This collection of short stories and essays by renowned writer and philosopher Aldous Huxley. This edition includes these stories:, Centenaries, On Re-reading "Candide", Accidie, Subject-matter of Poetry, Water Music, Pleasures, Modern Folk Poetry, Bibliophily, Democratic Art, Accumulations, On Deviating into Sense, Polite Conversation, Nationality in Love, How the Days Draw In!, Tibet, Beauty in 1920, Great Thoughts, Advertisement, Euphues Redivivus, The Author of "Eminent Victorians", A Wordsworth Anthology, Ferhaeren, Edward Lear, Sir Christopher Wren, Ben Jonson, Chaucer
American Dreaming chronicles in rich detail the struggles of immigrants who have fled troubled homelands in search of a better life in the United States, only to be marginalized by the society that they hoped would embrace them. Sarah Mahler draws from her experiences living among undocumented Salvadoran and South American immigrants in a Long Island suburb of Manhattan. In moving interviews they describe their disillusionment with life in the United States but blame themselves individually or as a whole for their lack of economic success and not the greater society. As she explores the reasons behind this outlook, the author argues that marginalization fosters antagonism within ethnic groups while undermining the ethnic solidarity emphasized by many scholars of immigration. Mahler's investigation leads to conditions that often bar immigrants from success and that they cannot control, such as residential segregation, job exploitation, language and legal barriers, prejudice and outright hostility from their suburban neighbors. Some immigrants earn surplus income by using private cars as taxis, subletting space in apartments to lower rent burdens, and filling out legal forms and applications--in essence generating institutions largely parallel to those of the mainstream society whereby only a small group of entrepreneurs can profit. By exacting a price for what used to be acts of reciprocal good will in the homeland, these entrepreneurs leave people who had expected to be exploited by "Americans" feeling victimized by their own.
From Pulitzer Prize finalist and National Book Critics Circle Award–winning author of Newjack, a passage through an America lived wild and off the grid, where along with independence and stunning views come fierce winds, neighbors with criminal pasts, and minimal government and medical services “In these dispatches, [Conover] invites readers to ride shotgun along an unraveling edge of the American West, where sepia-toned myths about making a fresh start collide with modern modes of alienation, volatility, and exile.... In a nation whose edges have come to define its center, this is essential reading.”—Jessica Bruder, author of Nomadland: Surviving America in the Twenty-First Century In May 2017, Ted Conover went to Colorado to explore firsthand a rural way of life that is about living cheaply, on your own land—and keeping clear of the mainstream. The failed subdivisions of the enormous San Luis Valley make this possible. Five-acre lots on the high prairie can be had for five thousand dollars, sometimes less. Conover volunteered for a local group trying to prevent homelessness during the bitter winters. He encountered an unexpected diversity: veterans with PTSD, families homeschooling, addicts young and old, gay people, people of color, lovers of guns and marijuana, people with social anxiety—most of them spurning charity and aiming, and sometimes failing, to be self-sufficient. And more than a few predicting they’ll be the last ones standing when society collapses. Conover bought his own five acres and immersed himself for parts of four years in the often contentious culture of the far margins. He found many who dislike the government but depend on its subsidies; who love their space but nevertheless find themselves in each other’s business; who are generous but wary of thieves; who endure squalor but appreciate beauty. In their struggles to survive and get along, they tell us about an America riven by difference where the edges speak more and more loudly to the mainstream.
From the cabinets of wonderof the Renaissance to the souvenir collections of today, selecting, accumulating, and organizing objects are practices that are central to our notions of who we are and what we value. Collecting, both private and institutional, has been instrumental in the consolidation of modern notions of the individual and of the nation, and numerous studies have discussed its complex political, social, economic, anthropological, and psychological implications. However, studies of collecting as practiced in colonized cultures are few, since the role of these cultures has usually been understood as that of purveyors of objects for the metropolitan collector. Collecting from the Margins: Material Culture in a Latin American Context seeks to counter the historical understanding of collecting that posits the metropolis as collecting subject and the colonial or postcolonial society as supplier of collectible objects by asking instead how collecting has been practiced and understood in Latin America. Has collecting been viewed or portrayed differently in a Latin American context? Does the act of collecting, when viewed from a Latin American perspective, unsettle the way we have become accustomed to think about it? What differences, if any, arise in the activity of collecting in colonized or previously colonial societies? Spanning the period after the independence wars until the 1980s, this collection of ten essays addresses a broad range of examples of collecting practices in Latin America. Collecting during the nineteenth century is addressed in discussions of the creation of the first national museums of Argentina and Colombia in the post-independence period, as well as in analyses of the private collections of modernistas such as Enrique Gómez Carrillo, Rubén Darío, José Asunción Silva, and Delmira Agustini at the end of the nineteenth century and the beginning of the twentieth. The practice of collecting in the twentieth century is discussed in analyses of the self-described revolutionary practices of Oswald de Andrade, Augusto de Campos and the films of Ruy Guerra, as well as the polemical collections of Pablo Neruda, and the unsettling collections portrayed in Gabriel García Márquez’s One Hundred Years of Solitude.
