Color photos of twenty Hopi kachina dolls are accompanied by explanations of their symbolism and spiritual significance, along with an introduction providing historical background.
The Hopi Indian's rich culture and exciting religious ceremonies continue to thrive. However, outsiders have limited opportunity to witness the exciting Katsina dances and ceremonies of the Hopi, save through the well-known and much prized kachina dolls the Katsina spiritually inform. Presenting work from a select set of recognizable Hopi artists, this book relates the detailed history and culture of the Hopis in tandem with their creative efforts to showcase that framework: from remarkable paintings to the kachina sculptures and dolls that manifest as physical representations of the Katsinam, the Hopis' spiritual beings. These pieces complement the Pecina's studious and informative narrative of chronological vignettes and text based on a careful selection of events in Hopi history, oral teachings of great cultural significance, and legends of the Katsinam. Hopi Kachinas presents a clear and meticulous portrait of the Hopis beliefs, history, legends, their Katsina celebrations, and the personas of the Katsinam. This book illuminates the stage of study for scholars, and is vital for students of the Hopi culture.
Contemporary Kachina dolls are beautifully illustrated with over 150 color photos. The lives of the carvers who make them are explored in depth. Twenty-five of today's important Kachina carvers have been interviewed for a first-hand glimpse into their work.
Traces the history of Hopi kachina dolls as an art form, explains the role of Kachina dolls in Hopi culture, and profiles twenty-seven modern kachina doll carvers
In 1975 The Heard Museum published a catalogue of the Barry Goldwater collection of Hopi kachina dolls. The catalog is no longer in print, but the Museum's collection is hereby made accessible in print once again. Beautiful color photographs of 200 kachina dolls are combined with sensitive commentary by a Hopi author. Annotation copyright by Book News, Inc., Portland, OR
This volume chronicles the commodification of the Hopi Katsina over the last fifteen years. Once known only to the pueblo peoples of the southwest, these carvings have been transformed into international symbols and are found decorating t-shirts, scarves, coasters, and a host of other products. In Katsina the authors confront the consequences of inter- and intracultural perception, definitions of sacred and secular, colonialism and post-colonial retort.Also included are short statements by thirteen contemporary artists actively carving Katsinam or representing them in their work.
The Hopi Indians have had Kachinas in their religion for over one thousand years. Over the years many works have been published about the Kachinas. Most of these have discussed them from the white man's interpretation of what the Hopi have told him. This book gives readers the perspective of the Hopis. The seventy-nine Kachinas depicted in this book were painted by Neil David, Sr., a Hopi-Tewa from First Mesa, in the village of Hano, Arizona. The paintings show both the front and back of each Kachina; that is the entire costume of the Kachina. The descriptions of the Kachinas have come from the mouths of various Hopi. They discuss differences in the Kachinas as they appear on each of the three Southwest mesas where the Hopi make their home. The Kachinas which appear in this book are, in general, rare and unusual Kachinas and will enlighten those who wish to learn about and appreciate theKachinas, Spirit Beings of the Hopi.
This fascinating book provides patterns, respectful background information, and step-by-step instructions for carving and painting the kachina-style dolls Corn Dancer, Poli Sio Hemis, and Crow Mother in the traditional manner. The authors carvings feature the traditional belly-acher pose, bright colors of the 1980s style, and the all-wood approach currently favored by Hopi carvers. The book includes a photo gallery, index of terms, and lists of tools and materials used.