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An Irish Times Best Book of the Year Longlisted for the Bread and Roses Award for Radical Publishing "Sets Ireland's post-1916 history in its global and human context, to brilliant effect." —Neil Hegarty, Irish Times Books of the Year 2015 The Irish Revolution has long been mythologized in American culture but seldom understood. Too often, the story of Irish independence and its grinding aftermath in the early part of the twentieth century has been told only within a parochial Anglo-Irish context. Now, in the critically acclaimed Bitter Freedom, Maurice Walsh, with "a novelist's eye for detailing lives in extremis" (Feargal Keane, Prospect), places revolutionary Ireland within the panorama of nationalist movements born out of World War I. Beginning with the Easter Rising of 1916, Bitter Freedom follows through from the War of Independence to the end of the post-partition civil war in 1924. Walsh renders a history of insurrection, treaty, partition, and civil war in a way that is both compelling and original. Breaking out this history from reductionist, uplifting narratives shrouded in misguided sentiment and romantic falsification, the author provides a gritty, blow-by-blow account of the conflict, from ambushes of soldiers and the swaggering brutality of the Black and Tan militias to city streets raked by sniper fire, police assassinations, and their terrible reprisals; Bitter Freedom provides a kaleidoscopic portrait of the human face of the conflict. Walsh also weaves surprising threads into the story of Irish independence such as jazz, American movies, and psychoanalysis, examining the broader cultural environment of emerging modernity in the early twentieth century, and he shows how Irish nationalism was shaped by a world brimming with revolutionary potential defined by the twin poles of Woodrow Wilson in America and Vladimir Lenin in Russia. In this “invigorating account” (Spectator), Walsh demonstrates how this national revolution, which captured worldwide attention from India to Argentina, was itself profoundly shaped by international events. Bitter Freedom is "the most vivid and dramatic account of this epoch to date" (Literary Review).
Sir Basil Clarke was a courageous and intrepid First World War newspaper correspondent. In late 1914 he defied a ban on reporters by living as an ‘outlaw’ in Dunkirk and by the time he was forced to leave was one of only two remaining journalists near the Front. Later in the war he reported from the Battle of the Somme and caused a global scandal by accusing the government of effectively ‘feeding the Germans’ by failing to properly enforce its naval blockade. Closer to home, he was the first to publish reports from the Easter Rising.Clarke became the UK’s first public relations officer in 1917 and established the first PR firm in 1924. His public relations career included leading British propaganda during the Irish War of Independence, and his official response to Bloody Sunday in 1920 is still controversial today.In this, the first biography of Clarke, Richard Evans expertly portrays the life and character of this extraordinary man - a man who risked his life so that the public had independent news from the war and who became the father of the UK’s public relations industry.
A journey through the recent history of Ireland, viewing events from the perspective of avowed repubicans. The authors have interviewed nine Irish veterans who have lived through the Gaelic renaissance, the Easter Rising, the guerilla war against the British, and the subsequent civil war.
A masterful history of Ireland’s Easter Rising told through the lives of ordinary people who forged a revolutionary generation. On Easter Monday, 1916, Irish rebels poured into Dublin’s streets to proclaim an independent republic. Ireland’s long struggle for self-government had suddenly become a radical and bloody fight for independence from Great Britain. Irish nationalists mounted a week-long insurrection, occupying public buildings and creating mayhem before the British army regained control. The Easter Rising provided the spark for the Irish revolution, a turning point in the violent history of Irish independence. In this highly original history, acclaimed scholar R. F. Foster explores the human dimension of this pivotal event. He focuses on the ordinary men and women, Yeats’s “vivid faces,” who rose “from counter or desk among grey / Eighteenth-century houses” and took to the streets. A generation made, not born, they rejected the inherited ways of the Church, their bourgeois families, and British rule. They found inspiration in the ideals of socialism and feminism, in new approaches to love, art, and belief. Drawing on fresh sources, including personal letters and diaries, Foster summons his characters to life. We meet Rosamond Jacob, who escaped provincial Waterford for bustling Dublin. On a jaunt through the city she might visit a modern art gallery, buy cigarettes, or read a radical feminist newspaper. She could practice the Irish language, attend a lecture on Freud, or flirt with a man who would later be executed for his radical activity. These became the roots of a rich life of activism in Irish and women’s causes. Vivid Faces shows how Rosamond and her peers were galvanized to action by a vertiginous sense of transformation: as one confided to his diary, “I am changing and things around me change.” Politics had fused with the intimacies of love and belief, making the Rising an event not only of the streets but also of the hearts and minds of a generation.
