"In 1960s Karachi, a place of ever increasing violence and political and social uncertainty, a beautiful and talented artist, Tahira, tries to hold her life together as it shatters around her. Her marriage is quickly revealed to be a sham, a trap from which there is no escape. In a world of stifling conformity, Tahira must fight for her very identity: as a woman, and as a painter. Tragedy strikes when her family and friends are caught up in the brutally repressive regime. Faced with horror and loss, she embarks upon a series of paintings entitled 'The Empty Room', filling the blank canvases with vivid colour and light."--Publisher's description.
Sadia Shepard Grew Up Just Outside Of Boston, In A Home Where Cultures Intertwined&Mdash;Her Father A White American Protestant And Her Mother, A Muslim From Pakistan. One Day, When She Was Thirteen, She Learned That Nana, Her Beloved Maternal Grandmother, Was Not A Muslim Like The Rest Of Her Pakistani Family But Had Begun Her Life As Rachel Jacobs, A Member Of A Tiny Jewish Community In India That Believes It Is Descended From One Of The Lost Tribes Of Israel, Shipwrecked In India Over Two Thousand Years Ago. Before Nana Died, Sadia Promised Her Grandmother That She Would Return To Her Birthplace To Learn About The Life And The Faith That Nana Had Left Behind. Armed With A Suitcase Of Camera Equipment, Sadia Arrives In Bombay, Where She Finds Herself Struggling To Document The Bene Israel&Rsquo;S Unique Traditions And Make Sense Of Her Complicated Cultural Inheritance. In The Course Of Her Remarkable Journey She Unearths Long-Buried Family Secrets, Learns That Love Is Sometimes Found In Unusual Places, And Is Forced To Examine What It Means To Both Lose And Seek A Homeland.
Best Practices in Green Supply Chain Management uses present case studies from the Indian and Mexican manufacturing industries to offer new insights on the challenges of integrating environmental awareness into supply chain management operations in developing countries.
The Isma'ili Muslims, a major sect of Shi'i Islam, form a community that is intriguing in its deterritorialized social organization. Informed by the richness of Isma'ili history, theories of transnationalism and globalization, and firsthand ethnographic f
It is imperative that teachers build community in their classrooms and across their academic teams and grades in order to make school a safe and supportive place for adolescents. Teachers must help their students acknowledge that they belong to a group together, that they are part of a “we” or “us,” and that any differences—divergent talents, backgrounds, experiences, cultures, and skills—only make “us” stronger and better. No More “Us” and “Them” delineates what steps educators can take to create an atmosphere where adolescent students feel accepted, included, and valuable to themselves and to their peers. The goal of this book is to change adolescent attitudes to lead to not just acceptance and tolerance, but toward an expansion of “us” and respect for their classmates that will serve to spread an even wider net of respect. This book provides ideas for lessons and activities that can be integrated into existing curricula and that meet a variety of content area standards in language arts, social studies, science, mathematics, foreign languages, physical education, art, and music, while also proposing ideas for advisory or homeroom periods and class, team, and grade gatherings to build respect in our classrooms, our schools, and our communities.