Arkansas's Old State House, arguably the most famous building in the state, was conceived during the territorial period and has served through statehood. A History of Arkansas's Old State House traces the history of the architecture and purposes of the remarkable building. The history begins with Gov. John Pope's ideas for a symbolic state house for Arkansas and continues through the construction years and an expansion in 1885. After years of deterioration, the building was abandoned by the state government, and the Old State House then became a medical school and office building. Kwas traces the subsequent fight for the building's preservation on to its use today as a popular museum of Arkansas history and culture. Brief biographies of secretaries of state, preservationists, caretakers, and others are included, and the book is generously illustrated with early and seldom-seen photographs, drawings, and memorabilia.
“An arresting and meticulously researched collection of poems” about the life of Phillis Wheatley, the first black woman to publish a book in America (Ms. Magazine). In 1773, a young African American woman named Phillis Wheatley published a book of poetry, Poems on various Subjects, Religious and Moral (1773). When Wheatley’s book appeared, her words would challenge Western prejudices about African and female intellectual capabilities. Her words would astound many and irritate others, but one thing was clear: This young woman was extraordinary. Based on fifteen years of archival research, The Age of Phillis, by award-winning writer Honorée Fanonne Jeffers, imagines the life and times of Wheatley: her childhood with her parents in the Gambia, West Africa, her life with her white American owners, her friendship with Obour Tanner, her marriage to the enigmatic John Peters, and her untimely death at the age of about thirty-three. Woven throughout are poems about Wheatley's “age”—the era that encompassed political, philosophical, and religious upheaval, as well as the transatlantic slave trade. For the first time in verse, Wheatley’s relationship to black people and their individual “mercies” is foregrounded, and here we see her as not simply a racial or literary symbol, but a human being who lived and loved while making her indelible mark on history.
"Herein, we bring you to sites that have been central to the lives of 'the people' of Greater Boston over four centuries. You'll visit sites associated with the area's indigenous inhabitants and with the individuals and movements who sought to abolish slavery, to end war, challenge militarism, and bring about a more peaceful world, to achieve racial equity, gender justice, and sexual liberation, and to secure the rights of workers. We take you to some well-known sites, but more often to ones far off the well-beaten path of the Freedom Trail, to places in Boston's outlying neighborhoods. We also visit sites in numerous other municipalities that make up the Greater Boston region-from places such as Lawrence, Lowell and Lynn to Concord and Plymouth. The sites to which we do 'travel' include homes given that people's struggles, activism, and organizing sometimes unfold, or are even birthed in many cases in living rooms and kitchens. Trying to capture a place as diverse and dynamic as Boston is highly challenging. (One could say that about any 'big' place.) We thus want to make clear that our goal is not to be comprehensive, or to 'do justice' to the region. Given the constraints of space and time as well as the limitations of knowledge--both our own and what is available in published form--there are many important sites, cities, and towns that we have not included. Thus, in exploring scores of sites across Boston and numerous municipalities, our modest goal is to paint a suggestive portrait of the greater urban area that highlights its long-contested nature. In many ways, we merely scratch the region's surface--or many surfaces--given the multiple layers that any one place embodies. In writing about Greater Boston as a place, we run the risk of suggesting that the city writ-large has some sort of essence. Indeed, the very notion of a particular place assumes intrinsic characteristics and an associated delimited space. After all, how can one distinguish one place from another if it has no uniqueness and is not geographically differentiated? Nonetheless, geographer Doreen Massey insists that we conceive of places as progressive, as flowing over the boundaries of any particular space, time, or society; in other words, we should see places as processual or ever-changing, as unbounded in that they shape and are shaped by other places and forces from without, and as having multiple identities. In exploring Greater Boston from many venues over 400 years, we embrace this approach. That said, we have to reconcile this with the need to delimit Greater Boston--for among other reasons, simply to be in a position to name it and thus distinguish it from elsewhere"--
"It is possible that this heliotype production was to serve also as a special book for the Centennial. It contains illustrations from many different sources related to the building as well as exterior and interior views of how the halls were laid out for exhibition." -- Hanson Collection Catalog, p. 55.
