British Playwrights, 1880-1956

British Playwrights, 1880-1956

Author: William W. Demastes

Publisher: Bloomsbury Publishing USA

Published: 1996-12-09

Total Pages: 470

ISBN-13: 0313032653

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From 1880 to 1956, when John Osborne transformed the British theater world with Look Back in Anger, British playwrights made numerous lasting contributions and provided a foundation for the innovations of dramatists during the latter half of the 20th century. This reference profiles the life and work of some 40 British playwrights active during the late 19th and early 20th centuries, many of whom are also known for their work as novelists and poets. Included are figures such as W. H. Auden, Max Beerbohm, Noel Coward, T. S. Eliot, John Galsworthy, Graham Greene, D. H. Lawrence, W. Somerset Maugham, George Bernard Shaw, and Oscar Wilde. Each entry provides a biographical overview; a list of major plays and summaries of their critical reception; a list of minor plays, adaptations, and productions; an assessment of the playwright's career; and archival and bibliographical information. Included in this reference book are alphabetically arranged entries for some 40 British playwrights active from 1880 through 1956. Entries are written by expert contributors, with each entry providing a biographical overview; a list of major plays, premieres, and significant revivals, along with a summary of the critical reception of these works; a listing of additional plays, adaptations, and productions; an assessment of the playwright's career and contributions, with reference to published evaluations in magazines, journals, dissertations, and books; a listing of locations housing unpublished archival material, if available; a selected bibliography of the dramatist's published plays and of essays and articles by the playwright on aspects of the theater; a selected bibliography of secondary sources; and, when available, a listing of previously published bibliographies on the playwright.


Plays by W. S. Gilbert

Plays by W. S. Gilbert

Author: George Rowell

Publisher: Cambridge University Press

Published: 1982-03-04

Total Pages: 206

ISBN-13: 9780521235891

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This edition includes four plays and one libretto, covering more than twenty years of the dramatist's career: The Palace of Truth (1870), Sweethearts (1874), Princess Toto (1876), Engaged (1877) and Rosencrantz and Guildenstern (1891). The collection demonstrates that Gilbert was an original dramatist in his own right. The sophisticated irony of his plays challenged the conventions of the Victorian burlesque and sentimental comedy by demanding, and receiving, an intelligent response from the audience. George Rowell's useful and thorough introduction, which presents the theatrical background to Gilbert's development, also shows the dramatist's influence on Pinero, Wilde and Shaw. Gilbert's style combines a technique rarely realistic and stretching to fantasy with a tone apparently cynical and in fact deeply pessimistic. This odd pairing of fantasy and fatalism was recognized by his own and later generations as 'Gilbertian' and the term has been widely applied even outside the theatre.


Plays by James Robinson Planché

Plays by James Robinson Planché

Author: James Robinson Planché

Publisher: CUP Archive

Published: 1986-01-30

Total Pages: 262

ISBN-13: 9780521284417

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James Robinson Planché was one of the most prolific and successful of nineteenth-century playwrights. In a career spanning fifty years he wrote over one hundred and eighty pieces of all types, from pantomime and farce to melodrama and opera, for production at a wide range of London theatres. This book offers a representative selection of his most popular plays. It includes one melodrama - The Vampire; or The Bride of the Isles (1820), which represents the first treatment of the vampire theme on the English stage; one farce - The Garrick Fever (1839); three 'fairy' extravaganzas - Beauty and the Beast (1841), Fortunio and his Seven Gifted Servants (1843), and The Discreet Princess; or, The Three Glass Distaffs (1855); one 'classical' extravaganza - The Golden Fleece; or, Jason in Colchis and Medea in Corinth (1845); and one revue of events in contemporary London - The Camp at the Olympic (1853). The volume includes a lengthy introduction which sets the plays in the theatrical context of their time, a chronological record of Planché's life, a complete list of his plays, and a bibliography.


The Cambridge Companion to Victorian Culture

The Cambridge Companion to Victorian Culture

Author: Francis O'Gorman

Publisher: Cambridge University Press

Published: 2010-01-21

Total Pages: 327

ISBN-13: 1139828444

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The Victorian era produced artistic achievements, technological inventions and social developments that continue to shape how we live today. This Companion offers authoritative coverage of that period's culture and its contexts in a group of specially commissioned essays reflecting the current state of research in each particular field. Covering topics from music to politics, art to technology, war to domestic arts, journalism to science, the essays address multiple aspects of the Victorian world. The book explores what 'Victorian' has come to mean and how an idea of the 'Victorian' might now be useful to historians of culture. It explores too the many different meanings of 'culture' itself in the nineteenth century and in contemporary scholarship. An invaluable resource for students of literature, history, and interdisciplinary studies, this Companion analyses the nature of nineteenth-century British cultural life and offers searching perspectives on their culture as seen from ours.


The Oxford Encyclopedia of British Literature

The Oxford Encyclopedia of British Literature

Author: David Scott Kastan

Publisher: Oxford University Press

Published: 2006-03-03

Total Pages: 2648

ISBN-13: 0195169212

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From folk ballads to film scripts, this new five-volume encyclopedia covers the entire history of British literature from the seventh century to the present, focusing on the writers and the major texts of what are now the United Kingdom and the Republic of Ireland. In five hundred substantial essays written by major scholars, the Encyclopedia of British Literature includes biographies of nearly four hundred individual authors and a hundred topical essays with detailed analyses of particular themes, movements, genres, and institutions whose impact upon the writing or the reading of literature was significant.An ideal companion to The Oxford Encyclopedia of American Literature, this set will prove invaluable for students, scholars, and general readers.For more information, including a complete table of contents and list of contributors, please visit www.oup.com/us/ebl


Renaissance Revivals

Renaissance Revivals

Author: Wendy Griswold

Publisher: University of Chicago Press

Published: 1986-10

Total Pages: 328

ISBN-13: 9780226309231

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Renaissance Revivals examines patterns in the London revivals of two English Renaissance theatre genres over the past four centuries. Griswold's focus on revenge tragedies and city comedies illuminates the ongoing interaction between society and its cultural products. No cultural object is ever created anew, she argues, but is instead constructed from existing cultural genres and conventions, the visions and professional needs of the artist, and the interests of an audience. Thus, every "new play" is in part a renaissance and every "revival" is in part an entirely new cultural object.


Reflecting the Audience

Reflecting the Audience

Author: Jim Davis

Publisher: University of Iowa Press

Published: 2005-04

Total Pages: 317

ISBN-13: 1587294028

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This innovative work begins to fill a large gap in theatre studies: the lack of any comprehensive study of nineteenth-century British theatre audiences. In an attempt to bring some order to the enormous amount of available primary material, Jim Davis and Victor Emeljanow focus on London from 1840, immediately prior to the deregulation of that city's theatres, to 1880, when the Metropolitan Board of Works assumed responsibility for their licensing. In a further attempt to manage their material, they concentrate chapter by chapter on seven representative theatres from four areas: the Surrey Theatre and the Royal Victoria to the south, the Whitechapel Pavilion and the Britannia Theatre to the east, Sadler's Wells and the Queen's (later the Prince of Wales's) to the north, and Drury Lane to the west. Davis and Emeljanow thoroughly examine the composition of these theatres' audiences, their behavior, and their attendance patterns by looking at topography, social demography, police reports, playbills, autobiographies and diaries, newspaper accounts, economic and social factors as seen in census returns, maps and transportation data, and the managerial policies of each theatre.