In Search of Soul explores the meaning of “soul” in sacred and profane incarnations, from its biblical origins to its central place in the rich traditions of black and Latin history. Surveying the work of writers, artists, poets, musicians, philosophers and theologians, Alejandro Nava shows how their understandings of the “soul” revolve around narratives of justice, liberation, and spiritual redemption. He contends that biblical traditions and hip-hop emerged out of experiences of dispossession and oppression. Whether born in the ghettos of America or of the Roman Empire, hip-hop and Christianity have endured by giving voice to the persecuted. This book offers a view of soul in living color, as a breathing, suffering, dreaming thing.
This book grapples with the moral meaning of the new biomedical technologies now threatening to take us back to the future envisioned by Aldous Huxley in "Brave New World". In a series of meditations on cloning, embryo research, the sale of organs, and the assault on mortality itself, Kass questions the wisdom of trying to break down the natural boundaries given us and to remake the human body into an instrument of our will.
“I think I did something. Something someone really bad was counting on me to do. And I think you helped me.” Ray-Anne Blair isn’t buying it. She just wants Paul Reid to forget about the imaginary place he says he needs to return to—and to stop calling her Rain. Everyone wants something. Jeremy Johns wants to do well at his job, but the new office is strange. So is his boss, Mr. Truitt. Annie Brucker wants to understand how she ended up back with her abusive ex. Zach, her son, wants to know if he should trust whatever it is that speaks to him from the darkness of his closet—something so heavy it makes the floorboards creak. Jonas Porter, Audra Farrelly, Po the silent monk, and Charlene Moseley want to know why their colleagues and prospective Journeymen have disappeared, though the answer might spell the end of all existence. Welcome to The Margins, a place that shouldn’t be—but is, thanks to Paul and his friends. They thought they’d won. But they played right into the hands of an evil that anticipated their heroic act. Now realms are crossing over, the universe is collapsing, and it’s up to those who created the danger to neutralize it. No one said it would be easy. No one’s sure it’s even possible. But this is where the difficult and the impossible abound. This is The Commons.
“A debut story collection of the rarest kind ... you wish that every single entry could be an entire novel." —Entertainment Weekly Fresh, intimate stories of women’s lives from an extraordinary new literary voice, laying bare the unexpected beauty and irony in contemporary life A college freshman, traveling home, strikesup an odd, ephemeral friendship with the couple next to her on the plane. A mother prepares for her son’s wedding, her own life unraveling as his comes together. A long-lost stepbrother’s visit to New York prompts a family’s reckoning with its old taboos. A wife considers the secrets her marriage once contained. An office worker, exhausted by the ambitions of the men around her, emerges into a gridlocked city one afternoon to make a decision. In these eleven powerful stories, thrilling desire and melancholic yearning animate women’s lives, from the brink of adulthood to the labyrinthine path between twenty and thirty, to middle age, when certain possibilities quietly elapse. Tender, lucid, and piercingly funny, Objects of Desire is a collection pulsing with subtle drama, rich with unforgettable scenes, and alive with moments of recognition each more startling than the last—a spellbinding debut that announces a major talent.
A troubled college wrestler in North Dakota falls in love and becomes increasingly unhinged during his final season. Stephen Florida follows a college wrestler in his senior season, when every practice, every match, is a step closer to greatness and a step further from sanity. Profane, manic, and tipping into the uncanny, it's a story of loneliness, obsession, and the drive to leave a mark. Stephen is in his final wrestling season at his North Dakota school, and he intends to win the divisional championship in his weight class. He thinks about little else, in fact. It will make up for the failures of the past. It will prove something to the world. It will be the fulfillment of a promise to himself, and a tribute to his late grandmother, who raised him after his parents’ fatal car crash. As the competition in Kenosha, Wisconsin, grows ever closer, Stephen will grow ever more consumed—and unsure of what comes next—in this “utterly engrossing” literary debut" (Dan Chaon, author of Ill Will).
