Egil and Nix have retired, as they always said they would. No, really - they have! No more sword and hammer-play for them! But when two recent acquaintances come calling for help, our hapless heroes find themselves up against the might of the entire Thieves Guild. And when kidnapping the leader of the most powerful guild in the land seems like the best course of action, you know you're in over your head A hugely-enjoyable adventure in classic sword and sorcery mode, from the New York Times bestselling author of "Star Wars: Deceived" and "The Hammer and the Blade".
For fans of Brent Weeks, Joe Abercrombie, Peter V. Brett, and Scott Lynch comes a fast-paced, hilarious new sword-and-sorcery series featuring two wise-cracking protagonists straight out of the golden age of epic fantasy. Once the most daring—some would say reckless—grave robbers around, Egil and Nix are now retired, having opened their own tavern with a side business as a brothel. The warrior-priest and the dashing rogue are done with adventuring. But is adventuring done with them? When two beautiful sisters run afoul of the notorious Thieves’ Guild, the semi-respectable entrepreneurs are called upon to defend their honor. And if they find an opportunity to enrich themselves along the way, no one could blame them. Soon they’re going toe-to-toe and hammer-to-skull with some of the deadliest cutthroats in town. There’s just one catch: The quest to settle this vendetta once and for all leads straight into the Blackalley, a ghostly byway that appears at random to suck unsuspecting passersby into its voracious maw. Only a fool or a madman would enter willingly. Luckily for Egil and Nix, they might just be both. Praise for the Egil and Nix novels “[Paul S.] Kemp delivers sword and sorcery at its rollicking best, after the fashion of Fritz Leiber’s Fafhrd and the Gray Mouser.”—Library Journal “Egil and Nix might not be the safest guys to go adventuring with, but they’re sure good company.”—Ed Greenwood, bestselling creator of Forgotten Realms “Did I mention how much fun Egil and Nix are? So. Much. Damn. Fun.”—Tordotcom
For readers of Brent Weeks, Joe Abercrombie, Peter V. Brett, and Scott Lynch comes the first book in a fantastic, hilarious new sword-and-sorcery series that puts a clever new twist on the golden age of epic fantasy. Robbing tombs for fun and profit might not be a stable career, but Egil and Nix aren’t in it for the long-term prospects. Egil is the hammer-wielding warrior-priest of a discredited god. Nix is a roguish thief with just enough knowledge of magic to conjure up trouble. Together, they seek riches and renown, yet often find themselves enlisted in lost causes—generally against their will. So why should their big score be any different? The trouble starts when Nix and Egil kill the demonic guardian of a long-lost crypt, nullifying an ancient pact made by the ancestors of an obscenely powerful wizard. Now the wizard will stop at nothing to keep that power from slipping away, even if it means freeing a rapacious beast from its centuries-old prison. And who better than Egil and Nix—the ones responsible for his current predicament—to perform this thankless task? Praise for The Hammer and the Blade and Paul S. Kemp “A gripping tale [with] the feeling of a classic Dungeons & Dragons campaign.”—Publishers Weekly “Most heroes work up to killing demons. Egil and Nix start there and pick up the pace.”—Elaine Cunningham, author of the Thorn Trilogy “Kemp delivers sword and sorcery at its rollicking best, after the fashion of Fritz Leiber’s Fafhrd and the Gray Mouser.”—Library Journal
"Egil and Nix are the buddy comedy heroes of epic fantasy--a priest of a forgotten cult and a roguish thief who have teamed up to win fortune and fame--and open the finest dive bar in the kingdom"--
The son of shadow warrior Erevis Cale prepares to seek out his destiny in this compelling second installment of the Sundering series The shadow legacy of Erevis Cale lives on even as his old foe Mephistopheles seeks to stamp it out at any cost. Cale’s son, Vasen—unmoored in time by the god Mask—has thus far been shielded from the archdevil’s dark schemes, alone among the servants of the Lord of Light who have raised him since birth. Living in a remote abbey nestled among the Thunder Peaks of Sembia, Vasen is haunted by dreams of his father, trapped in the frozen hell of Cania. He knows the day will come when he must assume his role in the divine drama unfolding across Faerûn. But Vasen does not know what that role should be or whether he is ready to take it on. He only knows what his father tells him in dreams—that he must not fail. Enter Drasek Riven, a former compatriot of Erevis Cale, now near divine and haunted by dreams of his own. He, too, knows the time to act is near. Shar, the great goddess of darkness, looks to cast her shadow on the world forever. Riven has glimpsed the cycle of night she hopes to complete, and he knows she must be stopped. At the crossroads of divine intrigue and mortal destiny, unlikely heroes unite to thwart the powers of shadow and hell, and the sundering of worlds is set on its course.
Essays on electronic communication, cyberpunk culture, and rants and flames in cyberspace consider subjects such as the magazine Mondo 2000, the typewriter, virtual reality, feminism, comics, and erotica for cybernauts. Includes blurry b&w photos and illustrations, and an interviews with science fictions writers Samuel R. Delaney, Greg Tate, and Tricia Rose. Paper edition (unseen), $13.95. Annotation copyright by Book News, Inc., Portland, OR.
"You're so fat!" was the greeting extended to the author's wife on her return to the Pikogan community. The Anishnaabe Elder thus complimented her for looking healthy and strong. Roger Spielmann seeks to capture the essence of Anishnaabe experience by exploring how Anishnaabe people talk about that experience. YOU'RE SO FAT! provides a springboard for exploration of ethnography of speaking, ethnomethodology, and anthropological linguistics.
A lyric novel about the play of grief, empathy, new and old love, and the quest to overcome blindness in human relations. Caught in the cross-currents of a fraught divorce and a new love, the death of her mother, and a global pandemic, a writer plunges into an obsession with the work of 1960s French philosopher Roland Barthes. Her struggles to make sense of his work and life—and of what can happen to a woman's settled life in a single harrowing year—result in an engrossing, funny, earthy, and innovative lyric work. The quest for authenticity in motherhood, sexuality, and tenancy on the earth and in the home, as well as the unusual lyric form, make the novel unified in spirit yet transdisciplinary in approach.
