A Descriptive and Historical Account of the Town & County of Newcastle-upon-Tyne, Including the Borough of Gateshead
Author: Eneas Mackenzie
Publisher:
Published: 1827
Total Pages: 832
ISBN-13:
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Author: Eneas Mackenzie
Publisher:
Published: 1827
Total Pages: 832
ISBN-13:
DOWNLOAD EBOOKAuthor: J. J. Anderson
Publisher: Manchester University Press
Published: 1982
Total Pages: 284
ISBN-13: 9780802056108
DOWNLOAD EBOOKAuthor: Inns of Court (London). - Lincoln's Inn
Publisher:
Published: 1859
Total Pages: 988
ISBN-13:
DOWNLOAD EBOOKAuthor: Bernard Quaritch (Firm)
Publisher:
Published: 1899
Total Pages: 958
ISBN-13:
DOWNLOAD EBOOKAuthor: Blackburn (England). Public Library, Museum and Art Gallery
Publisher:
Published: 1907
Total Pages: 646
ISBN-13:
DOWNLOAD EBOOKAuthor: William Ll. Parry-Jones
Publisher: Routledge
Published: 2013-10-28
Total Pages: 379
ISBN-13: 113503141X
DOWNLOAD EBOOKFirst published in 2006. A private madhouse can be defined as a privately owned establishment for the reception and care of insane persons, conducted as a business proposition for the personal profit of the proprietor or proprietors. The history of such establishments in England and Wales can be traced for a period of over three and a half centuries, from the early seventeenth century up to the present day. This volume is a study of private madhouses in England in the eighteenth and nineteenth centuries.
Author: Society of antiquaries of Newcastle upon Tyne libr
Publisher:
Published: 1863
Total Pages: 122
ISBN-13:
DOWNLOAD EBOOKAuthor: Aileen Fyfe
Publisher: UCL Press
Published: 2022-10-03
Total Pages: 666
ISBN-13: 1800082320
DOWNLOAD EBOOKModern scientific research has changed so much since Isaac Newton’s day: it is more professional, collaborative and international, with more complicated equipment and a more diverse community of researchers. Yet the use of scientific journals to report, share and store results is a thread that runs through the history of science from Newton’s day to ours. Scientific journals are now central to academic research and careers. Their editorial and peer-review processes act as a check on new claims and findings, and researchers build their careers on the list of journal articles they have published. The journal that reported Newton’s optical experiments still exists. First published in 1665, and now fully digital, the Philosophical Transactions has carried papers by Charles Darwin, Dorothy Hodgkin and Stephen Hawking. It is now one of eleven journals published by the Royal Society of London. Unrivalled insights from the Royal Society’s comprehensive archives have enabled the authors to investigate more than 350 years of scientific journal publishing. The editorial management, business practices and financial difficulties of the Philosophical Transactions and its sibling Proceedings reveal the meaning and purpose of journals in a changing scientific community. At a time when we are surrounded by calls to reform the academic publishing system, it has never been more urgent that we understand its history.
Author: Simon D.I. Fleming
Publisher: Taylor & Francis
Published: 2024-12-02
Total Pages: 286
ISBN-13: 1040253091
DOWNLOAD EBOOKThis book explores the works and influence of the eighteenth-century British composer Charles Avison. Although he spent most of his life in the northern town of Newcastle upon Tyne, Avison went on to have a marked impact on the musical life of Britain during the second half of the eighteenth century. His concertos become part of the national concert repertory, while his critical treatise, An Essay on Musical Expression, shaped debates about musical aesthetics. This book provides the first sustained examination of Avison’s musical works and compositional techniques, and it traces how his music not only drew on influences from European composers but also reworked them and in turn, influenced others. Considering Avison’s musical compositions, the circumstances around their composition and dissemination, and their place in music history, the author confronts preconceptions about the quality of Avison’s music, reveals new dimensions of his work as a composer, and demonstrates the enduring popularity and impact of his music. The author also draws on Avison’s writings to consider how closely he adheres to his own musical aesthetics. Reassessing Avison’s contribution to British music history, this study makes the case for understanding him as an important figure in the development and spread of musical styles across eighteenth-century England.