A Detailed Explication of T. S. Eliot's The Love Song of J. Alfred Prufrock

A Detailed Explication of T. S. Eliot's The Love Song of J. Alfred Prufrock

Author: Harry Eiss

Publisher: Cambridge Scholars Publishing

Published: 2022-03-22

Total Pages: 417

ISBN-13: 1527581675

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Do I dare disturb the universe? This is a question recognized by people around the world. If typed into the internet, hundreds of examples appear. Many know that it comes from one of the best-known poems of the previous century, T. S. Eliot’s The Love Song of J. Alfred Prufrock. What many do not know is that Eliot dramatically shifted his views at the height of his fame for writing such dark poetry as this and The Waste Land, becoming a sincere, devoted Christian. While his poetry is famous because it expresses the loss of a spiritual center in European civilization, a careful reading of it reveals that he was struggling with his Christianity from the beginning, not rejecting it, but trying to make it fit into the contemporary world. If the reader works through Eliot’s love song for all of the esoteric meanings, as he demands, it quickly becomes evident that he intended it as a struggle between agape, amour and eros. Beginning it with a quote from Dante forces that into place. Though the protestant forms of Christianity have changed their views on these, the Roman Catholic holds fast. Eliot references Michelangelo in the poem, bringing in the great painter of the ceiling of the Sistine Chapel. Most immediately recognize his name and work, but do not realize how he expressed a similar personal struggle between the desires of the flesh and the spirit. Both of them admired Dante’s Divine Comedy, and its inclusion of amour as a means to salvation. Dante’s work is generally seen as the greatest literature ever to come out of Italy. This book is an expanded revision of Seeking God in the Works of T. S. Eliot and Michelangelo. It explores how T.S Eliot struggled with the highest meanings of existence in his poetry and his own life, and perhaps managed to express what has become known as a modernist (and post-modernist) view of what Rudolph Otto designated the mysterium tremendum, the experience of a mystical awe, the experience of God.


Seeking God in the Works of T. S. Eliot and Michelangelo

Seeking God in the Works of T. S. Eliot and Michelangelo

Author: Harry Eiss

Publisher: Cambridge Scholars Publishing

Published: 2017-05-11

Total Pages: 297

ISBN-13: 144389365X

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Do I dare disturb the universe? It is a question recognized by people around the world. If typed into the internet, hundreds of examples appear. Many know that it comes from one of the best known poems of the twentieth century, T. S. Eliot’s The Love Song of J. Alfred Prufrock. What many do not know is that Eliot dramatically shifted his views at the height of his fame for writing such dark poetry as this and his also famous The Wasteland, becoming a sincere, devoted Christian. While his poetry is famous because it expresses the loss of a spiritual center in European civilization, a careful reading of it reveals that he was struggling with his Christianity from the beginning, not rejecting it, but trying to make it fit into the contemporary world. If a reader works through his love song for all of the esoteric meanings, as he demands, it quickly becomes evident that he intended it as a struggle between agape, amour and eros. Beginning it with a quote from Dante forces that into place. Though the protestant forms of Christianity have changed their views on these, the Roman Catholic holds fast. Eliot references Michelangelo in the poem, bringing in the great painter of the ceiling of the Sistine Chapel. Most immediately recognize his name and work. Many do not realize how he expressed a similar personal struggle between the desires of the flesh and the spirit. Both of them admired Dante’s Divine Comedy, and its inclusion of amour as a means to salvation. His work is generally seen as the greatest literature ever to come out of Italy, sometimes referred to as the epic representation of St. Thomas Aquinas’ Summa Theologica, one of the central documents establishing Catholic doctrine. This book explores how these brilliant men struggle with the highest meanings of life in their artistic expressions and perhaps manage to express what Rudolph Otto designates the mysterium tremendum, the experience of a mystical awe, what he calls the numinous or, in more common terms, the experience of God.


Let Us Go Then, You and I

Let Us Go Then, You and I

Author: T. S. Eliot

Publisher: Faber & Faber

Published: 2009-11

Total Pages: 128

ISBN-13: 9780571256266

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Let Us Go Then, You and I is a new edition of T. S. Eliot's selected poems, published to celebrate his nomination as the 'Nation's Favourite Poet' in a BBC poll for National Poetry Day 2009.


