A story of World War I from the perspective of, and through letters of Thomas Lindholtz. He went on active duty in April, 1918, and got home in May, 1919. He wrote over 60 letters and postcards home during that time. His letters give a warm and charming insight into his character and relationships. They provide a unique first person account of a world now long gone. It gives a broad brush history of events in Europe, events in America, particularly immigration, and the specific events of immigration and early life to introduce my grandfather and his family. An overview follows of the major events of the war from 1914-18, that would have been headline news in America. The rest of the book is his letters interwoven with the events of life in America and events of the war on a daily basis. It closes with a brief epilogue about the war's effects in Europe and a brief history of my grandfather's life until his death in 1944.
In the years after World War I, Robert Truesdell never spoke of his war experience, but he wrote more than 100 letters to his parents describing the details of his life in the service. The letters span a period of time starting with his arrival in the Fall of 1917 at Camp Wadsworth, South Carolina and concluding with his participation in the Victory March up Fifth Avenue in New York City in 1919. After Truesdell's death, his daughter discovered the letters and carefully transcribed each one. The letters are accompanied by commentary on World War I prior to U.S. involvement and on significant national and international political and military events during the months when the United States fought with the Allies. The informative commentary places Truesdell's personal correspondence into a much greater historical context.
“Before the Greatest Generation, there was the Forgotten Generation of World War I . . . wonderfully engaging” (Kirkus Reviews, starred review). “Richard Rubin has done something that will never be possible for anyone to do again. His interviews with the last American World War I veterans—who have all since died—bring to vivid life a cataclysm that changed our world forever but that remains curiously forgotten here.” —Adam Hochschild, author of To End All Wars: A Story of Loyalty and Rebellion, 1914–1918 In 2003, eighty-five years after the end of World War I, Richard Rubin set out to see if he could still find and talk to someone who had actually served in the American Expeditionary Forces during that colossal conflict. Ultimately he found dozens, aged 101 to 113, from Cape Cod to Carson City, who shared with him at the last possible moment their stories of America’s Great War. Nineteenth-century men and women living in the twenty-first century, they were self-reliant, humble, and stoic, never complaining, but still marveling at the immensity of the war they helped win, and the complexity of the world they helped create. Though America has largely forgotten their war, you will never forget them, or their stories. A decade in the making, The Last of the Doughboys is the most sweeping look at America’s First World War in a generation, a glorious reminder of the tremendously important role America played in the “war to end all wars,” as well as a moving meditation on character, grace, aging, and memory. “An outstanding and fascinating book. By tracking down the last surviving veterans of the First World War and interviewing them with sympathy and skill, Richard Rubin has produced a first-rate work of reporting.” —Ian Frazier, author of Travels in Siberia “I cannot remember a book about that huge and terrible war that I have enjoyed reading more in many years.” —Michael Korda, The Daily Beast
From the New York Times bestselling author of War Letters and Behind the Lines, Andrew Carroll’s My Fellow Soldiers draws on a rich trove of both little-known and newly uncovered letters and diaries to create a marvelously vivid and moving account of the American experience in World War I, with General John Pershing featured prominently in the foreground. Andrew Carroll’s intimate portrait of General Pershing, who led all of the American troops in Europe during World War I, is a revelation. Given a military force that on the eve of its entry into the war was downright primitive compared to the European combatants, the general surmounted enormous obstacles to build an army and ultimately command millions of U.S. soldiers. But Pershing himself—often perceived as a harsh, humorless, and wooden leader—concealed inner agony from those around him: almost two years before the United States entered the war, Pershing suffered a personal tragedy so catastrophic that he almost went insane with grief and remained haunted by the loss for the rest of his life, as private and previously unpublished letters he wrote to family members now reveal. Before leaving for Europe, Pershing also had a passionate romance with George Patton’s sister, Anne. But once he was in France, Pershing fell madly in love with a young painter named Micheline Resco, whom he later married in secret. Woven throughout Pershing’s story are the experiences of a remarkable group of American men and women, both the famous and unheralded, including Harry Truman, Douglas Macarthur, William “Wild Bill” Donovan, Teddy Roosevelt, and his youngest son Quentin. The chorus of these voices, which begins with the first Americans who enlisted in the French Foreign Legion 1914 as well as those who flew with the Lafayette Escadrille, make the high stakes of this epic American saga piercingly real and demonstrates the war’s profound impact on the individuals who served—during and in the years after the conflict—with extraordinary humanity and emotional force.
