Out damned spot! As her wedding to detective Cas Wolfe approaches, Candyce "Dyce" Dare, sole owner (and employee) of the furniture refinishing business Daring Finds desperately needs to find something to do to avoid sitting down and planning the event with her mother and her best friend (particularly since she suspects their plans involve having her cat dress in a tuxedo). Working on a table she recently bought at a yard sale fits the bill. Until her sanding efforts uncover a disturbing stain—one that looks like it might be blood. Dyce knows that, with a fiancé who’s a policeman, parents who own a mystery bookstore, and a recent history of inadvertent involvement in murder cases, she can be prone to seeing things that aren’t there. But then she discovers that the table’s previous owner has gone missing—and once more, she is drawn into a solve-it-yourself mystery project. And when Dyce starts a project, she just has to see it through…
Born of bloodshed, a prolific stain, fed by the sins of earliest man…. The Simmons moved into 228 Briar Street. With two growing children needing a stable routine and a house to call home, Marc and Claire settled into the old red brick, unaware of the neighborhood’s dirty little secret. In the dark and unfamiliar depths of the basement it lurks. It desires to manipulate the family into destructive chaos as it has countless times past and as far back as there were settlers in this plot of land, feed upon both flesh and the ecstasy of its dark influence. And not just in this house. It is old, mischievous, and inherently evil. It is...THE STAIN.
A Country of Strangers is a magnificent exploration of the psychological landscape where blacks and whites meet. To tell the story in human rather than abstract terms, the Pulitzer Prize-winning writer David K. Shipler bypasses both extremists and celebrities and takes us among ordinary Americans as they encounter one another across racial lines. We learn how blacks and whites see each other, how they interpret each other's behavior, and how certain damaging images and assumptions seep into the actions of even the most unbiased. We penetrate into dimensions of stereotyping and discrimination that are usually invisible, and discover the unseen prejudices and privileges of white Americans, and what black Americans make of them. We explore the competing impulses of integration and separation: the reference points by which the races navigate as they venture out and then withdraw; the biculturalism that many blacks perfect as they move back and forth between the white and black worlds, and the homesickness some blacks feel for the comfort of all-black separateness. There are portrayals of interracial families and their multiracial children--expert guides through the clashes created by racial blending in America. We see how whites and blacks each carry the burden of our history. Black-white stereotypes are dissected: the physical bodies that we see, the mental qualities we imagine, the moral character we attribute to others and to ourselves, the violence we fear, the power we seek or are loath to relinquish. The book makes clear that we have the ability to shape our racial landscape--to reconstruct, even if not perfectly, the texture of our relationships. There is an assessment of the complexity confronting blacks and whites alike as they struggle to recognize and define the racial motivations that may or may not be present in a thought, a word, a deed. The book does not prescribe, but it documents the silences that prevail, the listening that doesn't happen, the conversations that don't take place. It looks at relations between minorities, including blacks and Jews, and blacks and Koreans. It explores the human dimensions of affirmative action, the intricate contacts and misunderstandings across racial lines among coworkers and neighbors. It is unstinting in its criticism of our society's failure to come to grips with bigotry; but it is also, happily, crowded with black people and white people who struggle in their daily lives to do just that. A remarkable book that will stimulate each of us to reexamine and better understand our own deepest attitudes in regard to race in America.
First published in 1972, this set of 9 volumes contains all contemporary British periodical reviews of the first (or other significantly early) editions from 1793 and 1824 of works by William Wordsworth, Samuel Taylor Coleridge, George Gordon Byron, Percy Bysshe Shelley, and John Keats. In addition, a few later reviews are supplied, as well as a substantial number of reviews of other contemporary figures, including William Godwin, Robert Southey, Samuel Rogers, Thomas Campbell, Thomas Moore, Leigh Hunt, William Hazlitt, and Mary Wollstonecraft Shelley. Introductions to each periodical provide brief sketches of each publication as well as names, dates and bibliographical information. Headnotes offer bibliographical data of the reviews and suggested approaches to studying them. The index serves to locate authors and titles reviewed, reviewers, sources of quotations, other people and works mentioned and other proper nouns of interest. This comprehensive set will be of interest to those studying the Romantics and English literature.
The "Gentleman's magazine" section is a digest of selections from the weekly press; the "(Trader's) monthly intelligencer" section consists of news (foreign and domestic), vital statistics, a register of the month's new publications, and a calendar of forthcoming trade fairs.
First published in 1972, this volume contains contemporary British periodical reviews of Lord Byron and Regency Society Poets, including Rogers, Campbell and Moore, in publications from the Examiner to the Literary Examiner. Introductions to each periodical provide brief sketches of each publication as well as names, dates and bibliographical information. Headnotes offer bibliographical data of the reviews and suggested approaches to studying them. This book will be of interest to those studying the Romantics and English literature.
