A History of Opera

A History of Opera

Author: Carolyn Abbate

Publisher: W. W. Norton & Company

Published: 2015-09-08

Total Pages: 648

ISBN-13: 0393089533

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“The best single volume ever written on the subject, such is its range, authority, and readability.”—Times Literary Supplement Why has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their “effervescent, witty” (Die Welt, Germany) retelling of the history of opera, examining its development, the musical and dramatic means by which it communicates, and its role in society. Now with an expanded examination of opera as an institution in the twenty-first century, this “lucid and sweeping” (Boston Globe) narrative explores the tensions that have sustained opera over four hundred years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre’s most popular and enduring works were almost all written in a distant European past, opera continues to change the viewer— physically, emotionally, intellectually—with its enduring power.


A History of English Opera

A History of English Opera

Author: Eric Walter White

Publisher: London : Faber and Faber

Published: 1983-01-01

Total Pages: 472

ISBN-13: 9780571107889

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Appendix: "Rules and Regulations of the Royal English Opera"p.439ff


Historical Dictionary of Opera

Historical Dictionary of Opera

Author: Scott L. Balthazar

Publisher: Scarecrow Press

Published: 2013-07-05

Total Pages: 564

ISBN-13: 0810879433

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Opera has been around ever since the late 16th century, and it is still going strong in the sense that operas are performed around the world at present, and known by infinitely more persons than just those who attend performances. On the other hand, it has enjoyed periods in the past when more operas were produced to greater acclaim. Those periods inevitably have pride of place in this Historical Dictionary of Opera, as do exceptional singers, and others who combine to fashion the opera, whether or not they appear on stage. But this volume looks even further afield, considering the cities which were and still are opera centers, literary works which were turned into librettos, and types of pieces and genres. While some of the former can be found on the web or in other sources, most of the latter cannot and it is impossible to have the whole picture without them. Indeed, this book has an amazingly broad scope. The dictionary section, with about 340 entries, covers the topics mentioned above but obviously focuses most on composers, not just the likes of Mozart, Verdi and Wagner, but others who are scarcely remembered but made notable contributions. Of course, there are the divas, but others singers as well, and some of the most familiar operas, Don Giovanni, Tosca and more. Technical terms also abound, and reference to different genres, from antimasque to zarzuela. Since opera has been around so long, the chronology is rather lengthy, since it has a lot of ground to cover, and the introduction sets the scene for the rest. This book should not be an end but rather a beginning, so it has a substantial bibliography for readers seeking more specific or specialized works. It is an excellent access point for readers interested in opera.


Opera in America

Opera in America

Author: John Dizikes

Publisher:

Published: 1995

Total Pages: 611

ISBN-13: 9780300061017

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This text tells how opera, steeped in European aristocratic tradition, was transplanted into the democratic cultural enviroment of America. It includes vignettes of productions, personalities, audiences and theatres throughout the country from 1735 to the present day.


History Through the Opera Glass

History Through the Opera Glass

Author: George Jellinek

Publisher: Hal Leonard Corporation

Published: 2000

Total Pages: 428

ISBN-13: 9780879102845

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(Limelight). This first-of-its-kind, highly entertaining, and carefully researched account reveals how nearly 200 operas by leading composers and librettists have portrayed the major events and personalities of more than 2000 years of history. In a continuous and absorbing narrative, the book sweeps from Roman times to 1820, with a cast of characters that includes Julius Caesar, Antony and Cleopatra, Attila, Charlemagne, Henry VIII, Elizabeth I, Catherine the Great, Napoleon and hundreds more. All are seen as the figures historians generally perceive them to have been and as their on-stage counterparts, created and re-imagined by some of opera's greatest artists.


Opera

Opera

Author: Piero Weiss

Publisher: Oxford University Press, USA

Published: 2002

Total Pages: 338

ISBN-13: 9780195116380

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In Opera: A History in Documents, Piero Weiss presents a wide-ranging, vivid, and carefully researched tour of operatic history. A unique anthology of primary source material, this survey includes 115 chronologically organized selections--passages from private letters, public decrees, descriptions of first performances, portions of libretti, literary criticism and satire, newspaper reviews and articles, and poetry and fiction--from opera's late Renaissance infancy through modern times. This first-hand testimony allows students to experience the history of opera as eyewitnesses, offering an immediacy and validity unmatched by standard histories. Readers are transported to a Medici wedding in sixteenth-century Florence, to the Haymarket Theatre for a performance of Handel's Rinaldo, to Mozart at work on Die Entführung aus dem Serail, and to Bertolt Brecht's writing desk, among many other landmarks in opera's history. Weiss expertly guides students, providing highly accessible headnotes to each selection that both contextualize the excerpts and position them within the broader historical narrative. In addition, he offers original translations of more than half of the selections in the book, many of which appear here in English for the first time. Stage settings, costumes, portraits, contemporary playbills, and other illustrations enliven the text and help to recreate the feel of the era under discussion. Opera: A History in Documents is an intrinsically lively text that will enrich college courses on opera and delight any music-loving reader.


The Operatic Archive

The Operatic Archive

Author: Colleen Renihan

Publisher:

Published: 2020

Total Pages: 10

ISBN-13: 9780367134327

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The Operatic Archive: American Opera as History extends the growing interdisciplinary conversation in opera studies by drawing on new research in performance studies and the philosophy of history. Moving beyond traditional aesthetic conceptions of opera, this book argues for opera's powerful potential for historical impact and engagement in late twentieth- and twenty-first-century works by American composers. Considering opera's ability to serve as a vehicle for memory, historical experience, affect, presence, and the historical sublime, this volume demonstrates how opera's ability to represent and evoke historical events and historical experience differs fundamentally from the representations and recreations of other modes (specifically, literary and dramatic representations). Building on the work of performance scholars such as Joseph Roach, Rebecca Schneider, and Diana Taylor, and in consultation with recent debates in the philosophy of history, the book will be of interest to a wide range of scholars and researchers, particularly those working in the areas of opera studies and performance studies.


The Oxford Illustrated History of Opera

The Oxford Illustrated History of Opera

Author: Roger Parker

Publisher: Oxford University Press, USA

Published: 2001

Total Pages: 618

ISBN-13: 9780192854452

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A historical survey of opera, from its beginnings in Florence 400 years ago, up to opera in the 1990s.


Opera

Opera

Author: Christopher Headington

Publisher: Vintage

Published: 1987

Total Pages: 440

ISBN-13:

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History of Opera

History of Opera

Author: Stanley Sadie

Publisher: A&C Black

Published: 1989

Total Pages: 594

ISBN-13:

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A survey of opera covering baroque, pre-classical, classical, 19th century and 20th century. It includes an introductory essay on the nature and social place of opera and is organized by century examining national developments within the chronological framework. Discussion of stage design and production is included, offering the student, researcher or enthusiast an opportunity to see the development of design, stage movement and gesture in the context of the development of opera itself. The book contains many illustrations, engravings, prints and photographs.