The Love Song of J. Alfred Prufrock

The Love Song of J. Alfred Prufrock

Author: T. S. Eliot

Publisher: Strelbytskyy Multimedia Publishing

Published: 2021-01-08

Total Pages:

ISBN-13:

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"The Love Song of J. Alfred Prufrock", commonly known as "Prufrock", is the first professionally published poem by American-born British poet T. S. Eliot (1888–1965). Eliot began writing "Prufrock" in February 1910, and it was first published in the June 1915 issue of Poetry: A Magazine of Verse at the instigation of Ezra Pound (1885–1972). It was later printed as part of a twelve-poem pamphlet (or chapbook) titled Prufrock and Other Observations in 1917. At the time of its publication, Prufrock was considered outlandish, but is now seen as heralding a paradigmatic cultural shift from late 19th-century Romantic verse and Georgian lyrics to Modernism. The poem's structure was heavily influenced by Eliot's extensive reading of Dante Alighieri and makes several references to the Bible and other literary works—including William Shakespeare's plays Henry IV Part II, Twelfth Night, and Hamlet, the poetry of seventeenth-century metaphysical poet Andrew Marvell, and the nineteenth-century French Symbolists. Eliot narrates the experience of Prufrock using the stream of consciousness technique developed by his fellow Modernist writers. The poem, described as a "drama of literary anguish", is a dramatic interior monologue of an urban man, stricken with feelings of isolation and an incapability for decisive action that is said "to epitomize frustration and impotence of the modern individual" and "represent thwarted desires and modern disillusionment". Prufrock laments his physical and intellectual inertia, the lost opportunities in his life and lack of spiritual progress, and he is haunted by reminders of unattained carnal love. With visceral feelings of weariness, regret, embarrassment, longing, emasculation, sexual frustration, a sense of decay, and an awareness of mortality, "Prufrock" has become one of the most recognised voices in modern literature. Among the most significant works by Eliot's: "Portrait of a Lady", "Preludes", "Whispers of Immortality", "Gerontion", "The Waste Land", "The Hollow Men", "Ash Wednesday", Ariel Poems", "Journey of the Magi", "A Song for Simeon", "Old Possum's Book of Practical Cats", "The Awefull Battle of the Pekes and the Pollicles", "Gus: The Theatre Cat", "Growltiger's Last Stand", "The Naming of Cats", "Burnt Norton", "East Coker", "The Dry Salvages", "Little Gidding", "Four Quartets".


A Study Guide for T. S. Eliot's The Love Song of J. Alfred Prufrock

A Study Guide for T. S. Eliot's The Love Song of J. Alfred Prufrock

Author: Gale, Cengage Learning

Publisher: Gale, Cengage Learning

Published: 2015-09-15

Total Pages: 36

ISBN-13: 1410336867

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A Study Guide for T. S. Eliot's "The Love Song of J. Alfred Prufrock," excerpted from Gale's acclaimed Poetry for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.


Words Alone

Words Alone

Author: Denis Donoghue

Publisher: Yale University Press

Published: 2002-08-11

Total Pages: 356

ISBN-13: 9780300097191

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When Denis Donoghue left Warrenpoint and went to Dublin in September 1946, he entered University College as a student of Latin and English. A few months later he also started as a student of lieder at the Royal Irish Academy of Music. These studies have informed his reading of English, Irish, and American literature. Now in this volume, one of our most distinguished readers of modern literature offers his most personal book of literary criticism. Donoghue's Words Alone is an intellectual memoir, a lucid and illuminating account of his engagement with the works of T. S. Eliot--from initial undergraduate encounters with "The Love Song of J. Alfred Prufrock" to later submission to Eliot's entire writings. "The pleasure of Eliot's words persists," Donoghue says, "only because in good faith it can't be denied." Submission to Eliot, in Donoghue's case, involves the ear as much as it does the mind. He is a reader who listens attentively and a writer whose own music in these pages commands attention. Whether he is writing about Eliot's poetry or confronting the (often contentious) prose, Donoghue eloquently demonstrates what it means to read and to hear a master of language.


