Age Of Humanity: Born Hunter There are things in this world that we choose to ignore. Witches, vampires and werewolves prowl in the shadows and wait to strike. They hide in our nightmares, bringing fear to our children. Drew Singer was born to hunt the creatures, and keep them in our dreams. What scares a man who hunts nightmares for a living? Drew is about to find out.
The supernatural world is on the precipice of war. It's time to choose a side. She's no damsel in distress... Morgan Rhys is a vampire who hunts vampires. A hired hunter. When she and her team are contracted to investigate a vampire that's suspected of being behind the murder of innocent witches, Morgan knows they'll have to stay focused. This vampire is powerful, blood-thirsty, and his actions have put them on the verge of war. Too bad the handsome, human cop also on the case is messing with her senses. He's no knight in shining armor... To the world, Travis St. John is a human cop, and that's exactly what he needs them to think - for now. He knows that the vampire leader in this area is behind the disappearance of his sister, he just hasn't been able to get close enough to do anything about it. Morgan Rhys may be the key to getting inside, and it certainly doesn't hurt that the Hunter attracts him like no other. Too bad their kinds are mortal enemies. In a dangerous game of predator versus predator, a common enemy emerges that threatens their very existence. Will they be able to stop him in time?
The vivid, often gruesome portrait of the 18th-century pioneering surgeon and father of modern medicine, John Hunter. When Robert Louis Stevenson wrote his gothic horror story of Dr. Jekyll and Mr. Hyde, he based the house of the genial doctor-turned-fiend on the home of John Hunter. The choice was understandable, for Hunter was both widely acclaimed and greatly feared. From humble origins, John Hunter rose to become the most famous anatomist and surgeon of the eighteenth century. In an age when operations were crude, extremely painful, and often fatal, he rejected medieval traditions to forge a revolution in surgery founded on pioneering scientific experiments. Using the knowledge he gained from countless human dissections, Hunter worked to improve medical care for both the poorest and the best-known figures of the era—including Sir Joshua Reynolds and the young Lord Byron. An insatiable student of all life-forms, Hunter was also an expert naturalist. He kept exotic creatures in his country menagerie and dissected the first animals brought back by Captain Cook from Australia. Ultimately his research led him to expound highly controversial views on the age of the earth, as well as equally heretical beliefs on the origins of life more than sixty years before Darwin published his famous theory. Although a central figure of the Enlightenment, Hunter’s tireless quest for human corpses immersed him deep in the sinister world of body snatching. He paid exorbitant sums for stolen cadavers and even plotted successfully to steal the body of Charles Byrne, famous in his day as the “Irish giant.” In The Knife Man, Wendy Moore unveils John Hunter’s murky and macabre world—a world characterized by public hangings, secret expeditions to dank churchyards, and gruesome human dissections in pungent attic rooms. This is a fascinating portrait of a remarkable pioneer and his determined struggle to haul surgery out of the realms of meaningless superstitious ritual and into the dawn of modern medicine.
"A Civic Biology, Presented in Problems" is a reprint of an early 20th-century biology text reflecting the main assumptions of the eugenics movement, which was on the rise at the time of publishing. The book is famous for starting the Scopes trial, commonly referred to as the Scopes Monkey Trial, an American legal case in which a high school teacher, John T. Scopes, was accused of teaching human evolution. The teacher was called to court for reading his students certain passages from "Civic Biology".
Welcome to Shadow Falls, nestled deep in the woods of a town called Fallen... Kylie Galen has never felt normal. One night she finds herself at the wrong party, with the wrong people, and it changes her life forever. Her mother ships her off to Shadow Falls—a camp for troubled teens—but within hours of arriving, it becomes clear that her fellow campers aren't "troubled." Here at Shadow Falls, vampires, werewolves, shapeshifters, witches and fairies train side by side—learning to harness their powers, control their magic, and live in the normal world. They insist Kylie is one of them, and that she was brought to Shadow Falls for a reason. As if life wasn't complicated enough, enter Derek and Lucas. Derek's a half Fae who's determined to be her boyfriend, and Lucas is a brooding werewolf with whom Kylie shares a secret past. Both Derek and Lucas couldn't be more different, but they both have a powerful hold on her heart. Even though Kylie is uncertain about everything, she starts to realize that Shadow Falls is exactly where she belongs... Don't miss this spectacular, New York Times bestselling, young adult paranormal romance series from C. C. Hunter! Born at Midnight will steal your heart and haunt your dreams.
Charles N. Hunter, one of North Carolina's outstanding black reformers, was born a slave in Raleigh around 1851, and he lived there until his death in 1931. As public school teacher, journalist, and historian, Hunter devoted his long life to improving opportunities for blacks. A political activist, but never a radical, he skillfully used his journalistic abilities and his personal contacts with whites to publicize the problems and progress of his race. He urged blacks to ally themselves with the best of the white leaders, and he constantly reminded whites that their treatment of his race ran counter to their professed religious beliefs and the basic tenets of the American liberal tradition. By carefully balancing his efforts, Hunter helped to establish a spirit of passive protest against racial injustice. John Haley's compelling book, largely based on Hunter's voluminous papers, affords a unique opportunity to view race relations in North Carolina through the eyes of a black man. It also provides the first continuous survey of the black experience in the state from the end of the Civil War to the Great Depression, an account that critiques the belief that race relations were better in North Carolina than in other southern states.
