Previous studies of the Matachines dance dealt mainly with its origins, distribution, and descriptive details. Rodriguez's work instead focuses on the larger cultural, ecological, historical, and political-economic setting within which each community's performance is organized.
The danza de matachines is a tradition with roots in the Spanish colonization of Mexico that summons history for Mexican, Chicano, and indigenous communities. The elaborate ritual, regalia, and practices associated with the tradition tell of the repeated appearances of Our Lady of Guadalupe to the Aztec Indian Juan Diego as she provided instructions for the building of a church. Matachines have been dancing in Mexico and portions of the southwestern United States for as long as 300 years, and various troupes in San Antonio date their beginnings to the late 1800s, as immigrants from Mexico brought the tradition to the southern reaches of Texas. In We Dance for the Virgen, Robert R. Botello, who participated in a family-based troupe from 2006 to 2019, reviews the history of the tradition while contrasting the troupe's internal changes in traditions with those originating from the larger social and political context of San Antonio. In Botello's words, this book "is as much about the dance and its history as it is about my transformation as a matachines dancer." Botello ultimately examines issues of cultural appropriation arising from the association of the troupe with the Roman Catholic Archdiocese of San Antonio, revealing the resilience in a tradition that has remained true to its origins across many generations of dancers.
In this book, Rodriguez explores the colorful, complex, and often enigmatic Matachines dance as it is performed today. In the Upper Rio Grande Valley of New Mexico, the Matachines is the only ritual dance performed in both Indian Pueblos and Hispano communities.
Now available in a hardcover gift edition! Spanning three generations, Muy Bueno offers traditional old-world northern Mexican recipes from grandmother Jeusita's kitchen; comforting south of the border home-style dishes from mother Evangelina; and innovative Latin fusion recipes from daughters Yvette and Veronica. Muy Bueno has become one of the most popular Mexican cookbooks available. This new hardcover edition features a useful guide to Mexican pantry ingredients. Whether you are hosting a casual family gathering or an elegant dinner party, Muy Bueno has the perfect recipes for entertaining with Latin flair! You'll find classics like Enchiladas Montadas ("Stacked Enchiladas"); staples like Homemade Tortillas and Toasted Chile de Arbol Salsa; and light seafood appetizers like Shrimp Ceviche and Scallop and Cucumber Cocktail. Don't forget tempting Coconut Flan and daring, dazzling cocktails like Blood Orange Mezcal Margaritas and Persimmon Mojitos. There is truly something in Muy Bueno for every taste! This edition features more than 100 easy-to-follow recipes, a glossary of chiles with photos and descriptions of each variety, step-by-step instructions with photos for how to roast chiles, make Red Chile Sauce, and assemble tamales, a rich family history shared through anecdotes, photos, personal tips, and more, and stunning color photography throughout.
In villages and towns across Spain and its former New World colonies, local performers stage mock battles between Spanish Christians and Moors or Aztecs that range from brief sword dances to massive street theatre lasting several days. The festival tradition officially celebrates the triumph of Spanish Catholicism over its enemies, yet this does not explain its persistence for more than five hundred years nor its widespread diffusion. In this insightful book, Max Harris seeks to understand Mexicans' "puzzling and enduring passion" for festivals of moros y cristianos. He begins by tracing the performances' roots in medieval Spain and showing how they came to be superimposed on the mock battles that had been a part of pre-contact Aztec calendar rituals. Then using James Scott's distinction between "public" and "hidden transcripts," he reveals how, in the hands of folk and indigenous performers, these spectacles of conquest became prophecies of the eventual reconquest of Mexico by the defeated Aztec peoples. Even today, as lively descriptions of current festivals make plain, they remain a remarkably sophisticated vehicle for the communal expression of dissent.
This book -- at once personal and analytical -- explores, in vibrant detail and compelling depth, the capacity of movement to express the way that human beings experience their lives and identities. In recounting her exploration of a town in the American Southwest, Deidre Sklar examines themes common to cultures around the world."—Benjamin S. Orlove, editor of The Allure of the Foreign