Im who I am. I am a very loving, compassionate lady My passions are reading to get lost in other peoples words To discover other worlds Then there is music amazing how it can brighten your spirit But my true passion to life is my poems I write, the inner Feelings, I bring light to darkness through words, with each Word I write I give to life of golden sunsets, days covered In raindrops, cold nights by campfires. Most off all I give my thanks to our Father in heaven, who Gave me this special gift This is my Dream and one day it could be for my children And grand children I love sharing my Dream to the entire Dreamers out there Share with me My journey
41 Japanese, Scandinavian, and Sicilian tales: "The Snow-Queen," "The Cunning Shoemaker," "The Two Brothers," "The Merry Wives," "The Man without a Heart," and more. 69 illustrations.
After Lady Averly's hand in marriage is sold by her stepmother to the highest bidder, she flees Holbrook and stumbles upon the kingdom of Tildenham, ruled by Lord Edwin. As her heart softens to his affections, will she allow herself the happiness she has longed for, or will she be discovered and remain a pawn in her stepmother's evil scheme?
With the popularity of Homesteading and self sufficiency in your backyard, many are turning to Coturnix Quail as their bird of choice as the alternative of raising chickens. Learn about the amazing species of quail and follow the Quail Lady's Guide to Raising them in your very own backyard. With over a decade of experience, Alexandra Douglas offers tips and tricks, including her 10 secrets, on successfully raising Coturnix at ease.
"A brilliant . . . analysis of the fragile hegemony and identities of colonial Virginia's elite men. . . . On the Sources of Patriarchal Rage compellingly illuminates the ragged edge where masculinity and colonial identity meet. . . . [the book] will undoubtedly send Jefferson scholars scurrying back to their notes. . . . Most significant, by being among the first to tackle the subject of masculinity in early America, Lockridge forces colonial scholars to reexamine the lives of men they thought they already knew too well." —William and Mary Quarterly Two of the greatest of Virginia gentlemen, William Byrd II and Thomas Jefferson, each kept a commonplace book--in effect, a journal where men were to collect wisdom in the form of anecdotes and quotations from their readings with a sense of detachment and scholarship. Writing in these books, each assembled a prolonged series of observations laden with fear and hatred of women. Combining ignorance with myth and misogyny, Byrd's and Jefferson's books reveal their deep ambivalence about women, telling of women's lascivious nature and The Female Creed and invoking the fallible, repulsive, and implicitly corruptible female body as a central metaphor for all tales of social and political corruption. Were these private outbursts meaningless and isolated incidents, attributable primarily to individual pathology, or are they written revelations of the forces working on these men to maintain patriarchal control? Their hatred for women draws upon a kind of misogynistic reserve found in the continental and English intellectual traditions, but it also twists and recontextualizes less misogynistic excerpts to intensified effect. From this interplay of intellectual traditions and the circumstances of each man's life and later behavior arises the possibility one or more specific politics of misogyny is at work here. Kenneth Lockridge's work, replete with excerpts from the books themselves, leads us through these texts, exploring the structures, contexts, and significance of these writings in the wider historical context of gender and power. His book convincingly illustrates the ferocity of early American patriarchal rage; its various meanings, however suggestively explored here, must remain contestable.
"A Woman's Reason" is certainly one of the most ambitious novels Mr. Howells has written, not merely because it is so long, but because the author has reached out for effects which he neglected in his earlier books. It is not a radical departure from his established methods, but it indicates a larger and broader conception of the scope, the opportunities, and the resources of his art. The story of Helen Harkness's struggles has an enduring claim upon every reader's sympathy, the incidents of the book are spirited, and the movement is alert, vigorous, and at times highly dramatic in its surprises and suspended interest. The author is so loyal to his heroine that she is rarely permitted to disappear from the scene, but such constancy denotes a steadfastness of purpose and leads to a concentration of interest; this method is always artistic if it can be sustained without becoming tiresome, and there are few para graphs in "A Woman's Reason" which even one who reads for the story alone will care to skip. The keynote is sounded within the first few pages, but the revelation of the motive does not clog the interest of development, and the intelligent reader is the more gratified because the author has paid him the compliment of taking him into his confidence. The story is that of a Boston girl who has been reared without any thought of possible necessity for self-support, is left almost penniless at the death of her father, and surrenders voluntarily the small remnant of the paternal estate to which she had a perfect legal title in order to satisfy her own high sense of principle. She refuses to be de pendent upon friends, and she is separated from her sweetheart by a misunderstanding for which she was to blame. These are conditions which could be made heartrending or sensational, according to the treatment there of; Mr. Howells has the delicate art of making them interesting and sympathetic without straining the probabilities or exciting morbid sentiment.
29-year-old Pauline works too hard for every cent she ever made until she meets Anton. He's willing to give her more cash than she's ever imagined . . . for one small favor. Like any classic pulp story, Down Girl is about the struggle between greed, weakness, and the exercise of pure sexual power. Not shy in its sanguine portrayal of the darker side of the human character, this book is a carnivore in the vegan world of literature.
