A story of guilt, murder and politics set in Africa and New York from the acknowledged master of psychological suspense. Twenty years ago, Ray Campbell was an idealistic aid worker in Africa. He fell in love there with Martine, a local farmer, who tried to make Ray see that all actions have consequences. But he couldn't, not until it was too late... When a friend from his time in Africa is found dead in a New York alley, Ray is forced to return to a past he's spent a lifetime trying to forget...
Dance in Palestine has a history as complex and contentious as the land itself. Whether dismissed as bacchantic madness by Bible tourists in the 19th Century, revived and glorified by Zionists, Pan-Arabists and Palestinian Nationalists in the 20th Century, or rejected by Islamic Reformists in the 21st Century, dance in Palestine has a rich and elusive story that remains to be told. 'Raising Dust' traces one dancer's journey into Palestine's past and present. Through historical archives, the memories of dancers of yesteryear and into today's vibrant performing arts scene, Nicholas Rowe shows how dance has acted as a barometer of social change, a forum for debate and a means of expressing forbidden ideas. Far from apolitical, this most physical of art forms has often defined the political mood of the day. Sumptuously illustrated, the author provides a unique, rare and compelling cultural history of dance in Palestine.
In Dust of the Zulu Louise Meintjes traces the political and aesthetic significance of ngoma, a competitive form of dance and music that emerged out of the legacies of colonialism and apartheid in South Africa. Contextualizing ngoma within South Africa's history of violence, migrant labor, the HIV epidemic, and the world music market, Meintjes follows a community ngoma team and its professional subgroup during the twenty years after apartheid's end. She intricately ties aesthetics to politics, embodiment to the voice, and masculine anger to eloquence and virtuosity, relating the visceral experience of ngoma performances as they embody the expanse of South African history. Meintjes also shows how ngoma helps build community, cultivate responsible manhood, and provide its participants with a means to reconcile South Africa's past with its postapartheid future. Dust of the Zulu includes over one hundred photographs of ngoma performances, the majority taken by award-winning photojournalist TJ Lemon.
Fear of being abandoned keeps nineteen-year-old Harmony Dust trapped in an abusive and cruel relationship. She thinks she has hit bottom--tens of thousands of dollars in debt, struggling to get by, and so controlled by her boyfriend that she doesn't protest when he begins openly sleeping around. Things can't get worse . . . until someone tells her how much money she can make as an exotic dancer. For the next three years, Harmony lives a double life as Monique, a dancer in a fully-nude strip club. Scars and Stilettos is Harmony's stark, honest, and ultimately hopeful story of how God found her in that dark, noisy place and led her out. She has since married, completed an MA in social welfare, and now leads Treasures, an organization helping women in the sex trade discover their true worth. "Harmony wrote her story so that you and your friends may get help out of whatever dark tunnel you find yourself in. I know her heart, and it is to see all of us live our lives in the very purpose for which we were created. I do want to warn you . . . once you start this book, you will not be able to put it down. You will laugh, you will cry, you will be encouraged, you will fall in love with God all over again . . . and you will want to get a copy for every person you know." --Holly Wagner, from the preface "Harmony's story is compelling evidence of how far the love of God reaches to heal broken lives and restore all that has been stolen." --Nancy Alcorn, Mercy Ministries
In this soothing, gentle rhyming picture book, author Jennifer Adams bids sweet dreams to the youngest readers who identify as ballerinas by day and tender, sleepy children by night. With luminous art from illustrator Alea Marley, Goodnight, Little Dancer is sure to send little ones to sleep with twirling, dancing dreams. It's time for bed now, little dancer. Time to tell the world goodnight. Let down your bun, shake out your hair. Breathe in, relax, and dim the light.
