This is a complete guide to the text and context of the most famous Old English poem. In this book, the specific roles of selcted individual characters, both major and minor, are assessed.
Interpretations of Beowulf brings together over six decades of literary scholarship. Illustrating a variety of interpretative schools, the essays not only deal with most of the major issues of Beowulf criticism, including structure, style, genre, and theme, but also offer the sort of explanations of particular passages that are invaluable to a careful reading of a poem. This up-to-date collection of significant critical approaches fills a long-standing need for a companion volume for the study of the poem. Larger patterns in the history of Beowulf criticism are also traceable in the chronological order of the collection. The contributors are Theodore M. Andersson, Arthur Gilchrist Brodeur, Jane Chance, Laurence N. de Looze, Margaret E. Goldsmith, Stanley B. Greenfield, Joseph Harris, Edward B. Irving, Jr., John Leyerle, Francis P. Magoun, Jr., M. B. McNamee, S. J., Bertha S. Phillpotts, John C. Pope, Richard N. Ringler, Geoffrey R. Russom, T. A. Shippey, and J. R. R. Tolkien.
In this series of detailed studies, Andy Orchard demonstrates the changing range of Anglo-Saxon attitudes towards the monstrous by reconsidering the monsters of Beowulf against the background of early medieval and patristic teratology and with reference to specific Anglo-Saxon texts.
Provides a biography of Tolkien, entries on all his novels, stories, and poems, his published scholarly essays and lectures, important posthumously published works, and entries on related people, places, and topics.
A modern, illustrated retelling of the Anglo-Saxon epic about the heroic efforts of Beowulf, son of Ecgtheow, to save the people of Heorot Hall from the terrible monster, Grendel.
The first major poem in English literature, Beowulf tells the story of the life and death of the legendary hero Beowulf in his three great battles with supernatural monsters. The ideal Anglo-Saxon warrior-aristocrat, Beowulf is an example of the heroic spirit at its finest. Leading Beowulf scholar Howell D. Chickering, Jr.’s, fresh and lively translation, featuring the Old English on facing pages, allows the reader to encounter Beowulf as poetry. This edition incorporates recent scholarship and provides historical and literary context for the modern reader. It includes the following: an introduction a guide to reading aloud a chart of royal genealogies notes on the background of the poem critical commentary glosses on the eight most famous passages, for the student who wishes to translate from the original an extensive bibliography
Finest heroic poem in Old English celebrates the exploits of Beowulf, a young nobleman of southern Sweden. Combines myth, Christian and pagan elements, and history into a powerful narrative. Genealogies.
Compiled by an unknown scribe in Iceland around 1270, and based on sources dating back centuries earlier, these mythological and heroic poems tell of gods and mortals from an ancient era: the giant-slaying Thor, the doomed Völsung family, the Hel-ride of Brynhild and the cruelty of Atli the Hun. Eclectic, incomplete and fragmented, these verses nevertheless retain their stark beauty and their power to enthrall, opening a window on to the thoughts, beliefs and hopes of the Vikings and their world.
Translations of the Old English poem Beowulf proliferate, and their number continues to grow. Focusing on the particularly rich period since 1950, this book presents a critical account of translations in English verse, setting them in the contexts both of the larger story of recovery and reception of the poem and of perceptions of it over the past two hundred years, and of key issues in translation theory. Attention is also paid to prose translation and the the creative adaptations of the poem that have been produced in a variety of media, not least film. The author looks in particular at four translations of arguably the most literary and historical importance: those by Edwin Morgan (1952), Burton Raffel (1963), Michael Alexander (1973) and Seamus Heaney (1999). But, from an earlier period, he also gives a full account of William Morris's 1895 version.
Transforming Space over Time tells the stories of six diverse productions: five on Broadway and one Off Broadway. Tony Award–winning set designer Beowulf Boritt begins with the moment he was offered each job and takes readers through the conceptual development of a set, the challenges of its physical creation, and the intense process of readying it for the stage. Theater is at heart a collaborative art form, and Boritt shares revealing details of his work with the many professionals—directors, designers, technicians, producers, stage managers, and actors—who contribute their talent and ideas to each show. Included here are extensive conversations with theater legends James Lapine, Kenny Leon, Hal Prince, Susan Stroman, Jerry Zaks, and Stephen Sondheim, explaining how their different approaches to theater help to shape the vision for a set and best practices for creative collaboration. Boritt also offers valuable insights into the sometimes frustrating but unavoidable realities of the “biz” part of showbiz—budgets, promotion, reviews, and awards. Full of indispensable advice for aspiring and seasoned professionals, and with plenty of entertaining and enlightening anecdotes to engage passionate theatergoers, Transforming Space over Time peels back the curtain and illuminates the artistry and craft of professional theatrical production—and particularly the all-important collaboration of designers and directors.