A Heros Plight, Dark Beginnings is the first of an epic trilogy. In a world once plagued by war, old troubles resurface. Zanatose and his small band of heroes embark on a quest to far off lands in order to stop the mysterious creatures that have immerged from an unknown world. Their journey plays with their courage, their lives, and their sanity. The road is littered with raptors, wolves, spiders, and zombies. If you look deep enough into the novel, you may just learn something. What else could you want from one book?
One of the most influential works on Sir Walter Scott, The Hero of the Waverley Novels is a model for reconstructing ideas common at a given period in time. In this book Alexander Welsh draws upon the entire canon of Scott's fiction to demonstrate its bearing on property and the behavior prescribed for the propertied classes. Analyzing the "passive hero"--the protagonist who is acted upon by outside forces--he shows how Scott became such a powerful influence for nineteenth-century literature and history. Welsh has updated his book with an essay on history and revolution in Old Mortality, another on repression and the social contract in the novels, and an afterword on the contrast of styles. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This interpretation of Russian poet Mikhail Lermontov reveals how his life and his works can be understood as manifestations of a coherent worldview. It clarifies what has remained perplexing, corrects what has been misinterpreted and illuminates Lermontov's views of many subjects.
Your Book Might Suck… But it doesn’t have to. You are an awesome writer with an incredible fiction story the world needs to experience. But your book… well, it kind of sucks. So let’s fix that. Setting your novel apart from the rest is a choice. Fiction is more than a character doing stuff in a place you’ve invented. There are rules to magic and seasons to setting and double meanings to words, and a cadence to sentence structure if you want to write a book that doesn’t suck. I guarantee you will find tricks and treats you’ve never heard or read before in any other writing book. If not, let me know and I’ll refund your money. But if I’m right, and my book helps you to write a novel that doesn’t suck, then I’m asking you, in return to leave a positive review. That’s fair, isn’t it? Ready to get started? Great! There are questions with space to answer at the end of each chapter to help you along your journey. I’m super excited for you and wish you all the luck in writing your novel!
In this book, Katherine Spencer examines Navaho cultural values by studying a specific subset of Navaho mythology: chantway myths, part of ceremonies performed to cure illness. She begins with a summary of the general plot construction of chantway myths and the value themes presented in these plots, then discusses “explanatory elements” inserted by the narrators of the myths. She continues with a deeper analysis of the cultural value judgements conveyed by these myths. At the end of the book, Spencer includes abstracts of the myths she discusses.
Between Two Pillars breaks free of the regenerist-revisionist controversy over Samson Agonistes by discerning a dialectical opposition between Samson's irrevocable election by God and his subjection--instanced by his slavery--to a fallen, un-Godly order. Complementing God's act of election is Samson's genius for inventing exploits that prove him God's mighty minister. In every episode, it is evident that his heroic drive and inventive powers persist, even though his helplessness absolutely forecloses a career of heroic action.The contradiction of his situation is both epitomized and transcended by his destruction of the temple. Performed in an act of servile idolatry, and horribly violent, it confirms his subjection to sin; yet, by destroying the theater of his servility, it asserts his identity of God champion. This reading is introduced by chapters on Samson's magnanimous pride, his violence, and the characteristic style of his exploits. It is then elaborated by close readings of each episode. A chapter on three late sonnets confirms the dialectical cast of Milton's imagination. Author Joseph Mayer provides a concluding section on Paradise Regained, which corroborates his reading of Samson Agonistes by showing parallels between the two works.
Celebrating the fiftieth year of Atlas Shrugged's publication, this companion is an exploration of this monumental work of literature. Contributions have been specially commissioned from a diversity of eminent scholars who admire and have been influenced by the book, the included essays analyzing the novel's integrating elements of theme, plot and characterization from many perspectives and from various levels of meaning.
In The Giant Hero in Medieval Literature Tina Boyer counters the monstrous status of giants by arguing that they are more broadly legible than traditionally believed. Building on an initial analysis of St. Augustine’s City of God, Bernard of Clairvaux’s deliberations on monsters and marvels, and readings in Tomasin von Zerclaere’s Welsche Gast provide insights into the spectrum of antagonistic and heroic roles that giants play in the courtly realm. This approach places the figure of the giant within the cultural and religious confines of the twelfth and thirteenth centuries and allows an in-depth analysis of epics and romances through political, social, religious, and gender identities tied to the figure of the giant. Sources range from German to French, English, and Iberian works.
Robert A. Parker follows up each book he reads, mainly novels, with an evaluation of that book. His comments are informed by his Jesuit upbringing but also by an independent critical view that balances a moral and literary sensibility. In this fourth of six volumes, the authors covered range from Jean Lacouture to Montherlant. The commentaries are listed alphabetically by author, and about 100 authors are included in this volume. Future volumes will cover additional authors alphabetically. The writers here represent a broad range of writing styles, cultural influences, and moral philosophies.
The Collected Writings of Franz Liszt: Dramaturgical Leaves: Richard Wagner completes the second half of Liszt’s writings about stage works, its composers, and music drama. In this volume, Liszt focuses on the works of his most controversial devotee and son-in-law, Richard Wagner, whose music dramas Liszt championed as conductor during his tenure in Weimar. Here, we see Liszt prove his skill and expertise as a music critic, as well. He offers a critical analysis of the aesthetic and musical principles that underlie Wagner’s operas, Tannhäuser, Lohengrin, and The Flying Dutchman, including a thorough discussion of Wagner’s Leitmotif system of composition. Additionally, his findings are substantiated with a plethora of music examples, which will satisfy those who wanted greater musical substance from his writings. He also foretells the magnitude of Wagner’s influence on prosperity in his pamphlet-length essay, The Rhine’s Gold. Finally, the editor and translator of this volume, Janita Hall-Swadley, provides a unique perspective on these same principles, which is based on Wagner’s own mysterious diagram of “The Philosopher’s Stone,” which was supposed to be included in the original 1863 edition of the composer’s important writing, Opera and Drama, but never made it to publication.
