Marsh Hay, by Merrill Denison; The Unreasonable Act of Julian Waterman, by Ron Taylor; The Twisted Loaf & Soft Voices, by Aviva Ravel; Vicky, by Grahame Woods; The Vice President, by John Schull.
Land of Magic Spell, by Larry Zacharko; Which Witch is Which? by Beth McMaster; The Clam Made a Face, by Eric Nicol; Nuts & Bolts & Rusty Things, by Fred Thury; King Grumbletum and the Magic Pie, by David Kemp; Professor Fuddle's Fantastic Fairy Tale Machine, by Alan E. Ball; Cyclone Jack, by Carol Bolt; Billy Bishop and the Red Baron, by Leonard Peterson; Masque, by Ron Cameron; Catalyst, by John Ibbitson.
Wedding in White, by William Fruet; Three Women, by Hugh Garner; The Devil's Instrument, by W.O. Mitchell; The Pile, The Store, and Inside Out, by Mavor Moore; Westbound 12:01, by Brock Shoveller.
The purpose of A Collection of Canadian Plays is to present to the Canadian public good plays which have received regional acclaim but not national publicity. We hope to achieve the widest possible dissemination of original Canadian plays, not only for those who may be interested in mounting their own productions, but also for those playgoers who may wish to recapture the pleasures of an evening well spent in the theatre. This volume focuses on children's plays, which have been selected in conjunction with Associate Editor Susan Douglas Rubes from Young People's Theatre. This volume contains Land of Magic Spell, by Larry Zacharko; Which Witch is Which? by Beth McMaster; The Clam Made a Face, by Eric Nicol; Nuts & Bolts & Rusty Things, by Fred Thury; King Grumbletum and the Magic Pie, by David Kemp; Professor Fuddle's Fantastic Fairy Tale Machine, by Alan E. Ball; Cyclone Jack, by Carol Bolt; Billy Bishop and the Red Baron, by Leonard Peterson; Masque, by Ron Cameron; Catalyst, by John Ibbitson.
Thirty-five critics provide a unique overview of the contemporary performing arts and their cultural and economic impact in French and English Canada, in a province-by-province assessment of playwrighting, theatre production, opera and dance, radio and TV drama. Over 70 production photographs and an extensive bibliography and index make this one of the most important books on Canadian theatre in the last decade.