In 1975, the West Indies became the first winners of the cricket World Cup. Their style of cricket has always been ideal for this type of game; exhilarating, stroke-making batsmen; penetrative, wicket-taking bowlers and dynamic, athletic fielders. For 15 years between 1976 and 1991, the West Indies ruled the cricket world in imperious style. This book will highlight the sad demise of West Indian cricket, as the accessibility of cable television has shown youngsters in the Caribbean other sports, ones which offer untold wealth to even those of moderate professional standard.
Of the global community of cricketers, the West Indians are, arguably, the most well-known and feared. This book shows how this tradition of cricketing excellence and leadership emerged, and how it contributed to the rise of West Indian nationalism and independence.
In C. L. R. James's classic Beyond a Boundary, the sport is cricket and the scene is the colonial West Indies. Always eloquent and provocative, James--the "black Plato," (as coined by the London Times)--shows us how, in the rituals of performance and conflict on the field, we are watching not just prowess but politics and psychology at play. Part memoir of a boyhood in a black colony (by one of the founding fathers of African nationalism), part passionate celebration of an unusual and unexpected game, Beyond a Boundary raises, in a warm and witty voice, serious questions about race, class, politics, and the facts of colonial oppression. Originally published in England in 1963 and in the United States twenty years later (Pantheon, 1983), this second American edition brings back into print this prophetic statement on race and sport in society.
WINNER OF THE CRICKET SOCIETY AND MCC BOOK OF THE YEAR AWARD 2016 SHORTLISTED FOR THE WILLIAM HILL SPORTS BOOK OF THE YEAR AWARD 'I doubt there will be a better book written about this period in West Indies cricket history.' Clive Lloyd Cricket had never been played like this. Cricket had never meant so much. The West Indies had always had brilliant cricketers; it hadn’t always had brilliant cricket teams. But in 1974, a man called Clive Lloyd began to lead a side which would at last throw off the shackles that had hindered the region for centuries. Nowhere else had a game been so closely connected to a people’s past and their future hopes; nowhere else did cricket liberate a people like it did in the Caribbean. For almost two decades, Clive Lloyd and then Vivian Richards led the batsmen and bowlers who changed the way cricket was played and changed the way a whole nation – which existed only on a cricket pitch - saw itself. With their pace like fire and their scorching batting, these sons of cane-cutters and fishermen brought pride to a people which had been stifled by 300 years of slavery, empire and colonialism. Their cricket roused the Caribbean and antagonised the game’s traditionalists. Told by the men who made it happen and the people who watched it unfold, Fire in Babylon is the definitive story of the greatest team that sport has known.
This volume covers the "third rising" of West Indies cricket. As the sport becomes ever more commercialized, large amounts of money have established sponsorship & support systems to give cricketers around the world every possible advantage. Beckles assesses what impact the globalization of cricket has had on the cricketers of the Caribbean. He also describes the emergence of what he argues is a debilitating sub-nationalism in the West Indies, & the effect this has had on the game, & the prospect for integrating West Indian nationhood in the twenty-first century.
This volume covers the "third rising" of West Indies cricket. As the sport becomes ever more commercialized, large amounts of money have established sponsorship & support systems to give cricketers around the world every possible advantage. Beckles assesses what impact the globalization of cricket has had on the cricketers of the Caribbean. He also describes the emergence of what he argues is a debilitating sub-nationalism in the West Indies, & the effect this has had on the game, & the prospect for integrating West Indian nationhood in the twenty-first century.
legendary Indian Cricketers’ follow the form and format of the ragas of Indian classical music. The first phase; which spans over several decades; has the leisurely pace of village life; the second phase; which unfolds over the 1950s and 70s; goes with a simple; measured melodious beat; while the third is a kind of scherzo; where action is compressed into less than a day. All the same the scene; the setting and the structure of the Legendary Indian Cricketers (Men; Moments and Memories) are classically Indian. The echoes and the ethos too have a typical Indian flavour. This book is a must-read for those who are keen to know about the lives of some of the greatest cricketers of India. This book reveals the lives of legendary Indian cricketers from 1950s to 70s, presented in the form and format of the ragas of Indian classical music. The scenes, settings, and structures are classically Indian, and capture the leisurely pace of village life, the simple, measured melodious beat, and the action-packed scherzo. For those interested in the lives of some of the greatest cricketers of India, Legendary Indian Cricketers (Men, Moments and Memories) is a must-read. Legendary Indian Cricketers by Ravi Chaturvedi, Indian cricket, sports biography, cricketing legends, cricket history, sportsmanship, sports heroes, achievements, Indian sports, cricket culture.
Bringing together leading international writers on cricket and society, this important new book places cricket in the postcolonial life of the major Test-playing countries. Exploring the culture, politics, governance and economics of cricket in the twenty-first century, this book dispels the age-old idea of a gentle game played on England's village greens. This is an original political and historical study of the game's development in a range of countries and covers: * cricket in the new Commonwealth: Sri Lanka, Pakistan, the Caribbean and India * the cricket cultures of Australia, New Zealand and post-apartheid South Africa * cricket in England since the 1950s. This new book is ideal for students of sport, politics, history and postcolonialism as it provides stimulating and comprehensive discussions of the major issues including race, migration, gobalization, neoliberal economics, the media, religion and sectarianism.
The book tells the story of two test match series: England vs West Indies in 1933 and West Indies vs England in 1935. The England team was one of the best to ever play the game. Their side including: Herbert Sutcliffe, Wally Hammond Harold Larwood and captained by Douglas Jardine had just battered Australia by 4:1 in the infamous bodyline series. Australians though regarded the bodyline series as a travesty: what was supposed to be a gentle game for gentlemen had been turned into a struggle for dominance characterised by violence, intimidation and injury. The West Indian team, made up of from the populations of Britain’s scattered possessions in the Caribbean and divided by race as well as island loyalties, seemingly, had little chance against Jardine’s juggernaut. But cricket in the West Indies was more than just a game, the cricket field was a place where the island’s black population could meet their white compatriots as equals in competition, competitions they often won. West Indian cricket was an exciting new thing, suffused with athletic excellence, passion, the desire for dignity and financial security. Could men like: Learie Constantine, Manny Martindale and George Headley take West Indian cricket out into the world and beat the best the British had to offer?
In his important contribution to the growing field of sports literature, Anthony Bateman traces the relationship between literary representations of cricket and Anglo-British national identity from 1850 to the mid 1980s. Examining newspaper accounts, instructional books, fiction, poetry, and the work of editors, anthologists, and historians, Bateman elaborates the ways in which a long tradition of literary discourse produced cricket's cultural status and meaning. His critique of writing about cricket leads to the rediscovery of little-known texts and the reinterpretation of well-known works by authors as diverse as Neville Cardus, James Joyce, the Great War poets, and C.L.R. James. Beginning with mid-eighteenth century accounts of cricket that provide essential background, Bateman examines the literary evolution of cricket writing against the backdrop of key historical moments such as the Great War, the 1926 General Strike, and the rise of Communism. Several case studies show that cricket simultaneously asserted English ideals and created anxiety about imperialism, while cricket's distinctively colonial aesthetic is highlighted through Bateman's examination of the discourse surrounding colonial cricket tours and cricketers like Prince Kumar Shri Ranjitsinhji of India and Sir Learie Constantine of Trinidad. Featuring an extensive bibliography, Bateman's book shows that, while the discourse surrounding cricket was key to its status as a symbol of nation and empire, the embodied practice of the sport served to destabilise its established cultural meaning in the colonial and postcolonial contexts.