Theory of the Lyric

Theory of the Lyric

Author: Jonathan Culler

Publisher: Harvard University Press

Published: 2015-06-08

Total Pages: 406

ISBN-13: 0674425804

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What sort of thing is a lyric poem? An intense expression of subjective experience? The fictive speech of a specifiable persona? Theory of the Lyric reveals the limitations of these two conceptions of the lyric—the older Romantic model and the modern conception that has come to dominate the study of poetry—both of which neglect what is most striking and compelling in the lyric and falsify the long and rich tradition of the lyric in the West. Jonathan Culler explores alternative conceptions offered by this tradition, such as public discourse made authoritative by its rhythmical structures, and he constructs a more capacious model of the lyric that will help readers appreciate its range of possibilities. “Theory of the Lyric brings Culler’s own earlier, more scattered interventions together with an eclectic selection from others’ work in service to what he identifies as a dominant need of the critical and pedagogical present: turning readers’ attention to lyric poems as verbal events, not fictions of impersonated speech. His fine, nuanced readings of particular poems and kinds of poems are crucial to his arguments. His observations on the workings of aspects of lyric across multiple different structures are the real strength of the book. It is a work of practical criticism that opens speculative vistas for poetics but always returns to poems.” —Elizabeth Helsinger, Critical Theory


Formal Approaches to Poetry

Formal Approaches to Poetry

Author: B. Elan Dresher

Publisher: Walter de Gruyter

Published: 2006

Total Pages: 312

ISBN-13: 9783119166096

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This volume represents some of the most exciting current thinking on the theory of meter. It includes papers from leading experts in the field, including Nigel Fabb, Kristin Hanson, Paul Kiparsky, Marina Tarlinskaja, Barry Scherr, among others. The book focuses on a wide variety of languages, including English, Finnish, Estonian, Russian, Japanese, Somali, Old Norse, Latin, and Greek. It contains diverse theoretical approaches that are brought together for the first time, including Optimality Theory, the Russian school of metrics, a mora-based approach, and a semantic-pragmatic approach. The book will be of interest to both linguists and students of poetry.


Structure & Surprise

Structure & Surprise

Author: Michael Theune

Publisher: Teachers & Writers Collaborative

Published: 2007

Total Pages: 268

ISBN-13:

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Structure & Surprise: Engaging Poetic Turns offers a road map for analyzing poetry through examination of poems' structure, rather than their forms or genres. Michael Theune's breakthrough concept encourages students, teachers, and writers to use structure as a tool to see the fundamental affinities between strikingly different kinds of poetry and radically different literary eras. The book includes examination of the mid-course turn and the elegy, as well as the ironic, concessional, emblem, and retrospective-prospective structures, among others. In addition, 14 contemporary poets provide an example of and commentary on their own work.


Self-Commentary in Early Modern European Literature, 1400–1700

Self-Commentary in Early Modern European Literature, 1400–1700

Author: Francesco Venturi

Publisher: BRILL

Published: 2019-05-15

Total Pages: 445

ISBN-13: 9004396594

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This volume investigates the various ways in which writers comment on, present, and defend their own works, and at the same time themselves, across early modern Europe. A multiplicity of self-commenting modes, ranging from annotations to explicatory prose to prefaces to separate critical texts and exemplifying a variety of literary genres, are subjected to analysis. Self-commentaries are more than just an external apparatus: they direct and control reception of the primary text, thus affecting notions of authorship and readership. With the writer understood as a potentially very influential and often tendentious interpreter of their own work, the essays in this collection offer new perspectives on pre-modern and modern forms of critical self-consciousness, self-representation, and self-validation. Contributors are Harriet Archer, Gilles Bertheau, Carlo Caruso, Jeroen De Keyser, Russell Ganim, Joseph Harris, Ian Johnson, Richard Maber, Martin McLaughlin, John O’Brien, Magdalena Ożarska, Federica Pich, Brian Richardson, Els Stronks, and Colin Thompson.


Shakespeare's Lyricized Drama

Shakespeare's Lyricized Drama

Author: Aleksandŭr Shurbanov

Publisher: University of Delaware Press

Published: 2010

Total Pages: 312

ISBN-13: 0874130867

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This book explores Shakespeare's poetic drama as a blend of the dramatic and the lyrical. Through a series of minute textual analyses, it traces the gradual integration of the two modes from Love's Labour's Lost to Hamlet and the other mature tragedies. How this combination is effected in its details is a question that can help us understand better the specificity of Shakespeare's innovative work for the theater and the power of its impact.


Lyric Poem and Aestheticism

Lyric Poem and Aestheticism

Author: Marion Thain

Publisher: Edinburgh University Press

Published: 2016-08-16

Total Pages: 280

ISBN-13: 1474415679

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This study explores lyric poetry's response to a crisis of relevance in Victorian Modernity, offering an analysis of literature usually elided by studies of the modern formation of the genre and uncovering previously unrecognized discourses within it. Setting the focal aestheticist poetry (c. 1860 to 1914) within much broader historical, theoretical and aesthetic frames, it speaks to those interested in Victorian and modernist literature and culture, but also to a burgeoning audience of the 'new lyric studies'. The six case studies introduce fresh poetic voices as well as giving innovative analyses of canonical writers (such as D. G. Rossetti, Ezra Pound, A. C. Swinburne).


Our Scene So Fair

Our Scene So Fair

Author: Gémino H. Abad

Publisher: UP Press

Published: 2008

Total Pages: 240

ISBN-13: 9715425593

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Our Scene So Fair consists of nine critical essays that seek to clarify the poetic tradition that Filipino poets in English have established over the first half of the last century.


The Lyric Theory Reader

The Lyric Theory Reader

Author: Virginia Walker Jackson

Publisher: JHU Press

Published: 2014-02

Total Pages: 678

ISBN-13: 1421412004

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Reading lyric poetry over the past century. The Lyric Theory Reader collects major essays on the modern idea of lyric, made available here for the first time in one place. Representing a wide range of perspectives in Anglo-American literary criticism from the twentieth and twenty-first centuries, the collection as a whole documents the diversity and energy of ongoing critical conversations about lyric poetry. Virginia Jackson and Yopie Prins frame these conversations with a general introduction, bibliographies for further reading, and introductions to each of the anthology’s ten sections: genre theory, historical models of lyric, New Criticism, structuralist and post-structuralist reading, Frankfurt School approaches, phenomenologies of lyric reading, avant-garde anti-lyricism, lyric and sexual difference, and comparative lyric. Designed for students, teachers, scholars, poets, and readers with a general interest in poetics, this book presents an intellectual history of the theory of lyric reading that has circulated both within and beyond the classroom, wherever poetry is taught, read, discussed, and debated today.