Death, Desire and Loss in Western Culture is a rich testament to our ubiquitous preoccupation with the tangled web of death and desire. In these pages we find nuanced analysis that blends Plato with Shelley, Hölderlin with Foucault. Dollimore, a gifted thinker, is not content to summarize these texts from afar; instead, he weaves a thread through each to tell the magnificent story of the making of the modern individual.
This novel treats the two themes of incurable diseases and euthanasia at various levels to bring into focus a web of dense arguments legal and medical woven together that never tire the readers in their attempts to grapple with issues of human suffering, disease and death and its over-arching subject of sympathy, pity and humanity. To lend credence to all the impressive arguments, the novel draws parallels from real life situations and cases that made possible a debate on physician-assisted suicides and importance of human dignity and right to life and death.
Annotation After a general discussion of methods and approaches, Walls explores the construction of desire in the Gilgamesh Epic; a Freudian analysis of Horus and Seth; and sex, power, and violence in Nergal and Ereshkigal. Annotation c. Book News, Inc., Portland, OR (booknews.com).
Featuring an enemies-to-lovers romance and a savvy female P.I., this laugh-out-loud urban fantasy will keep you up all night. Angel of Death. Black market magic. When you’re Ashira Cohen, smart is the new kickass. When Ash is hired to solve her first murder, it seems like a perfectly normal, open-and-shut case of family feuds and bad blood. Until Ash discovers an evil magical artifact and her lead suspect is of the winged, white-robed, celestial variety. As if that weren't bad enough, if she can't find the perpetrator quickly, fourteen vials of lethal, ghostly magic will be sold to the highest bidder. Her quest to figure out her Jezebel powers and find the shadowy organization responsible for stripping teens of their magic isn't going any smoother, either. Can't a girl just pursue her dream career without getting caught up in a mysterious destiny or playing a dangerous Sherlock-Moriarty game with her annoyingly hot nemesis? But when Ash accidentally crosses the cunning and deadly Queen of Hearts, ruler of the magic black market, all those cases may go unresolved. Permanently. With the clock ticking, it’ll take all of Ash’s intelligence to survive with her moral center–and her head–intact. The game is afoot and failure is not an option. If you like KF Breene, Annabel Chase, and Heather G Harris, you’ll burn through this clever, fast-paced, sexy series! Join the investigation now.
This innovative study of the use of gender in the Apocalypse of John pushes against the boundaries of feminist biblical interpretation. Based on sociopolitical and literary readings of texts, it presents a challenging new way of reading the Apocalypse. Using the concept of catharsis, Tina Pippin focuses on two themes central to the Apocalypse—death and desire. She examines the role of the female in fantastic literature and reviews the social construction of gender and of the female body. In this interdisciplinary investigation, Pippin incorporates fantasy theory and the function of the female in the fantastic to expose the Apocalypse’s ambiguous representation of women.
When his teenage son Christopher, brain-damaged in an auto accident, developed a 105-degree fever following weeks of unconsciousness, John Campbell asked the attending physician for help. The doctor refused. Why bother? The boy’s life was effectively over. Campbell refused to accept this verdict. He demanded treatment and threatened legal action. The doctor finally relented. With treatment, Christopher’s temperature—which had eventually reached 107.6 degrees—subsided almost immediately. Soon afterward the boy regained consciousness and was learning to walk again. This story is one of many Wesley J. Smith recounts in his award-winning classic critique of the modern bioethics movement, Culture of Death. In this newly updated edition, Smith chronicles how the threats to the equality of human life have accelerated in recent years, from the proliferation of euthanasia and the Brittany Maynard assisted suicide firestorm, to the potential for “death panels” posed by Obamacare and the explosive Terri Schiavo controversy. Culture of Death reveals how more and more doctors have withdrawn from the Hippocratic Oath and how “bioethicists” influence policy by posing questions such as whether organs may be harvested from the terminally ill and disabled. This is a passionate yet coolly reasoned book about the current crisis in medical ethics by an author who has made “the new thanatology” his consuming interest.
Our modern narratives of science and technology can only go so far in teaching us about the death that we must all finally face. Can an act of the imagination, in the form of opera, take us the rest of the way? Might opera, an art form steeped in death, teach us how to die, as this provocative work suggests? In "Opera: The Art of Dying" a physician and a literary theorist bring together scientific and humanistic perspectives on the lessons on living and dying that this extravagant and seemingly artificial art imparts. Contrasting the experience of mortality in opera to that in tragedy, the Hutcheons find a more apt analogy in the medieval custom of "contemplatio mortis"--a dramatized exercise in imagining one's own death that prepared one for the inevitable end and helped one enjoy the life that remained. From the perspective of a contemporary audience, they explore concepts of mortality embodied in both the common and the more obscure operatic repertoire: the terror of death (in Poulenc's "Dialogues of the Carmelites"); the longing for death (in Wagner's "Tristan and Isolde"); preparation for the good death (in Wagner's "Ring of the Nibelung"); and suicide (in Puccini's "Madama Butterfly"). In works by Janacek, Ullmann, Berg, and Britten, among others, the Hutcheons examine how death is made to feel logical and even right morally, psychologically, and artistically--how, in the art of opera, we rehearse death in order to give life meaning.
A searing anatomy of a New Orleans murder trial and a system of justice gone wrong. In a New Orleans supermarket parking lot in the fall of 1984 ,two disparate lives become inextricably bound for the next fourteen years. The first, the life of Delores Dye, a white housewife and grandmother. The second, a young black man with a gun in hand. Moments following their maybe not so chance encounter, Mrs. Dye lay dead on the sunbaked macadam, and the killer had made off with her purse, her groceries, and her car. Four days later, following a tip, authorities arrested a known drug dealer and father of five named Curtis Kyles. Kyles would then be tried for Mrs. Dye's murder an unprecedented five times, though he maintained his innocence throughout each trial. Convicted and sentenced to death in his second trial, he would spend fourteen years on death row. After a fifth jury was unable to reach a verdict, New Orleans Parish District Attorney Harry Connick, Sr., finally conceded defeat and dropped the murder charge. But the case slowly yielded a deeper drama: The crime turned out to have been the side effect of an intricately plotted act of revenge. That police and prosecutors may have been complicit in the vengeance that framed Kyles cuts to the heart of a system of justice for Southern blacks in the era since lynch mobs were shamed into obsolescence. A compellingly written legal drama that has at its heart passionate intrigue and justice gone awry. Desire Street is a 2006 Edgar Award Nominee for Best Fact Crime.
