A Composer's Notes
A Composer's Notes

Author: Jeffrey Dane

Publisher:

Published: 2006

Total Pages: 0

ISBN-13: 9780595414338

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"A Composer's Notes: Remembering Mikl's R'zsa" by Jeffrey Dane A special Recollection, written to commemorate the 2007 centenary of the composer's birth on April 18, 1907. Mikl's R'zsa composed the music for nearly 100 films. In this book, the author shares his own personal remembrances of the composer, the private vignettes he witnessed, specific anecdotes, personal photos, and facsimiles of R'zsa's manuscripts. The author also presents some of the private correspondence between him and the composer over a more than 20-year period, including photographic copies of the innumerable handwritten letters and notes he received from Dr. R'zsa during the decades of their friendship. These missives outline the evolution of the camaraderie and rapport that developed between the two men, offer insight into the kind of relationship between them, and reveal features of the composer's own character. The author began his connection with R'zsa as a fan but ultimately became an earnest student first of R'zsa's film music and then of his concert music - and, eventually, a friend. Available: - online from the iUniverse website: www.iUniverse.com - online from www.amazon.com and from www.bn.com - from bookstores. Cover design by Emil Tochilovsky.

Experiencing Music
Experiencing Music

Author: Vagn Holmboe

Publisher:

Published: 1991

Total Pages: 152

ISBN-13:

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Here, Holmboe discusses many issues facing the composer, performer and listener, giving especial attention to the most basic questions about musical experience. Vagn Holmboe [1909-96], was one of the most important composers of his era, and arguably the most important Danish composer after Carl Nielsen. A composer for over 60 years, and a teacher for more than 30, he wrote over 300 compositions in nearly every musical genre, music criticism, many other articles and two other books. Here, in a volume intended for the general reader, he discusses the nature of music, from the point of view of the composer, the performer and the listener. Where do musical ideas come from? What are composers' working methods, and how much are they really aware of them? What is the role of performers, and what sort of freedom do they have in interpreting music?What do listeners do in listening to music? What, essentially, is the musical experience? Professor Paul Rapoport contributes a lengthy introduction to this book, although, as he points out, `this is not a book about Vagn Holmboe nor a book addressed solely to musicians ... Holmboe's prose, like his music, is addressed to his fellow human beings, whoever and wherever they may be'.

Quarter Notes and Bank Notes
Quarter Notes and Bank Notes

Author: F. M. Scherer

Publisher: Princeton University Press

Published: 2012-06-24

Total Pages: 277

ISBN-13: 0691155461

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"The book offers insight into the diversity of composers' economic aspirations, the strategies through which they pursued such success, the burgeoning music publishing industry, and the emergence of copyright protection. This account is directed toward individuals intrigued by the world of classical composers as well as those interested in economic history of the role of money in art."--Jacket.

Band Music Notes
Band Music Notes

Author: Norman E. Smith

Publisher:

Published: 1979

Total Pages: 342

ISBN-13:

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Contains composer information and program notes for over 600 band compositions, also grading, estimated duration, and record information.

A Composer's Guide to Understanding Music
A Composer's Guide to Understanding Music

Author: Sy Brandon

Publisher: Lulu.com

Published: 2011-08-27

Total Pages: 82

ISBN-13: 1430308982

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The purpose of this book is to provide insight into the compositional process to enable listeners, interpreters, and creators of music to advance their skills through a series of guided activities. Listeners can use this book to increase their musical understanding and appreciation. Developing performers, educators and conductors can use this book to gain valuable insights to assist them with interpreting music beyond what is printed on the page. Developing composers can use this book as a beginning text or to help refine their compositional techniques.Free downloadable mp3 files at http://www.lulu.com/content/446296 contain MIDI performances of most of the examples used in the chapters. Purchase of the book entitles the reader to join a free on-line discussion group that is moderated by the author. You can share experiences, comments and questions regarding subjects that are covered in the book and to respond to other reader's posts. The author will also contribute to the discussions.

