The cult of St Ursula and the 11,000 virgins was one of the most popular and relic-rich of all saints’ cults in the medieval period. This volume constitutes the first interdisciplinary collection of essays in English to explore the development and transmission of the legend of St Ursula in detail, considering a wealth of different sources including physical remains, literary texts, artistic representations and medieval music.
Records details of all seperately published creative literature by Australian writers over the last two centuries. Genres covered are poetry, drama, fiction and children's writing.
Disappointment can be salutary. In the 1955 election Michael Foot surprisingly lost his seat. Until then he had been a journalist, albeit a prolific and influential one. He now had more time on his hands. To both his father, Isaac Foot, and himself Jonathan Swift was a hero. His father, who believed writing to be the supreme vocation, now encouraged him to write a book on Swift. The result was The Pen and the Sword . Michael Foot concentrates on the crucial two years of 1710-11. In that time Swift published one of his most devastating polemics The Conduct of the Allies that tore into the Whig government and the Duke of Marlborough in particular. It is an important moment in English History: the pen and the sword fought a duel, and the pen proved the stronger of the two. First published in 1957 it was well and widely reviewed. 'Enthralling ... a fine piece of historical writing.' Spectator 'An exciting story excellently narrated ... a lucid guide to one of the most complicated patterns of intrigue and manoeuvre that the eighteenth-century can provide ... intensely dramatic.' Harold Nicolson, Observer
The administration of George Grenville, 1763-1765, continues to divide historians. The passage of his American Stamp Act was widely debated by his contemporaries, damned by nineteenth-century Whig historians, and criticized by many historians well into the twentieth-century. The Stamp Act proved to be a political blunder which helped precipitate the outbreak of the American Revolution, and it is this, together with Grenville’s own forbidding personality, which has coloured how he has been largely remembered. Indeed, as one of his more recent biographers has noted, Grenville’s political career has been mainly judged on the comments made by his contemporary political enemies. Grenville, however, came to the premiership after spending twenty years in office and was perceived by many as an efficient and energetic minister; a capable and conscientious man who got things done. This present study adds to the recent reappraisal of Grenville’s career by investigating how he and his followers interacted with, and attempted to influence, the activities of the increasing political press during the first decade of the reign of George III. The Grenvillite pamphleteers were both well-organized and effective in their defence of their political patron, and the press activities of Thomas Whately, William Knox, Augustus Hervey, and Charles Lloyd are fully investigated here within the larger context of the political debates from 1763 to 1770. The impact East Indian issues, Irish affairs, John Wilkes, and American colonial problems had on shaping British public opinion are also examined. The book concludes, with regard to the American colonies at least, that the Grenvillite vision of empire was essentially traditional and mainstream. Stubborn, peevish, and argumentative he may have been, but Grenville was hardly the scourge of the American colonies as previously portrayed; nor was he the lone author of all the trouble between Britain and her American colonies as some American historians have suggested. George Grenville will remain a controversial figure in eighteenth-century British political history, but this study offers an examination of his political activities from a different perspective, and thus helps broaden our estimation of a minister who has been considered for too long as one of the worst prime ministers during the long reign of George III.
