This edition contains the English translation and the original text in German. "A Country Doctor" (German: "Ein Landarzt") is a short story written in 1919 by Franz Kafka. It was first published in the collection of short stories of the same title. Die Erzählung "Ein Landarzt" von Franz Kafka entstand im Jahr 1917 und wurde 1918 veröffentlicht. Im Jahre 1920 erschien – nach mehreren kriegsbedingten Verzögerungen – das Buch "Ein Landarzt" mit der Erzählung gleichen Titels und dreizehn weiteren Prosatexten im Verlag Kurt Wolff. Das Buch enthält die Widmung: "Meinem Vater". Drei Stücke hiervon waren vorab bereits in der Zweimonatsschrift "Marsyas" erschienen. Zahlreiche Prosastücke des Erzählbandes wurden durch Träume Kafkas angeregt, die er vorab in seinen Tagebüchern beschrieb.
Ein Landarzt: Kleine Erzahlungen By Franz Kafka Die Erzählung Ein Landarzt von Franz Kafka entstand im Jahr 1917 und wurde 1918 veröffentlicht. Im Jahre 1919 erschien das Buch Ein Landarzt mit der Erzählung gleichen Titels und dreizehn weiteren Prosatexten. Kafka selbst bezeichnete "Ein Landarzt" (die einzelne Erzählung, nicht die Sammlung) als eine der wenigen wirklich gelungenen Erzählungen von ihm. Zweifellos zeichnet sich diese Geschichte auch tatsächlich durch meisterliches dichterisches Können aus. Doch angesichts der zahlreichen anderen hervorragenden Erzählungen offenbart Kafkas Einschätzung von "Ein Landarzt" seinen hohen Anspruch an sich selbst, der im übrigen als Argument für die Ernsthaftigkeit der Anweisung Kafkas an Max Brod angeführt werden kann, wonach Brod nach Kafkas Tod den Großteil des Gesamtwerkes vernichten sollte. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
A Study Guide for Franz Kafka's "A Country Doctor," excerpted from Gale's acclaimed Short Stories for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Short Stories for Students for all of your research needs.
Franz Kafka was an Austrian-Czech novelist and writer from Prague. He is widely regarded as a major figure of 20th-century literature. His work fuses elements of realism and the fantastic. It typically features isolated protagonists facing bizarre or surrealistic predicaments and incomprehensible socio-bureaucratic powers. It has been interpreted as exploring themes of alienation, existential anxiety, guilt, and absurdity. Here are the novel "The Metamorphosis" and the short stories "A Country Doctor";"In the Penal Colony; A Hunger Artist; The Helmsman; The Knock at the Manor Gate; Give It Up!
Kafka's novels and stories fascinate readers and critics of each generation. Although all theories attempt to appropriate Kafka, there is no one key to his work. This work aims to present a point of view while taking account of previous Kafka research.
Franz Kafka was a self-conscious writer whose texts were highly if mysteriously autobiographical. Three giants of contemporary fiction—J. M. Coetzee, Philip Roth, and W. G. Sebald—have all acknowledged their debt to the work of Kafka, both in interviews and in their own academic essays and articles for a general readership about him. In this striking feat of literary scholarship, Daniel Medin finds that the use of Kafka by Coetzee, Roth, and Sebald is similarly self-reflexive and autobiographical. That writers from such divergent national and ethnic traditions can have such unique critical readings of Kafka, and that Kafka could exert such a powerful influence over their oeuvres, Medin contends, attests to the central place of Kafka in the contemporary literary imagination.
This book tells the story of German-language literature on film, beginning with pioneering motion picture adaptations of Faust in 1897 and early debates focused on high art as mass culture. It explores, analyzes and contextualizes the so-called 'golden age' of silent cinema in the 1920s, the impact of sound on adaptation practices, the abuse of literary heritage by Nazi filmmakers, and traces the role of German-language literature in exile and postwar films, across ideological boundaries in divided Germany, in New German Cinema, and in remakes and movies for cinema as well as television and streaming services in the 21st century. Having provided the narrative core to thousands of films since the late 19th century, many of German cinema's most influential masterpieces were inspired by canonical texts, popular plays, and even children's literature. Not being restricted to German adaptations, however, this book also traces the role of literature originally written in German in international film productions, which sheds light on the interrelation between cinema and key historical events. It outlines how processes of adaptation are shaped by global catastrophes and the emergence of nations, by materialist conditions, liberal economies and capitalist imperatives, political agendas, the mobility of individuals, and sometimes by the desire to create reflective surfaces and, perhaps, even art. Commercial cinema's adaptation practices have foregrounded economic interest, but numerous filmmakers throughout cinema history have turned to German-language literature not simply to entertain, but as a creative contribution to the public sphere, marking adaptation practice, at least potentially, as a form of active citizenship.
Known for depicting alienation, frustration, and the victimization of the individual by impenetrable bureaucracies, Kafka's works have given rise to the term Kafkaesque. This encyclopedia details Kafka's life and writings. Included are more than 800 alphabetically arranged entries on his works, characters, family members and acquaintances, themes, and other topics. Most of the entries cite works for further reading, and the Encyclopedia closes with a selected, general bibliography.
“Elegant, beautifully written literary criticism, examining how eight major writers—‘From Tolstoy to Primo Levi’—dealt with death in their fiction.” —The Wall Street Journal “All art and the love of art,” Victor Brombert writes at the beginning of the deeply personal Musings on Mortality, “allow us to negate our nothingness.” As a young man returning from World War II, Brombert came to understand this truth as he immersed himself in literature. Death can be found everywhere in literature, he saw, but literature itself is on the side of life. With delicacy and penetrating insight, Brombert traces the theme of mortality in the work of a group of modern writers: Leo Tolstoy, Thomas Mann, Franz Kafka, Virginia Woolf, Albert Camus, Giorgio Bassani, J. M. Coetzee, and Primo Levi. Illuminating their views on the meaning of life and the human condition, Brombert ultimately, reveals that by understanding how these authors wrote about mortality, we can grasp the full scope of their literary achievement and vision. Winner of the Robert Penn Warren-Cleanth Brooks award for outstanding literary criticism. “Suffused with wisdom and argued with the strong hand of a weathered and feeling literary scholar. . . . It is hard to imagine such thematic criticism being done better than here. What a beautiful book.” —Thomas Harrison, author of 1910: The Emancipation of Dissonance “A brave and eloquent book.” — Peter Brooks, author of Henry James Goes to Paris “The simplicity and directness of Brombert’s style gives his discussion of the philosophical and aesthetic underpinnings of the works under scrutiny great clarity.” —Publishers Weekly “Brombert’s eloquently written book is for serious lovers of literature.” —Library Journal
