(Limelight). A Killer Life is a book about just that: the killer life of an alternative film producer who's forged her own path of success between the disparate pillars of art and commerce. Strong, steady, creative, loyal, funny, artistic, and doggedly determined to produce films that have meaning and substance and staying power in the pantheon of great cinema, Christine Vachon, a member of the Academy and born and bred on the realistic, unforgiving streets of New York City, is one of the most important people working behind the scenes in the film industry today. How did she get there? Why do directors love her? What does it take to produce great movies? What happened on the set of Kids ? These answers and more are in her book!
An award-winning journalist and producer of This American Life traces the stories of five convicted murderers to assess their struggles for redemption, efforts toward parole and first steps in transitioning back to civilian life. 25,000 first printing.
Cat Cooper plans on emerging as the premier life coach in East Hampton by summertime. All she has to do is survive an offseason replete with desolate beaches, slow business, and murder . . . As the Hamptons drags through early spring, Cat’s shot at becoming the toast of the town in time for Memorial Day is dwindling—and fast. The only client she can find has been housebound for decades and claims to be the victim of a devasting curse. Then there’s the matter of Detective Shepherd’s intense jealousy over Maks Grinkov, the handsome bad boy who approaches Cat with an unusual offer she can’t stop thinking about. Havoc finally breaks loose when a string of murders rocks the coastal community, landing Maks on the hook as the culprit. With a storm approaching shore and no one to trust, Cat and her sharp-tongued best friend, Gilley, must solve a client’s curse and a series of violent deaths before a killer sends them all sailing to their doom . . .
When Delia Balmer entered into a relationship with the attentive John Sweeney, she had no idea he was a serial killer. At first he was caring but over the course of their relationship he became violent and controlling. On more than one occasion he held Delia hostage and tortured her. Chillingly, he also confessed to the murder of his previous girlfriend. After one serious assault, Sweeney was released on bail, and left her in the utmost fear knowing that he would return to finish her off. After a final frenzied attack leaving Delia on the brink of death, Sweeney went on the run. Astonishingly, it would take the police six years to capture and convict Sweeney of multiple murders. This is her compelling memoir.
The gripping story of the real Charles Manson as told by his long-time prison administrator, counselor, unofficial press agent, and confidant, Ed George. “Throughout my life, people have asked me about Manson. . . . “Does he have hypnotic powers?” “Does he have a diabolical charisma?” . . . “Is he crazy?” My response is that for some people, the answer to all of the above is yes—except for the last question.” —Edward George Charles Manson was perhaps the most infamous criminal of the twentieth century. Convicted for orchestrating the shocking Tate-LaBianca murders in 1969, and for two other killings, there has been much written about him. But not many people knew him as well as Edward George, who over years of conversations with Manson as his prison administrator, counselor, unofficial “press agent,” and confidant, gained deep insight into Manson’s mind-set. In this updated edition of George’s riveting account, he illuminates the many sides of Manson: charismatic cult leader, master manipulator, calculated “showman,” sly trickster, and more. George and his coauthor, Dary Matera, begin by detailing the troubling events of Manson’s youth, the historic 1969 murders, and the subsequent trial that ended an era. They then pull back the curtain on the intense reality of Manson’s turbulent life behind bars and the events that have transpired since the initial publication of this book in 1999, including Manson’s death in 2017. Originally published as Taming the Beast: Charles Manson’s Life Behind Bars Praise for Taming the Beast “A valuable book which gives additional insights into the criminal mind of Charles Manson.” —Vincent Bugliosi, author of Helter Skelter “Charles Manson may be the most written about, commercially viable malefactor in American history, yet George and Matera offer a worthwhile new take on him in their jailhouse bio. . . . George came to know Manson’s whole rollicking gang in scary and intimate detail. He strives to understand Manson and his devotees and, spewing psychological and spiritual insights and plenty of witchy Masonoid details, succeeds in horrifying his readers.” —Booklist “What distinguishes George’s book is that it puts a human face on a man whose very name defines evil—revealing the personality hidden during television interviews.” —Alameda Journal “An ugly, ugly look at a man whose entire life has been a study in sickness. . . . Provide[s] a chilling glimpse of Family members like Lynette “Squeaky” Fromme, who showed up at the prison regularly in her red cape.” —Kirkus Reviews
