A Handbook to Agra and the Taj, Sikandra, Fatehpur-Sikri and the Neighbourhood
Author: Ernest Binfield Havell
Publisher: IndyPublish.com
Published: 1904
Total Pages: 250
ISBN-13:
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Author: Ernest Binfield Havell
Publisher: IndyPublish.com
Published: 1904
Total Pages: 250
ISBN-13:
DOWNLOAD EBOOKAuthor: E.B. Havell
Publisher: Asian Educational Services
Published: 2003
Total Pages: 202
ISBN-13: 9788120617117
DOWNLOAD EBOOKSub :Taj Mahal (Agra, India) Agra - Description - Guidebooks
Author: E. B. Havell
Publisher: Outlook Verlag
Published: 2020-07-17
Total Pages: 66
ISBN-13: 3752306092
DOWNLOAD EBOOKReproduction of the original: A Handbook to Agra and the Taj Sikandra, Fatehpur-Sikri and the Neighbourhood by E.B. Havell
Author: E. B. Havell
Publisher:
Published: 2004
Total Pages:
ISBN-13:
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Publisher:
Published: 1920
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKAuthor: Imperial Library, Calcutta
Publisher:
Published: 1908
Total Pages: 570
ISBN-13:
DOWNLOAD EBOOKAuthor: Calcutta (India). Imperial library
Publisher:
Published: 1908
Total Pages: 568
ISBN-13:
DOWNLOAD EBOOKAuthor: Royal Colonial Institute (Great Britain)
Publisher:
Published: 1904
Total Pages: 666
ISBN-13:
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Publisher:
Published: 1924
Total Pages: 988
ISBN-13:
DOWNLOAD EBOOKAuthor: Tapati Guha-Thakurta
Publisher: Cambridge University Press
Published: 2023-03-31
Total Pages: 446
ISBN-13: 1009276751
DOWNLOAD EBOOKAs an invitation to interrogate the secular modality of art, the book unsettles both the categories of 'art' and 'secular' in their theoretical and historical implications. It questions the temporal, spatial and cultural binaries between the 'sacred' and the 'secular' that have shaped art historical scholarship as well as artistic practice. All the essays here are anchored in a conception of a region, whether we call it South Asia or the Indian subcontinent – one, fissured by histories of partition, state formations and religious nationalisms, but still offering a collective site from which to speak to the disciplines of art and the knowledge worlds in which they are embedded. The book asks: How do we complicate the religious designations of pre-modern art and architecture and the new forms of their resurgence in contemporary iconographies and monuments? How do we re-conceptualize the public and the political, as fiery contestations and new curatorial practices reconfigure the meaning of art in the proliferating spaces of museums, galleries, biennales and festivals? How do we understand South Asian art's deep entanglements with the politics of the present?