Copyright in the Music Industry

Copyright in the Music Industry

Author: Hayleigh Bosher

Publisher: Edward Elgar Publishing

Published: 2021-02-26

Total Pages: 272

ISBN-13: 183910127X

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This must-have book is a comprehensive yet accessible guide to copyright and related rights in the music industry, illustrated with relevant cases and real world examples. Key features include: • An engaging and approachable writing style • A practical orientation for those in the industry and their advisors • The impact of social media on copyright infringement, management and remedies • Accessible explanations of key concepts in copyright and related rights, as well as commonly misunderstood topics such as sampling and fair use.


Music Copyright Law

Music Copyright Law

Author: David J. Moser

Publisher: Course Technology

Published: 2012

Total Pages: 0

ISBN-13: 9781435459724

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Provides an in-depth, yet easy to understand, exploration of copyright law and how it applies to the music industry.


The Music Copyright Manual

The Music Copyright Manual

Author: Jim Jesse

Publisher: Bookbaby

Published: 2024-07-24

Total Pages: 0

ISBN-13:

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In this book you will learn: --The 10 rules every artist should know; --What is a copyright and how to get one; --Why it is important to register your copyrights; --The two copyrights in every song; --What is music publishing; --The exclusive rights you get with every copyright; --All the revenue streams songs generate; --A checklist for new releases; --The digital revolution and the new model of streaming; --Joint authorship, works-made-for-hire, and music licensing; --Music copyright infringement cases... and so much more! and so much more!


Music Copyright

Music Copyright

Author: Casey Rae

Publisher: Rowman & Littlefield Publishers

Published: 2021-09-15

Total Pages: 160

ISBN-13: 9781538104835

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With behind-the-scenes anecdotes from the halls of power, real-world case studies, and tips from successful industry players, this book equips readers with the tools they need to navigate the complex world of music copyright, showing how creator, technology, and communities can work together to support a healthier music ecosystem.


The Musician's Guide to Music Copyright Law

The Musician's Guide to Music Copyright Law

Author: Jim Jesse

Publisher: Rock N Roll Law

Published: 2019-03-22

Total Pages: 0

ISBN-13: 9781543960983

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In this book you will learn: The 10 rules every artist should know; What is a copyright and how to get one; Why it is important to register your copyrights; The two copyrights in every song; What is music publishing; The exclusive rights you get with every copyright ; All the revenue streams songs generate; A checklist for new releases; The digital revolution and the new model of streaming; Joint authorship, works-made-for-hire, and more music licensing ; Music copyright infringement cases... and so much more!


The Musician's Business and Legal Guide

The Musician's Business and Legal Guide

Author: Mark Halloran

Publisher: Taylor & Francis

Published: 2017-03-16

Total Pages: 304

ISBN-13: 1134848846

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The Musician’s Business and Legal Guide provides vital information to help demystify the music business and the complex body of law that shapes it. This book answers such questions as how to protect name and copyright; what is and is not legal about sampling; what are the legal issues surrounding digital downloads and streaming; what are the jobs of managers, talent agents and publishers; what are common contractual relationship between independent and major labels. The new edition includes chapters not covered in depth by other books: social media law, TV talent shows, YouTube, and international copyright. As in previous editions, the book features clause-by-clause contract analyses for 360 record deals, music publishing, management, and producer agreements.


The Internationalisation of Copyright Law

The Internationalisation of Copyright Law

Author: Catherine Seville

Publisher: Cambridge University Press

Published: 2006-11-23

Total Pages: 20

ISBN-13: 1139461001

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Technological developments have shaped copyright law's development, and now the prospect of endless, effortless digital copying poses a significant challenge to modern copyright law. Many complain that copyright protection has burgeoned wildly, far beyond its original boundaries. Some have questioned whether copyright can survive the digital age. From a historical perspective, however, many of these 'new' challenges are simply fresh presentations of familiar dilemmas. This book explores the history of international copyright law, and looks at how this history is relevant today. It focuses on international copyright during the nineteenth century, as it affected Europe, the British colonies (particularly Canada), America, and the UK. As we consider the reform of modern copyright law, nineteenth-century experiences offer highly relevant empirical evidence. Copyright law has proved itself robust and flexible over several centuries. If directed with vision, Seville argues, it can negotiate cyberspace.


Copyright and the Value of Performance, 1770–1911

Copyright and the Value of Performance, 1770–1911

Author: Derek Miller

Publisher: Cambridge University Press

Published: 2018-08-16

Total Pages: 293

ISBN-13: 1108584179

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In the nineteenth century, copyright law expanded to include performances of theatrical and musical works. These laws transformed how people made and consumed performances. Exploring precedent-setting litigation on both sides of the Atlantic, this book traces how courts developed definitions of theater and music to suit new performance rights laws. From Gilbert and Sullivan battling to protect The Mikado to Augustin Daly petitioning to control his spectacular 'railroad scene', artists worked with courts to refine vague legal language into clear, functional theories of drama, music, and performance. Through cases that ensnared figures including Lord Byron, Laura Keene, and Dion Boucicault, this book discovers how the law theorized central aspects of performance including embodiment, affect, audience response, and the relationship between scripts and performances. This history reveals how the advent of performance rights reshaped how we value performance both as an artistic medium and as property.