Prologue: March, 1770 -- Families of Empire -- Inseparable Interests, 1766-1767 -- Seasons of Discontent, 1766-1767 -- Under One Roof -- Love Your Neighbor, 1768-1770 -- Absent Without Leave 1768-1770 -- A Deadly Riot -- Gathering Up, 1770-1772 -- Epilogue: Civil War, 1772-1775.
A lavishly illustrated look at some of Boston's most historic buildings, now available in a new, updated edition. Winner of the Historic New England Book Prize and a Boston Preservation Alliance Annual Achievement Award. As Boston fast approaches its four-hundredth anniversary, the city's architecture plays an important role in preserving its historic character. This book introduces readers to the city's early history through fifty buildings, which all pre-date 1800. Employing an approachable narrative that will appeal to non-architects and those new to historic preservation, Joseph M. Bagley guides readers through an overview of the historic preservation movement in Boston before explaining the historical significance of these structures, which include homes, churches, warehouses, and restaurants. The book begins with a map of the buildings' locations and organizes entries from the oldest to the most recent. The majority of the properties are located within Boston's downtown area, along the Freedom Trail, and within easy walking distance from the core of the city. While this makes the book an ideal guide for tourists, Boston residents will also discover buildings in the surrounding neighborhoods. Each chapter features a building, a story about its history, and the efforts made to preserve it over time. Fullcolor photos and historical drawings illustrate each structure and area. Boston's Oldest Buildings and Where to Find Them presents the ideals of historic preservation in an easy-to-read manner appropriate for the broadest audience. Perfect for history lovers, architectural enthusiasts, locals, and visitors alike. This new edition features a foreword by Robert Allison, professor of history, language, and global culture at Suffolk University, and includes three new buildings identified by the author as being amongst the oldest in the city, which illustrates the dynamic nature of archaeology.
Brandt chronicles the events that occurred in and around its buildings, the stories of the people memorialized in the grounds' monuments, and the histories of the monuments themselves.
Take an architectural tour of the extraordinary New Illinois Statehouse at Springfield. Inside you will find the architectural history and fascinating stories behind each major room in the New Statehouse, accompanied by over 120 full-page photos. The book begins with the story of the New Statehouse, its design and construction. Learn about the European and ancient Greek precedents which inspired its architecture. Then, embark on a personal tour of this magnificent building, from the basement tunnels to the top of the dome. Step inside grand halls and private rooms alike, breathtaking examples of Old World craftsmanship. Dozens of close-up photos bring intricate details to hand. Discover the stories of the sculptures, paintings, and ornamentation (and the artisans who made them) which make this building unique both in Illinois and across the nation.
"It is possible that this heliotype production was to serve also as a special book for the Centennial. It contains illustrations from many different sources related to the building as well as exterior and interior views of how the halls were laid out for exhibition." -- Hanson Collection Catalog, p. 55.
A magnificent celebration of America's state capitol buildings. These glorious buildings are, in the author's words, "the homes of history," where laws are passed, where democracy is enacted, where history is written. Though each state capitol bears some similarity to the other forty-nine, each in its architecture and design reflects uniquely the pride of its state, both culturally and historically. For this unprecedented project, photographer Tom Patterson traveled to each of America's fifty state capitals to capture the architectural beauty and dignity of its capitol building in glorious large-format color images. Writer Susan W. Thrane reveals fascinating details about each capitol building's beginnings: the events surrounding construction background on its architects and builders dimensions and costs primary features and main rooms unique furnishings and works of art. The book also discusses important moments in the history of each building and the state itself, including: the origin of the state's name its capital city when the state was admitted to the Union, and the number of members in its legislative bodies.