“It is impossible to reproduce the state of mind of the men who waged war in 1917 and 1918,” Edward Coffman wrote in The War to End All Wars. In Doughboys on the Great War the voices of thousands of servicemen say otherwise. The majority of soldiers from the American Expeditionary Forces returned from Europe in 1919. Where many were simply asked for basic data, veterans from four states—Utah, Minnesota, Connecticut, and Virginia—were given questionnaires soliciting additional information and “remarks.” Drawing on these questionnaires, completed while memories were still fresh, this book presents a chorus of soldiers’ voices speaking directly of the expectations, motivations, and experiences as infantrymen on the Western Front in World War I. What was it like to kill or maim German soldiers? To see friends killed or maimed by the enemy? To return home after experiencing such violence? Again and again, soldiers wrestle with questions like these, putting into words what only they can tell. They also reflect on why they volunteered, why they fought, what their training was, and how ill-prepared they were for what they found overseas. They describe how they interacted with the civilian populations in England and France, how they saw the rewards and frustrations of occupation duty when they desperately wanted to go home, and—perhaps most significantly—what it all added up to in the end. Together their responses create a vivid and nuanced group portrait of the soldiers who fought with the American Expeditionary Forces on the battlefields of Aisne-Marne, Argonne Forest, Belleau Wood, Chateau-Thierry, the Marne, Metz, Meuse-Argonne, St. Mihiel, Sedan, and Verdun during the First World War. The picture that emerges is often at odds with the popular notion of the disillusioned doughboy. Though hardened and harrowed by combat, the veteran heard here is for the most part proud of his service, service undertaken for duty, honor, and country. In short, a hundred years later, the doughboy once more speaks in his own true voice.
The riveting true story of America's first modern military battle, its first military victory during World War One, and its first steps onto the world stage At first light on Tuesday, May 28th, 1918, waves of American riflemen from the U.S. Army's 1st Division climbed from their trenches, charged across the shell-scarred French dirt of no-man's-land, and captured the hilltop village of Cantigny from the grip of the German Army. Those who survived the enemy machine-gun fire and hand-to-hand fighting held on for the next two days and nights in shallow foxholes under the sting of mustard gas and crushing steel of artillery fire. Thirteen months after the United States entered World War I, these 3,500 soldiers became the first "doughboys" to enter the fight. The operation, the first American attack ever supported by tanks, airplanes, and modern artillery, was ordered by the leader of America's forces in Europe, General John "Black Jack" Pershing, and planned by a young staff officer, Lieutenant Colonel George C. Marshall, who would fill the lead role in World War II twenty-six years later. Drawing on the letters, diaries, and reports by the men themselves, Matthew J. Davenport's First Over There tells the inspiring, untold story of these soldiers and their journey to victory on the Western Front in the Battle of Cantigny. The first American battle of the "war to end all wars" would mark not only its first victory abroad, but the birth of its modern Army.
Americans today harbor no strong or consistent collective memory of the First World War. Ask why the country fought or what they accomplished, and "democracy" is the most likely if vague response. The circulation of confusing or lofty rationales for intervention began as soon as President Woodrow Wilson secured a war declaration in April 1917. Yet amid those shifting justifications, Love and Death in the Great War argues, was a more durable and resonant one: Americans would fight for home and family. Officials in the military and government, grasping this crucial reality, invested the war with personal meaning, as did popular culture. "Make your mother proud of you/And the Old Red White and Blue" went George Cohan's famous tune "Over There." Federal officials and their allies in public culture, in short, told the war story as a love story. Intervention came at a moment when arbiters of traditional home and family were regarded as under pressure from all sides: industrial work, women's employment, immigration, urban vice, woman suffrage, and the imagined threat of black sexual aggression. Alleged German crimes in France and Belgium seemed to further imperil women and children. War promised to restore convention, stabilize gender roles, and sharpen male character. Love and Death in the Great War tracks such ideas of redemptive war across public and private spaces, policy and implementation, home and front, popular culture and personal correspondence. In beautifully rendered prose, Andrew J. Huebner merges untold stories of ordinary men and women with a history of wartime culture. Studying the radiating impact of war alongside the management of public opinion, he recovers the conflict's emotional dimensions--its everyday rhythms, heartbreaking losses, soaring possibilities, and broken promises.
