms and an appendix of parallel mythology exploring universal themes, motifs, and archetypes from across various cultures further explains the world of mythology. With many photos, illustrations, and other graphics, this tome is richly illustrated. Its helpful bibliography and extensive index add to its usefulness.

Myths of the Norsemen
Myths of the Norsemen

Author: Roger Lancelyn Green

Publisher: Penguin

Published: 2013-05-02

Total Pages: 0

ISBN-13: 014134525X

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Norse myths and legends introduced by bestselling author Michelle Paver, creator of the Chronicles of Ancient Darkness collection and Gods and Warriors, her epic new Greek Bronze Age series for Puffin. The great Norse sagas are full of magic and heroic deeds. Odin's wanderings, Thor's hammer, the death of Bakkur, the vision of Ragnarok - tales which have been told since time immemorial - are given a fresh life in this version, written as one continuous exciting adventure story. Puffin Classics contain additional endnotes for children including an author profile, a guide to who's who, activities and more.

Negro Sculpture
Negro Sculpture

Author: Carl Einstein

Publisher:

Published: 2016-12-05

Total Pages:

ISBN-13: 9789492027108

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Negro Sculpture (1915) was the first critical response to African sculpture, challenging prejudices and misconceptions around this subject. It quickly became a crucial text for the European avant-garde and today remains indispensable to understanding the shift in discussion towards non-European art taking place at the time.

The Faces of the Gods
The Faces of the Gods

Author: Leslie G. Desmangles

Publisher: Univ of North Carolina Press

Published: 2000-11-09

Total Pages: 237

ISBN-13: 0807861014

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Vodou, the folk religion of Haiti, is a by-product of the contact between Roman Catholicism and African and Amerindian traditional religions. In this book, Leslie Desmangles analyzes the mythology and rituals of Vodou, focusing particularly on the inclusion of West African and European elements in Vodouisants' beliefs and practices. Desmangles sees Vodou not simply as a grafting of European religious traditions onto African stock, but as a true creole phenomenon, born out of the oppressive conditions of slavery and the necessary adaptation of slaves to a New World environment. Desmangles uses Haitian history to explain this phenomenon, paying particular attention to the role of the seventeenth- and eighteenth-century maroon communities in preserving African traditions and the attempts by the Catholic, educated elite to suppress African-based "superstitions." The result is a society in which one religion, Catholicism, is visible and official; the other, Vodou, is unofficial and largely secretive.