This is a comprehensive narrative history of Korean literature. It provides a wealth of information for scholars, students and lovers of literature. Combining both history and criticism the study reflects the latest scholarship and offers a systematic account of the development of all genres. Consisting of twenty-five chapters, it covers twentieth-century poetry, fiction by women and the literature of North Korea. This is a major contribution to the field and a study that will stand for many years as the primary resource for studying Korean literature.
This book explores the history of modern Korean literature from a sociocultural perspective. Rather than focusing solely on specific authors and their works, Young Min Kim argues that the development of modern media, shifting conceptualizations of the author, and a growing mass readership fundamentally shaped the types of narratives that appeared at the turn of the twentieth century. In particular, Kim follows the trajectory of the sin sosŏl (new fiction) as it meshed with the new print and media culture to give rise to innovative and hybrid genres and literary styles. In doing so, he compellingly illuminates the relationship between literary systems and forms and underscores the necessity of re-locating literary texts in their sociohistorical contexts.
Preeminent scholar and translator David R. McCann presents an anthology of his own translations of works ranging across the major genres and authors of Korean writing—stories, legends, poems, historical vignettes, and other works—and a set of critical essays on major themes. A brief history of traditional Korean literature orients the reader to the historical context of the writings, thus bringing into focus this rich literary tradition. The anthology of translations begins with the Samguk sagi, or History of the Three Kingdoms, written in 1145, and ends with "The Story of Master Hô," written in the late 1700s. Three exploratory essays of particular subtlety and lucidity raise interpretive and comparative issues that provide a creative, sophisticated framework for approaching the selections.
"Outlining the major developments, characteristics, genres, and figures of the Korean literary tradition from earliest times into the new millennium, this volume includes examples, in English translation, of each of the genres and works by several of the major figures discussed in the text, as well as suggestions for further reading"--
This study examines the development and characteristics of various historical and contemporary genres of Korean literature. It presents explanations on the development of Korean literacy and offers a history of literary criticism, traditional and modern, giving the discussion an historical context.
This book examines one of the seminal chapters in the history of the modern Korea. Through an analysis of texts of various genres and types, the author analyzes Japanese colonialism and modernity and its impact on Korean culture and society during the first half of the twentieth century.
One of the first, most widely-read and respected histories of Korea, Ki-baik Lee's Han'guksa Sillon has been translated into English by Edward W. Wagner. A New History of Korea offers Western readers a distillation of the best scholarship on Korean history and culture from the earliest times to the student revolution of 1960.
An easy to read, extensive exploration of premodern Korean literature. The work covers the beginning of Korean literature until the end of the nineteenth century and would be ideal for students in Korean or Asian literature classes.
This volume offers essential information and a basic framework for understanding twentieth-century Korean literature. Growing out of a continuous tradition of over 2,000 years, twentieth-century Korean literature, termed "modern Korean Literature" by Korean scholars, has been shaped by profound social and political transformations on the peninsula. Those decades of great suffering and change gave birth to poets and writers of broad vision and to works of literature that testify both to actual Korean experience within this history and to the Korean spirit of resistance and transcendence. It is this literature that offers the most concrete and abundant knowledge and intuition of the sensibilities and habits of thought and the moral values and aesthetic views that guided the lives of Koreans in the twentieth century.CONTENTS1900-1945: THE RISE OF MODERN LITERATURE: Two Moderns: Yi Kwangsu and Kim Tong-in Between Enlightenment and Art Elegies for a Lost Era: Kim Sowol and Han Yong-un Social Consciousness and the Rise of Realist Fiction Colonial Pastorals: Rural Sketches in Time of Oppression Modernization of Poetic Language and Imagination1945-1970: LIBERATION AND THE KOREAN WAR: Abundance Amid Privation: The Poetry of So Chongju Exploring Nature and Life: Yu Chihwan and Pak Mog-wol Tradition and Humanity: Kim Tongni and Hwang Sunwon Prose Poetry and Condensations of Poetic Language: Kim Su-yong and Kim Ch?unsu Currents in Fiction: Political Life and Existential Life1970-1990: LITERATURE IN AN INDUSTRIALIZING SOCIETY: The Shadows Cast by Industrialization Continuing Consequences of Korean Division The Expression of Social Concerns in Poetry Women?s Voices Explorations of Existence and Quests for New Language Expansions of Fictional Space ?The Era of Poetry? and Deconstructions of Language
Korean writers and filmmakers crossed literary and visual cultures in multilayered ways under Japanese colonial rule (1910–1945). Taking advantage of new modes and media that emerged in the early twentieth century, these artists sought subtle strategies for representing the realities of colonialism and global modernity. Theodore Hughes begins by unpacking the relations among literature, film, and art in Korea's colonial period, paying particular attention to the emerging proletarian movement, literary modernism, nativism, and wartime mobilization. He then demonstrates how these developments informed the efforts of post-1945 writers and filmmakers as they confronted the aftershocks of colonialism and the formation of separate regimes in North and South Korea. Hughes puts neglected Korean literary texts, art, and film into conversation with studies on Japanese imperialism and Korea's colonial history. At the same time, he locates post-1945 South Korean cultural production within the transnational circulation of texts, ideas, and images that took place in the first three decades of the Cold War. The incorporation of the Korean Peninsula into the global Cold War order, Hughes argues, must be understood through the politics of the visual. In Literature and Film in Cold War South Korea, he identifies ways of seeing that are central to the organization of a postcolonial culture of division, authoritarianism, and modernization.
