A Host of Devils provides an in-depth account of the background, origin and development of the spirit figure sculptures which emerged during colonial times among the Makonde people of Mozambique. The creation of such works is shown to connect with a regional system of knowledge and practice, within which spirits function as a format for expression. The book describes the ways in which the sculpture emerged, as well as the author's experience of learning how to carve.
A Host of Devils provides an in-depth account of the background, origin and development of the spirit figure sculptures which emerged during colonial times among the Makonde people of Mozambique. The creation of such works is shown to connect with a regional system of knowledge and practice, within which spirits function as a format for expression. The book describes the ways in which the sculpture emerged, as well as the author's experience of learning how to carve.
For the first time in English, Michael Ostling tells the story of the imagined Polish witches, showing how ordinary peasant-women got caught in webs of suspicion and accusation, finally confessing under torture to the most heinous of crimes.
When a big scary biker shows up at Jimmy's Diner fifteen minutes before the end of my shift-covered in tattoos and looking at me like I'm on the menu-I should flip the open sign to closed. But I don't. I'm too used to doing what I've been told. Too used to working and struggling and surviving to do anything different. A closed sign wouldn't stop him anyway. He's here to collect a debt. And I'm the only one left to pay. Meet the dangerous enforcer of The Devil's Host MC in this complete bundle! Includes the following previously published installments: Ride Me Hard Break Me In Drive Me Wild Hold Me Down
In this work celebrated theologian and pastor Lewis Sperry Chafer takes on the tough questions about the ever mysterious and elusive enemy of God, Satan. Going through the Bible and analyzing each reference to either Satan, Lucifer, the Devil or his works, Chafer shows us that the Devil is someone we should watch out for as a predator always on the prowl.
The so-called "Devil Theatre" is here set against its context of non-dramatic texts on possession and exorcism, providing many new insights. Representations of demonic possession and exorcism rituals abound in English Renaissance drama, an area which this book seeks to illuminate by comparison with non-dramatic works. The author investigates stage images of possessionin relation to a range of early modern demonological, theological and medical prose texts on the subject, looking specifically at how the theatre responded to these texts. He argues that the stage appropriated debates over demonicpossession to explore the competing roles of the inner life and the body in early modern definitions of selfhood. The theatre also employed the contemporary controversy over possession and exorcism to investigate the politics ofreligion, and to consider the nature of monarchic power. Moreover, because demonic possession cases and exorcism rituals were frequently dismissed by conformist writers as a piece of theatre, they offered an opportunity to reflecton the nature of drama and role-playing. JAN FRANS VAN DIJKHUIZEN is lecturer and research fellow at the University of Leiden.
