In laying out this book I have put into it the experience of many years of actual work in the designing of Monograms, Ciphers, Trade-Marks, and other letter devices. I have given the work much careful thought in order to present the most useful material, to give that material on a good workable scale, and in such a way that any design can be quickly found. By the arrangement of the designs the plates form their own index. ..A. A. TURBAYNE.
More than 2,500 designs, originally published between 1830 and 1881, offer a splendid source of royalty-free ornaments. Includes two-, three-, and four-letter combos, plus crowns, crests, and coats of arms.
With a focus on two-letter combinations, this volume offers a comprehensive selection of monograms and ciphers, catering to various artistic styles. Whether you seek Roman, Gothic, Sans Serif, Cursive, or Rustic inspiration, these captivating designs will captivate your imagination. Discover the art of interlacing letters, creating harmonious compositions that grace jewelry, bindings, and ornamental pieces.
Chicago–based jewelry engraver J. M. Bergling (1866–1933) created thousands of letter styles, signets, monograms, and ciphers. A noted author on the subjects of lettering and heraldic design, Bergling created books that became standard references of his era. He assembled his first book, Art Monograms and Letters,with the hopes of inspiring other etchers, engravers, sign painters, and artisans. This volume contains selected illustrations from that publication in addition to his complete Art Alphabets and Lettering,which comprises 96 pages of layouts and letter styles ranging from simple to ornate. Commercial artists, designers, calligraphers, engravers, amateurs, and professionals will prize this exclusive edition as a source of high-quality images and alphabets. This reference book features an appreciative Foreword by artist and author James Gurney, which places Bergling's works in historical context.
This comprehensive compendium showcases over 450 captivating examples of monograms and ciphers, curated from the portfolios of leading designers worldwide. This comprehensive compendium showcases over 450 captivating examples of monograms and ciphers, curated from the portfolios of leading designers worldwide. Part of a series offering a broad exploration of contemporary trademarks, corporate symbols, and logo designs, this book is a visual feast for design enthusiasts. Discover the subtle intricacies of monograms, where letters intertwine, and ciphers, where letters stand independently yet create a harmonious visual tapestry.
DigiCat Publishing presents to you this special edition of "Monograms & Ciphers" by Carlton Studio, A. A. Turbayne. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Cryptography, the art and science of creating secret codes, and cryptanalysis, the art and science of breaking secret codes, underwent a similar and parallel course during history. Both fields evolved from manual encryption methods and manual codebreaking techniques, to cipher machines and codebreaking machines in the first half of the 20th century, and finally to computerbased encryption and cryptanalysis from the second half of the 20th century. However, despite the advent of modern computing technology, some of the more challenging classical cipher systems and machines have not yet been successfully cryptanalyzed. For others, cryptanalytic methods exist, but only for special and advantageous cases, such as when large amounts of ciphertext are available. Starting from the 1990s, local search metaheuristics such as hill climbing, genetic algorithms, and simulated annealing have been employed, and in some cases, successfully, for the cryptanalysis of several classical ciphers. In most cases, however, results were mixed, and the application of such methods rather limited in their scope and performance. In this work, a robust framework and methodology for the cryptanalysis of classical ciphers using local search metaheuristics, mainly hill climbing and simulated annealing, is described. In an extensive set of case studies conducted as part of this research, this new methodology has been validated and demonstrated as highly effective for the cryptanalysis of several challenging cipher systems and machines, which could not be effectively cryptanalyzed before, and with drastic improvements compared to previously published methods. This work also led to the decipherment of original encrypted messages from WWI, and to the solution, for the first time, of several public cryptographic challenges.
Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives. The first survey of its kind, Installations by Architects features fifty of the most significant projects from the last twenty-five years by today's most exciting architects, including Anderson Anderson, Philip Beesley, Diller + Scofidio, John Hejduk, Dan Hoffman, and Kuth/Ranieri Architects. Projects are grouped in critical areas of discussion under the themes of tectonics, body, nature, memory, and public space. Each project is supplemented by interviews with the project architects and the discussions of critics and theorists situated within a larger intellectual context. There is no doubt that installations will continue to play a critical role in the practice of architecture. Installations by Architects aims to contribute to the role of installations in sharpening our understanding of the built environment.
