John Charmley, "Unravellling Silk": Princess Lieven, Metternich and Castlereagh David Brown: Palmerston and Austria Alan Sked: Austria and the "Galician massacres" of 1846 T. O. Otte: "Knavery or Folly"? The British "Official Mind" and the Habsburg Monarchy, 1856-1914 Helmut Rumpler: Die Dalmatienreise Kaiser Franz Josephs am Vorabend der Orientkrise 1875 Lothar Hobelt: The Bosnian Crisis Revisted: Austrian Liberals vs. Andrassy Isabel Pantenburg: Der menschliche Faktor in der Politik am Beispiel des Prinzen Eulenburg Holger Afflerbach: Das wilhelminische Kaiserreich zwischen Nationalstaat und Imperium Mark Cornwall: The Habsburg Elite and the Southern Slav Question
In this book, Michael Cramer views the Society for Creative Anachronism (SCA), an organization that studies and recreates the middle ages, as a case study for a growing fascination with medieval fantasy in popular culture. He explores the act of medieval re-creation as performance by focusing on the SCA, describing the group's activities, investigating its place in popular culture, and looking at the SCA not so much as a historical society but as an on-going work of performance art; a postmodern counter-culture riff on what it means to be "medieval." Cramer examines the group's activities, from persona and character development to theatrical performance and personal interaction; from the complex official ceremonies to full contact armored combat with mock broadswords. He explores the SCA in detail to discover how its members adapt and employ ideas about the Middle Ages in performance, ritual reenactment, living history, and re-creation, analyzing the performance of identity through ritual, sport, drama, and personal interaction, and he focuses on the reconstruction of the medieval "king game," a game in which a mock king is chosen to reign over a mock court. The book also studies various ideas about medievalism, including the contrast between reenactment and re-creation, and places these activities in the context of contemporary American society. With three appendixes, a bibliography, and a selection of photos, Cramer demonstrates how and why medieval fantasy is increasingly used in popular culture and analyzes the dissatisfaction with contemporary culture that leads people into these realms of fantasy.
This book is a study both of anachronism in antiquity and of anachronism as a vehicle for understanding antiquity. It explores the post-classical origins and changing meanings of the term 'anachronism' as well as the presence of anachronism in all its forms in classical literature, criticism and material objects. Contrary to the position taken by many modern philosophers of history, this book argues that classical antiquity had a rich and varied understanding of historical difference, which is reflected in sophisticated notions of anachronism. This central hypothesis is tested by an examination of attitudes to temporal errors in ancient literary texts and chronological writings and by analysing notions of anachronistic survival and multitemporality. Rather than seeing a sense of anachronism as something that separates modernity from antiquity, the book suggests that in both ancient writings and their modern receptions chronological rupture can be used as a way of creating a dialogue between past and present. With a selection of case-studies and theoretical discussions presented in a manner suitable for scholars and students both of classical antiquity and of modern history, anthropology, and visual culture, the book's ambition is to offer a new conceptual map of antiquity through the notion of anachronism.
A new vision is sweeping through ecological science: The dense web of dependencies that makes up an ecosystem has gained an added dimension-the dimension of time. Every field, forest, and park is full of living organisms adapted for relationships with creatures that are now extinct. In a vivid narrative, Connie Barlow shows how the idea of "missing partners" in nature evolved from isolated, curious examples into an idea that is transforming how ecologists understand the entire flora and fauna of the Americas. This fascinating book will enrich and deepen the experience of anyone who enjoys a stroll through the woods or even down an urban sidewalk. But this knowledge has a dark side too: Barlow's "ghost stories" teach us that the ripples of biodiversity loss around us now are just the leading edge of what may well become perilous cascades of extinction.
One of the most famous works of Russian literature, a memoir about a writer's coming of age during World War I, the Russian Civil War, and the rise of the Soviet era. This is the first unabridged translation of the first three books of Konstantin Paustovsky's magnum opus. In 1943, the Soviet author Konstantin Paustovsky started out on what would prove a masterwork, The Story of a Life, a grand, novelistic memoir of a life spent on the ravaged frontier of Russian history. Eventually expanding to fill six volumes, this extraordinary work of a lifetime would establish Paustovsky as one of Russia’s great writers and lead to a nomination for the Nobel Prize in Literature. Here the first three books of Paustovsky’s epic autobiography—long unavailable in English—appear in a splendid new translation by Douglas Smith. Taking the reader from Paustovsky’s Ukrainian youth, his family struggling on the verge of collapse, through the first stirrings of writerly ambition, to his experiences working as a paramedic on the front lines of World War I and then as a journalist covering Russia’s violent spiral into revolution, this vivid and suspenseful story of coming-of-age in a time of troubles is lifted by the energy and lyricism of Paustovsky’s prose and marked throughout by his deep love of the natural world. The Story of a Life is a dazzling achievement of modern literature.
Often funny, always thoughtful, and surprisingly esoteric in nature, the forty-four short essays written by award-winning author David A. Ross deal with expatriate living in detail - from myth to reality, from novelty to stagnation, from glorious experiences to down-right gory experiences, and back again.
Since the Arab Spring in 2011 and ISIS’s rise in 2014, Egypt’s Copts have attracted attention worldwide as the collateral damage of revolution and as victims of sectarian strife. Countering the din of persecution rhetoric and Islamophobia, The Political Lives of Saints journeys into the quieter corners of divine intercession to consider what martyrs, miracles, and mysteries have to do with the routine challenges faced by Christians and Muslims living together under the modern nation-state. Drawing on years of extensive fieldwork, Angie Heo argues for understanding popular saints as material media that organize social relations between Christians and Muslims in Egypt toward varying political ends. With an ethnographer’s eye for traces of antiquity, she deciphers how long-cherished imaginaries of holiness broker bonds of revolutionary sacrifice, reconfigure national sites of sacred territory, and pose sectarian threats to security and order. A study of tradition and nationhood at their limits, The Political Lives of Saints shows that Coptic Orthodoxy is a core domain of minoritarian regulation and authoritarian rule, powerfully reversing the recurrent thesis of its impending extinction in the Arab Muslim world.
The condemned man asked for three things before he climbed the thirteen steps to the gallows: a glass eye, a champagne cork and a wooden parrakeet. Can any mystery writer—other than Chicago paper blackener Harry Stephen Keeler—have proposed such a scenario? And then written a huge meganovel filled with celestials and tong lore to explain why the condemned man should make such a request?
Today we automatically distinguish between past and present, labelling things taken out of context as "anachronisms." The author shows how this tendency did not always exist, and how the past as such was born of the perceived difference between past and present. He takes readers on a grand tour of historical thinking from antiquity to modernity.