A ballerina tale with a thoroughly modern twist! Casey Quinn has got more grace in her pinkie toe than all those prissy ballet-school girls put together, even if you'd never guess it from the looks of her too-long legs and dirty high-top sneakers. It's 1959, and freckle-faced Casey lives in the red-dust countryside of South Carolina. She's a farm girl: Her family can't afford ballet lessons. But Casey's dream is to dance in New York City. And if anyone tries to stand in her way, she's going to pirouette and jete right over them! Casey's got the grit, and Casey's got the grace: Is that enough to make it in Manhattan someday? Or might the Big Apple have something even better in mind? When she meets a visionary choreographer she calls "Miss Martha," Casey's ballerina dream takes a thoroughly, thrillingly modern twist!
This book explores the origins of Butoh in post-war Japan through orality and transmission, in conjunction with an embodied research approach. The book is a gathering of seminal artistic voices – Yoshito Ohno, Natsu Nakajima, Yukio Waguri, Moe Yamamoto, Masaki Iwana, Ko Murobushi, Yukio Suzuki, Takao Kawaguchi, Yuko Kaseki, and the philosopher, Kuniichi Uno. These conversations happened during an extended research trip I made to Japan to understand the context and circumstances that engendered Butoh. Alongside these exchanges are my reflections on Butoh’s complex history. These are primarily informed by my pedagogical and performance encounters with the artists I met during this time, rather than a theoretical analysis. Through the words of these dancers, I investigate Butoh’s tendency to evade categorization. Butoh’s artistic legacy of bodily rebellion, plurality of authorship, and fluidity of form seems prescient and feels more relevant in contemporary times than ever before. This book is intended as a practitioner's guide for dancers, artists, students, and scholars with an interest in non-Western dance and dance history, postmodern performance, and Japanese arts and culture.
Apparently, this freaky phenomenon of stepping into someone else’s life—and their body!—has a name: Temp Lifer. Thanks to my dead grandmother, it’s happened again. So now I’m hungover and gazing in the mirror at ... my boyfriend’s sister. Grammy, help!
Finalist, the Arts Club of Washington Marfield Prize A look inside a dancer’s world Inspiring, revealing, and deeply relatable, Being a Ballerina is a firsthand look at the realities of life as a professional ballet dancer. Through episodes from her own career, Gavin Larsen describes the forces that drive a person to study dance; the daily balance that dancers navigate between hardship and joy; and the dancer’s continual quest to discover who they are as a person and as an artist. Starting with her arrival as a young beginner at a class too advanced for her, Larsen tells how the embarrassing mistake ended up helping her learn quickly and advance rapidly. In other stories of her early teachers, training, and auditions, she explains how she gradually came to understand and achieve what she and her body were capable of. Larsen then re-creates scenes from her experiences in dance companies, from unglamorous roles to exhilarating performances. Working as a ballerina was shocking and scary at first, she says, recalling unexpected injuries, leaps of faith, and her constant struggle to operate at the level she wanted—but full of enormously rewarding moments. Larsen also reflects candidly on her difficult decision to retire at age 35. An ideal read for aspiring dancers, Larsen’s memoir will also delight experienced dance professionals and fascinate anyone who wonders what it takes to live a life dedicated to the perfection of the art form.
What drove a woman to murder in 1920s New England? “Few readers will be prepared for the surprise that awaits at novel’s end” in this Edgar Award–winning novel (Publishers Weekly, starred review). It was referred to as the Chatham School affair—a tragic event that destroyed five lives, shook a coastal Massachusetts community to its core, and traumatized a boy named Henry Griswald. Now Henry is an aged, unmarried lawyer, and as he writes his will, he recalls that long-ago day in 1926 when something drove his teacher to murder—and contemplates the role he played in it all . . . “Cook is a master, precise and merciless, at showing the slow-motion shattering of families and relationships . . . The Chatham School Affair ranks with his best.” —Chicago Tribune “Such a seductive book.” —The New York Times Book Review “Like the best of his crime-writing colleagues, Cook uses the genre to open a window onto the human condition . . . [a] literate, compelling novel.” —Publishers Weekly (starred review)