Scoring the Screen
Scoring the Screen

Author: Andy Hill

Publisher: Hal Leonard Corporation

Published: 2017-07-01

Total Pages: 425

ISBN-13: 1540004813

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(Music Pro Guides). Today, musical composition for films is more popular than ever. In professional and academic spheres, media music study and practice are growing; undergraduate and postgraduate programs in media scoring are offered by dozens of major colleges and universities. And increasingly, pop and contemporary classical composers are expanding their reach into cinema and other forms of screen entertainment. Yet a search on Amazon reveals at least 50 titles under the category of film music, and, remarkably, only a meager few actually allow readers to see the music itself, while none of them examine landmark scores like Vertigo , To Kill a Mockingbird , Patton , The Untouchables , or The Matrix in the detail provided by Scoring the Screen: The Secret Language of Film Music . This is the first book since Roy M. Prendergast's 1977 benchmark, Film Music: A Neglected Art , to treat music for motion pictures as a compositional style worthy of serious study. Through extensive and unprecedented analyses of the original concert scores, it is the first to offer both aspiring composers and music educators with a view from the inside of the actual process of scoring-to-picture. The core thesis of Scoring the Screen is that music for motion pictures is indeed a language , developed by the masters of the craft out of a dramatic and commercial necessity to communicate ideas and emotions instantaneously to an audience. Like all languages, it exists primarily to convey meaning . To quote renowned orchestrator Conrad Pope (who has worked with John Williams, Howard Shore, and Alexandre Desplat, among others): "If you have any interest in what music 'means' in film, get this book. Andy Hill is among the handful of penetrating minds and ears engaged in film music today."

Piano Notes
Piano Notes

Author: Charles Rosen

Publisher: Simon and Schuster

Published: 2002-10-29

Total Pages: 262

ISBN-13: 1439135223

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Charles Rosen is one of the world's most talented pianists -- and one of music's most astute commentators. Known as a performer of Bach, Beethoven, Stravinsky, and Elliott Carter, he has also written highly acclaimed criticism for sophisticated students and professionals. In Piano Notes, he writes for a broader audience about an old friend -- the piano itself. Drawing upon a lifetime of wisdom and the accumulated lore of many great performers of the past, Rosen shows why the instrument demands such a stark combination of mental and physical prowess. Readers will gather many little-known insights -- from how pianists vary their posture, to how splicings and microphone placements can ruin recordings, to how the history of composition was dominated by the piano for two centuries. Stories of many great musicians abound. Rosen reveals Nadia Boulanger's favorite way to avoid commenting on the performances of her friends ("You know what I think," spoken with utmost earnestness), why Glenn Gould's recordings suffer from "double-strike" touches, and how even Vladimir Horowitz became enamored of splicing multiple performances into a single recording. Rosen's explanation of the piano's physical pleasures, demands, and discontents will delight and instruct anyone who has ever sat at a keyboard, as well as everyone who loves to listen to the instrument. In the end, he strikes a contemplative note. Western music was built around the piano from the classical era until recently, and for a good part of that time the instrument was an essential acquisition for every middle-class household. Music making was part of the fabric of social life. Yet those days have ended. Fewer people learn the instrument today. The rise of recorded music has homogenized performance styles and greatly reduced the frequency of public concerts. Music will undoubtedly survive, but will the supremely physical experience of playing the piano ever be the same?

A Composer's Insight: Leslie Bassett
A Composer's Insight: Leslie Bassett

Author: Timothy Salzman

Publisher: Hal Leonard Corporation

Published: 2003

Total Pages: 212

ISBN-13: 9781574630343

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This is a five-volume series on major contemporary composers and their works for wind band. Included in this initial volume are rare, behind-the-notes perspectives acquired from personal interviews with each composer. An excellent resource for conductors, composers or enthusiasts interested in acquiring a richer musical understanding of the composers' training, compositional approach, musical influences and interpretative ideas. Features the music of: Timothy Broege, Michael Colgrass, Michael Daugherty, David Gillingham, John Harbison, Karel Husa, Alfred Reed and others.

A Composer's Insight: Richard Rodney Bennett
A Composer's Insight: Richard Rodney Bennett

Author: Timothy Salzman

Publisher: Hal Leonard Corporation

Published: 2003

Total Pages: 324

ISBN-13: 9781574630480

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This is a five-volume series on major contemporary composers and their works for wind band. Included in this initial volume are rare, behind-the-notes perspectives acquired from personal interviews with each composer. An excellent resource for conductors, composers or enthusiasts interested in acquiring a richer musical understanding of the composers' training, compositional approach, musical influences and interpretative ideas. Features the music of: Timothy Broege, Michael Colgrass, Michael Daugherty, David Gillingham, John Harbison, Karel Husa, Alfred Reed and others.