John Haskins (ca. 1655-1716), possibly an immigrant, married twice and lived in Taunton, Massachusetts. Richard Haskins (ca. 1660-1717), also possibly an immigrant, married twice and also lived in Taunton, Massachusetts. Descendants and relatives lived in New England, New York, Pennsylvania, Ohio, Illinois, Iowa, California and elsewhere.
Hardcover reprint of the original 1912 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9. No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Browne, William Bradford. The Babbitt Family History,1643-1900. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Browne, William Bradford. The Babbitt Family History,1643-1900, . Taunton, Mass.: C. A. Hack, 1912. Subject: Babbitt Family Edward Bobet, D. 1675
When she began writing, Mary Haskin Parker Richards was twenty-two, a Mormon convert who had traveled from England to the American frontier separately from her parents, and a newlywed just parted from her husband, sent to Britain as a missionary. She lived with her in-laws, an extended family led by Willard Richards, also a leader of the Mormon church. Reorganized in the aftermath of the assassination of Joseph Smith, the church was making its way west under the guidance of Brigham Young, a Richards cousin.
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
The warming of the Earth has been the subject of intense debate and concern for many scientists, policy-makers, and citizens for at least the past decade. Climate Change Science: An Analysis of Some Key Questions, a new report by a committee of the National Research Council, characterizes the global warming trend over the last 100 years, and examines what may be in store for the 21st century and the extent to which warming may be attributable to human activity.
