In this volume from the Evangelical Exegetical Commentary, Paul Tanner argues that the book of Daniel is the Old Testament blueprint of the Bible's overarching eschatological narrative. Tanner examines key aspects of the book of Daniel such as the revelation of Israel's future in relation to gentile kingdoms, God's exaltation of Daniel as a channel through whom he reveals his will and God's sovereign control of the nations under whom Israel is being disciplined. Tanner provides exegetical insight to help readers better understand not only how God worked in Israel's history through Daniel, but how he sovereignly directs all of world history--for all time.
"Newsom’s commentary offers a fresh study of Daniel in its historical context. Newsom further analyzes Daniel from literary and theological perspectives. With her expert commentary, Newsom’s study will be the definitive commentary on Daniel for many years to come." -- Amazon
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
John J. Collins’ Introduction to the Hebrew Bible is one of the most reliable and widely adopted critical textbooks at undergraduate and graduate levels alike, and for good reason. Enriched by decades of classroom teaching, it is aimed explicitly at motivated students regardless of their previous exposure to the Bible or faith commitments. Collins proceeds through the canon of the Old Testament and the Apocrypha, judiciously presenting the current state of historical, archaeological, and literary understanding of the biblical text, and engaging the student in questions of significance and interpretation for the contemporary world. The second edition has been revised where more recent scholarship indicates it, and is now presented in a refreshing new format.
In Management by the Book, Robert Case masterfully weaves Old and New Testament management examples and principles, commentary from scholars, insight from theologians, practices from contemporary business owners, and observations from Case himself to present a picture of management utterly unique in business literature.
For centuries, controversy has raged over the authorship and genuineness of the book of Daniel. Is it an authentic document from the sixth century before the Common Era with a message from God to postexilic Israel; or is it a forged document written centuries later to encourage Israelites being oppressed by the Seleucid king, Antiochus Epiphanes? Robert Johns addresses these issues and more in his thesis on Daniel's visions. Importantly, Johns establishes when Daniel was provided with his visions, and he defines why God provided Daniel with the visions. The Visions of Daniel the Hebrew Prophet examines the metal image, the beast with eleven horns, the Seventy "sevens," chapter eight's little-horn, and the 2,300 evening-mornings. It demonstrates that the enigmatic 1,290 days and 1,335 days are anything but enigmatic, and it identifies the reason why Daniel's fifth and final revelation is so detailed. Appendices address issues of general nature, such as the historicity of Jesus the Christ, the popularity of dispensationalism, the identity of "the abomination that desolates," and the integrity of novels representing the Christian-fiction genre (which focus on a seven-year tribulation period at the end of history). This book will be of value to every Christian who has an interest in Bible prophecy and eschatology.
Excerpt from A Critical Commentary on the Book of Daniel: Designed Especially for Students of the English Bible Since the final closing of the Old Testament Canon, which probably took place about 100 B. C., perhaps no work included therein has excited more interest than the much disputed Book of Daniel. Indeed, a mere list of all that has been written both in defence of and against the authenticity of this production would fill a fair sized volume. It is obviously impossible, therefore, for a critical treatment of Daniel to be exhaustive in the sense of embodying all the opinions ever advanced regarding the interpretation, authorship and origin of the work, nor, in view of the immense mass of valueless literature dating from almost every Christian century which exists on the subject, would it be desirable to attempt such a task. The object of the following commentary is to present as concisely as possible, especially to the student of the English Bible, the consensus of critical opinion regarding the many problems arising from the study of the Book of Daniel and to add such new matter as has been suggested by a careful examination of the text and exegesis. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Is contemporary art a friend or foe of Christianity? Art historian, critic, and curator Daniel Siedell, addresses this question and presents a framework for interpreting art from a Christian worldview in God in the Gallery: A Christian Embrace of Modern Art. As such, it is an excellent companion to Francis Schaeffer's classic Art and the Bible. Divided into three parts--"Theology," "History," and "Practice"--God in the Gallery demonstrates that art is in conversation with and not opposed to the Christian faith. In addition, this book is beautifully enhanced with images from such artists as Andy Warhol, Jackson Pollock, Enrique Martínez Celaya, and others. Readers of this book will include professors, students, artists, and anyone interested in Christianity and culture.