Travel literature has been described by Jonathan Raban as "literature's red-light district". It defies peoples' beliefs, confuses expectations, crosses disciplinary boundaries and is linked to ethnography, journalism and biography. Yet for all that has managed to remain not only a visible but also an increasingly popular literary genre. This anthology makes an entertaining and insightful contribution to this engaging field. It includes extracts from well known writers, such as Thackeray, Boll and Chesterton, but also presents less familiar figures from the nineteenth and twentieth centuries. The seventy pieces collected here both offer sharp observations of the country and are equally revealing about the travelers themselves. Each extract, where possible, is prefaced by a brief biography of its author. For readers interested in the origins and historical role of travel writing in general, and how they relate to Ireland, the editor offers an illuminating introduction. This anthology presents illuminating snapshots of Ireland over two hundred years. It also provides insights into the varied perspectives of the travelers themselves, a perspective often influenced by contemporary political events such as the Great Famine, Home Rule, the Civil War and the Troubles. This anthology leaves the reader with an enduring image of Ireland's ability to fascinate and stimulate visitors through two centuries.
To what extent did the Irish disappear from English politics, life and consciousness following the Anglo-Irish War? Mo Moulton offers a new perspective on this question through an analysis of the process by which Ireland and the Irish were redefined in English culture as a feature of personal life and civil society rather than a political threat. Considering the Irish as the first postcolonial minority, she argues that the Irish case demonstrates an English solution to the larger problem of the collapse of multi-ethnic empires in the twentieth century. Drawing on an array of new archival evidence, Moulton discusses the many varieties of Irishness present in England during the 1920s and 1930s, including working-class republicans, relocated southern loyalists, and Irish enthusiasts. The Irish connection was sometimes repressed, but it was never truly forgotten; this book recovers it in settings as diverse as literary societies, sabotage campaigns, drinking clubs, and demonstrations.
An accessible overview of Ireland's War of Independence, 1919-21. From the first shooting of RIC constables in Soloheadbeg, Co Tipperary, on 21 January 1919 to the truce in July 1921, the IRA carried out a huge range of attacks on all levels of British rule in Ireland. There are stories of humanity, such as the British soldiers who helped three IRA men escape from prison or the members of the British Army who mutinied in India after hearing about the reprisals being carried out by the Black and Tans in Ireland. The hundreds of thousands of people who celebrated the Centenary of the 1916 Rising with pride and joy are the same people who will appreciate the story of the Irish Republicans who battled against all odds in the next phase of the fight for Ireland between 1919 and 1921.
In the years after the First World War both Ulster and Upper Silesia saw violent conflicts over self-determination. The violence in Upper Silesia was more intense both in the numbers killed and in the forms it took. Acts of violation such as rape or mutilation were noticeably more common in Upper Silesia than in Ulster. Examining the nature of communal boundaries, Timothy Wilson explains the profound contrasts in these experiences of plebeian violence. In Ulster the rival communities were divided by religion, but shared a common language. In Upper Silesia, the rival sides were united in religion-92 per cent of the local population being Catholic-but ostensibly divided on linguistic grounds between German and Polish speakers. In practice, language in Upper Silesia proved a far more porous boundary than did religion in Ulster. Language could not always be taken as a straightforward indication of national loyalties. At a local level, boundaries mattered because without them there could not be any sense of security. In Ulster, where communal identities were already clearly staked out, militants tended to concentrate on the limited task of boundary maintenance. In Upper Silesia, where national identities were so unclear, they focused upon boundary creation. This was a task that required more 'transgressive' violence. Hence atrocity was more widely practised in Upper Silesia because it could, and did, act as a polarizing force.