Prufrock and Other Observations

Prufrock and Other Observations

Author: T. S. Eliot

Publisher: Graphic Arts Books

Published: 2021-02-16

Total Pages: 26

ISBN-13: 1513284703

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Prufrock and Other Observations (1917) is a collection of poems by T.S. Eliot. Published following the successful appearance of “The Love Song of J. Alfred Prufrock” in the June 1915 issue of Poetry: A Magazine of Verse, Prufrock and Other Observations established Eliot’s reputation as a leading English poet and pioneering literary Modernist. Opening with “The Love Song of J. Alfred Prufrock,” the collection begins with an invocation of Dante, whom Eliot saw as an important innovator of a polyphonic, referential poetry capable of interrogating and dramatizing the construction and representation of the self. The poem is written from the perspective of a repressed, despairing middle-aged man who meditates on his relationships with women and the regrets he has accumulated with age. In “Preludes,” a poem of urban malaise, Eliot “thinks of all the hands / That are raising dingy shades / In a thousand furnished rooms,” and reaches for an understanding of the world as “some infinitely gentle / Infinitely suffering thing.” Other poems include “Morning at the Window,” another brief vision of city life, “The Boston Evening Transcript,” a satirical reverie on time and community, and “Cousin Nancy,” a humorous lyric celebrating Miss Nancy Ellicott, who unabashedly “smoked, / And danced all the modern dances. Both personal and universal, global in scope and intensely insular, Eliot’s poetry changed the course of literary history, inspiring countless poets and establishing his reputation as one of the foremost artists of his generation. With a beautifully designed cover and professionally typeset manuscript, this edition of T.S. Eliot’s Prufrock and Other Observations is a classic of English literature reimagined for modern readers.


Let Us Go Then

Let Us Go Then

Author: T. S. Eliot

Publisher: Obvious State

Published: 2019-11-05

Total Pages: 0

ISBN-13: 9781633300026

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T. S. Eliot's timeless modernist masterpiece, visually reimagined This fully illustrated book explores Eliot's themes of indecision and isolation, as well the overwhelming desire for connection, an often overlooked element of the poem. Printed on beautiful matte paper, this petite gift book is perfect for poetry and art lovers alike. The Obvious State Classics Collection is an evolving series of visually reimagined beloved works that speaks to contemporary readers. The pocket-sized, collectable editions feature the selected works of celebrated authors such as T. S. Eliot, Edgar Allan Poe, Walt Whitman, Sara Teasdale and Henry David Thoreau.


Pure Colour

Pure Colour

Author: Sheila Heti

Publisher: Farrar, Straus and Giroux

Published: 2022-02-15

Total Pages: 149

ISBN-13: 0374603960

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Winner of the 2022 Governor General’s Literary Award in Fiction Shortlisted for the 2023 Rathbones Folio Prize in Fiction Named a Best Book of the Year by The New York Times, The New Yorker, Vulture, The Times Literary Supplement, and more Pure Colour is a galaxy of a novel: explosive, celestially bright, huge, and streaked with beauty. It is a contemporary bible, an atlas of feeling, and an absurdly funny guide to the great (and terrible) things about being alive. Sheila Heti is a philosopher of modern experience, and she has reimagined what a book can hold. Here we are, just living in the first draft of Creation, which was made by some great artist, who is now getting ready to tear it apart. In this first draft of the world, a woman named Mira leaves home to study. There, she meets Annie, whose tremendous power opens Mira’s chest like a portal—to what, she doesn’t know. When Mira is older, her beloved father dies, and his spirit passes into her. Together, they become a leaf on a tree. But photosynthesis gets boring, and being alive is a problem that cannot be solved, even by a leaf. Eventually, Mira must remember the human world she’s left behind, including Annie, and choose whether or not to return.


T.S. Eliot, Poetry, and Earth

T.S. Eliot, Poetry, and Earth

Author: Etienne Terblanche

Publisher: Lexington Books

Published: 2016-05-12

Total Pages: 231

ISBN-13: 0739189581

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T. S. Eliot enjoyed a profound relationship with Earth. Criticism of his work does not suggest that this exists in his poetic oeuvre. Writing into this gap, Etienne Terblanche demonstrates that Eliot presents Earth as a process in which humans immerse themselves. The Waste Land and Four Quartets in particular re-locate the modern reader towards mindfulness of Earth’s continuation and one’s radical becoming within that process. But what are the potential implications for ecocriticism? Based on its careful reading of the poems from a new material perspective, this book shows how vital it has become for ecocriticism to be skeptical about the extent of its skepticism, to follow instead the twentieth century’s most important poet who, at the end of searing skepticism, finds affirmation of Earth, art, and real presence.