"I was a greedy, ravenous individual, determined to rise from the bottom to the top . . . It wasn't me!"--Jack Unterweger's final words to his jury Serial killers rarely travel internationally. So in the early 1990s, when detectives from the Los Angeles Police Department began to find bodies of women strangled with their own bras, it didn't occur to them at first to make a connection with the bodies being uncovered in the woods outside of Vienna, Austria. The LAPD waited for the killer to strike again. Meanwhile, in Austria, the police followed what few clues they had. The case intrigued many reporters, but few as keenly as Jack Unterweger, a local celebrity. He cut a striking figure, this little man in expensive white suits. His expertise on Vienna's criminal underworld was hard-earned. He had been sentenced to life in jail as a young man. But while incarcerated, he began to write—and his work earned him the glowing attention of the literary elite. The intelligentsia lobbied for his release and by 1990, Jack was free again. He continued writing, nurturing his career as a journalist. But though he now traveled in the highest circles, he had a secret life. He was killing again, and in the greatest of ironies, reporting on the very crimes he had committed. With unprecedented access to Jack's diaries and letters, John Leake peels back the layers of deception to reveal the life and crimes of Jack Unterweger, and in unnerving detail, exposes the thrilling twists—both in the United States and Europe—that led to Jack's capture and Austria's "trial of the century."
A hilarious full-color manga about office politics and killers-for-hire! Nishino Kanako sure hates her job, and is only too happy to snag the first new gig that comes her way. She never expected that her interview would be at an agency for contract killers…or that she’d be really, really good at bumping people off! Kanako doesn’t have a ton of self-confidence, and adjusting to her new life as an assassin isn’t the easiest. Will she ever earn the respect of Sakurai, her prickly but kinda hot new coworker? Find out in this dangerously funny, full-color manga!
Complete with behind-the-scenes diary entries from the set of Vachon's best-known fillms, Shooting to Kill offers all the satisfaction of an intimate memoir from the frontlines of independent filmmakins, from one of its most successful agent provocateurs -- and survivors. Hailed by the New York Times as the "godmother to the politically committed film" and by Interview as a true "auteur producer," Christine Vachon has made her name with such bold, controversial, and commercially successful films as "Poison," "Swoon," Kids," "Safe," "I Shot Andy Warhol," and "Velvet Goldmine."Over the last decade, she has become a driving force behind the most daring and strikingly original independent filmmakers-from Todd Haynes to Tom Kalin and Mary Harron-and helped put them on the map. So what do producers do? "What don't they do?" she responds. In this savagely witty and straight-shooting guide, Vachon reveals trheguts of the filmmaking process--rom developing a script, nurturing a director's vision, getting financed, and drafting talent to holding hands, stoking egos, stretching every resource to the limit and pushing that limit. Along the way, she offers shrewd practical insights and troubleshooting tips on handling everything from hysterical actors and disgruntled teamsters to obtuse marketing executives. Complete with behind-the-scenes diary entries from the sets of Vachon's best-known films, Shooting To Kill offers all the satisfactions of an intimate memoir from the frontlines of independent filmmaking, from one of its most successful agent provocateurs-and survivors.
A dynamic male female police detective team must catch a serial killer before he kills again in this crime thriller. They know exactly when he’ll strike . . . They just have to find him first. In all their years working for the Baywood police department, detectives A.L. McKittridge and Rena Morgan have never seen anything like it. Four women dead in forty days, each killed ten days apart. With nothing connecting the victims and very little evidence, the clock is already counting down to when the next body drops. A.L. and Rena will have to act fast if they’re going to find the killer’s next victim before he does. But identifying the killer’s next likely target is only half the battle. With pressure pushing in from all sides, a promising breakthrough leads the detectives to Tess Lyons, a woman whose past trauma has left her too damaged to appreciate the danger she’s in. Unwilling to let another woman die, A.L. and Rena will put everything on the line to keep Tess safe and end the killer’s deadly spree once and for all—before time runs out again.
