Race, Religion and Law in Colonial India
Race, Religion and Law in Colonial India

Author: Chandra Mallampalli

Publisher: Cambridge University Press

Published: 2011-11-21

Total Pages: 287

ISBN-13: 1139505076

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How did British rule in India transform persons from lower social classes? Could Indians from such classes rise in the world by marrying Europeans and embracing their religion and customs? This book explores such questions by examining the intriguing story of an interracial family who lived in southern India in the mid-nineteenth century. The family, which consisted of two untouchable brothers, both of whom married Eurasian women, became wealthy as distillers in the local community. A family dispute resulted in a landmark court case, Abraham v. Abraham. Chandra Mallampalli uses this case to examine the lives of those involved, and shows that far from being products of a 'civilizing mission' who embraced the ways of Englishmen, the Abrahams were ultimately - when faced with the strictures of the colonial legal system - obliged to contend with hierarchy and racial difference.

A Muslim Conspiracy in British India?
A Muslim Conspiracy in British India?

Author: Chandra Mallampalli

Publisher: Cambridge University Press

Published: 2017-06-29

Total Pages: 254

ISBN-13: 1108171303

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As the British prepared for war in Afghanistan in 1839, rumors spread of a Muslim conspiracy based in India's Deccan region. Colonial officials were convinced that itinerant preachers of jihad - whom they labelled 'Wahhabis' - were collaborating with Russian and Persian armies, and inspiring Muslim princes to revolt. Officials detained and interrogated Muslim travelers, conducted weapons inspections at princely forts, surveyed mosques, and ultimately annexed territories of the accused. Using untapped archival materials, Chandra Mallampalli describes how local intrigues, often having little to do with 'religion', manufactured belief in a global conspiracy against British rule. By skillfully narrating stories of the alleged conspirators, he shows how fears of the dreaded 'Wahhabi' sometimes prompted colonial authorities to act upon thin evidence, while also inspiring Muslim plots against princes not of their liking. At stake were not only questions about Muslim loyalty, but also the very ideals of a liberal empire.

Indian Classical Music and the Gramophone, 1900–1930
Indian Classical Music and the Gramophone, 1900–1930

Author: Vikram Sampath

Publisher: Taylor & Francis

Published: 2022-06-30

Total Pages: 229

ISBN-13: 1000590747

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In 1902 The Gramophone Company in London sent out recording experts on "expeditions" across the world to record voices from different cultures and backgrounds. All over India, it was women who embraced the challenge of overcoming numerous social taboos and aesthetic handicaps that came along with this nascent technology. Women who took the plunge and recorded largely belonged to the courtesan community, called tawaifs and devadasis, in North and South India, respectively. Recording brought with it great fame, brand recognition, freedom from exploitative patrons, and monetary benefits to the women singers. They were to become pioneers of the music industry in the Indian sub-continent. However, despite the pioneering role played by these women, their stories have largely been forgotten. Contemporaneous with the courtesan women adapting to recording technology was the anti-nautch campaign that sought to abolish these women from the performing space and brand them as common prostitutes. A vigorous renaissance and arts revival movement followed, leading to the creation of a new classical paradigm in both North Indian (Hindustani) and South Indian (Carnatic) classical music. This resulted in the standardization, universalization, and institutionalization of Indian classical music. This newly created classical paradigm impacted future recordings of The Gramophone Company in terms of a shift in genres and styles. Vikram Sampath sheds light on the role and impact of The Gramophone Company’s early recording expeditions on Indian classical music by examining the phenomenon through a sociocultural, historical and musical lens. The book features the indefatigable stories of the women and their experiences in adapting to recording technology. The artists from across India featured are: Gauhar Jaan of Calcutta, Janki Bai of Allahabad, Zohra Bai of Agra, Malka Jaan of Agra, Salem Godavari, Bangalore Nagarathnamma, Coimbatore Thayi, Dhanakoti of Kanchipuram, Bai Sundarabai of Pune, and Husna Jaan of Banaras.