The Ring of the Nibelung

The Ring of the Nibelung

Author: Richard Wagner

Publisher: Penguin UK

Published: 2018-07-26

Total Pages: 708

ISBN-13: 0241305861

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A superb new translation of one of the greatest nineteenth century poems: the libretto to Wagner's Ring cycle The scale and grandeur of Wagner's The Ring of the Nibelung has no precedent and no successor. It preoccupied Wagner for much of his adult life and revolutionized the nature of opera, the orchestra, the demands on singers and on the audience itself. The four operas-The Rhinegold, The Valkyrie, Siegfried and Twilight of the Gods - are complete worlds, conjuring up extraordinary mythological landscapes through sound as much as staging. Wagner wrote the entire libretto before embarking on the music. Discarding the grand choruses and bravura duets central to most operas, he used the largest musical forces in the context often of only a handful of singers on stage. The words were essential: he was telling a story and making an argument in a way that required absolute attention to what was said. The libretto for The Ring lies at the heart of nineteenth century culture. It is in itself a work of power and grandeur and it had an incalculable effect on European and specifically German culture. John Deathridge's superb new translation, with notes and a fascinating introduction, is essential for anyone who wishes to get to grips with one of the great musical experiences.


Finding an Ending

Finding an Ending

Author: Philip Kitcher

Publisher: Oxford University Press, USA

Published: 2005

Total Pages: 260

ISBN-13: 9780195183603

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Few musical works loom as large in Western culture as Richard Wagner's four-part Ring of the Nibelung. In Finding an Ending, two eminent philosophers, Philip Kitcher and Richard Schacht, offer an illuminating look at this greatest of Wagner's achievements, focusing on its far-reaching and subtle exploration of problems of meanings and endings in this life and world. Kitcher and Schacht plunge the reader into the heart of Wagner's Ring, drawing out the philosophical and human significance of the text and the music. They show how different forms of love, freedom, heroism, authority, and judgment are explored and tested as it unfolds. As they journey across its sweeping musical-dramatic landscape, Kitcher and Schacht lead us to the central concern of the Ring--the problem of endowing life with genuine significance that can be enhanced rather than negated by its ending, if the right sort of ending can be found. The drama originates in Wotan's quest for a transformation of the primordial state of things into a world in which life can be lived more meaningfully. The authors trace the evolution of Wotan's efforts, the intricate problems he confronts, and his failures and defeats. But while the problem Wotan poses for himself proves to be insoluble as he conceives of it, they suggest that his very efforts and failures set the stage for the transformation of his problem, and for the only sort of resolution of it that may be humanly possible--to which it is not Siegfried but rather Brünnhilde who shows the way. The Ring's ending, with its passing of the gods above and destruction of the world below, might seem to be devastating; but Kitcher and Schacht see a kind of meaning in and through the ending revealed to us that is profoundly affirmative, and that has perhaps never been so powerfully and so beautifully expressed.


Richard Wagner

Richard Wagner

Author: Martin Geck

Publisher: University of Chicago Press

Published: 2013-09-18

Total Pages: 463

ISBN-13: 0226924629

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“[An] intriguing exploration of the composer’s life and thought as exemplified by his music. An excellent biography.” —Library Journal Best known for the four-opera cycle The Ring of the Nibelung, Richard Wagner (1813–83) was a conductor, librettist, theater director, and essayist, in addition to being the composer of some of the most enduring operatic works in history. Though his influence on the development of European music is indisputable, Wagner was also quite outspoken on the politics and culture of his time. His ideas traveled beyond musical circles into philosophy, literature, theater staging, and the visual arts. To befit such a dynamic figure, acclaimed biographer Martin Geck offers here a Wagner biography unlike any other, one that strikes a unique balance between the technical musical aspects of Wagner’s compositions and his overarching understanding of aesthetics. A landmark study of one of music’s most important figures “People who would like to know more about Wagner, and people who have loved his music for years . . . will find a great deal in this book to enjoy and to admire.” —Tablet “Geck describes a Wagner who is grounded, focused and even cautious, a savvy realist and ironist rather than a flamboyant, flailing ideologue . . . Suffused with his readings of contemporary productions of the operas, Geck’s musical analyses are succinct and superb” —New York Times “As an editor of Wagner’s Complete Works, Geck brings a deep familiarity with the composer to his task.” —Weekly Standard “A thoroughly approachable yet consistently provocative study.” —Thomas S. Grey, editor of The Cambridge Companion to Wagner


The Rest Is Noise

The Rest Is Noise

Author: Alex Ross

Publisher: Farrar, Straus and Giroux

Published: 2007-10-16

Total Pages: 706

ISBN-13: 1429932880

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Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.


Wagner's Ring of the Nibelung: A Companion

Wagner's Ring of the Nibelung: A Companion

Author: Barry Millington

Publisher: Thames & Hudson

Published: 1993-08-17

Total Pages: 509

ISBN-13: 0500771464

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"Scrupulous . . . planned and executed with quite unusual care." —Opera There has long been a need for a modern English translation of Wagner's Ring—a version that is reliable and readable yet at the same time is a true reflection of the literary quality of the German libretto. This acclaimed translation, which follows the verse form of the original exactly, fills that niche. It reads smoothly and idiomatically, yet is the result of prolonged thought and deep background knowledge. The translation is accompanied by Stewart Spencer's introductory essay on the libretto and a series of specially commissioned texts by Barry Millington, Roger Hollinrake, Elizabeth Magee and Warren Darcy that discuss the cycle's musical structure, philosophical implications, medieval sources and Wagner's own changing attitude to its meaning. With a glossary of names, a review of audio and video recordings, and a select bibliography, the book is an essential complement to Wagner's great epic.


The Cambridge Companion to Wagner

The Cambridge Companion to Wagner

Author: Thomas S. Grey

Publisher: Cambridge University Press

Published: 2008-09-11

Total Pages: 692

ISBN-13: 1139825941

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Richard Wagner is remembered as one of the most influential figures in music and theatre, but his place in history has been marked by a considerable amount of controversy. His attitudes towards the Jews and the appropriation of his operas by the Nazis, for example, have helped to construct a historical persona that sits uncomfortably with modern sensibilities. Yet Wagner's absolutely central position in the operatic canon continues. This volume serves as a timely reminder of his ongoing musical, cultural, and political impact. Contributions by specialists from such varied fields as musical history, German literature and cultural studies, opera production, and political science consider a range of topics, from trends and problems in the history of stage production to the representations of gender and sexuality. With the inclusion of invaluable and reliably up-to-date biographical data, this collection will be of great interest to scholars, students, and enthusiasts.


Richard Wagner

Richard Wagner

Author: Michael Saffle

Publisher: Routledge

Published: 2010-06-10

Total Pages: 478

ISBN-13: 1135839530

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Richard Wagner: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer.