Bestselling master of suspense Jeffery Deaver’s enviable task was to select from the thousands of stories written over the past one hundred years those which best represented the classic form, as well as the celebrated authors whose ironic twists and stunning payoffs left a lasting and vivid impression. Delivering everything from the one-two punch of the detective story to the ingeniously precise trappings of the police procedural, from the disquieting corners of the criminal mind to sheer dread-inducing horror, A Century of Great Suspense Stories is a rich anthology of this popular literary genre, a stunning tribute to the art of storytelling, and to the men and women who have done it best.
A Wall Street Journal holiday 2021 pick A Suspense Magazine Best Book of the Year Lee Child selects the twenty best mystery short stories of the year, including tales by Stephen King, Sara Paretsky, and many more. Under the auspices of New York City's legendary mystery fiction specialty bookstore, The Mysterious Bookshop, and aided by Edgar Award-winning anthologist Otto Penzler, international bestseller Lee Child has selected the twenty most suspenseful, most confounding, and most mysterious short stories from the past year, collected now in one entertaining volume. Includes stories by: Alison Gaylin David Morrell James Lee Burke Joyce Carol Oates Martin Edwards Sara Paretsky Stephen King Sue Grafton (with a new, posthumously-published work!) And many more!
In this essential distillation of American suspense, 100 years worth of peerless tales are collected into a volume where giants of the genre abound: Raymond Chandler, Lawrence Block, Sue Grafton, Elmore Leonard, and Sara Paretsky.
From the author People magazine has hailed the New York Times bestselling author as “a master of ticking-bomb suspense,” comes the third addition to the Kathryn Dance series, a chilling tale of a vigilante seeking revenge—in both the cyber world…and the real. The Monterey Peninsula is rocked when a killer begins to leave roadside crosses beside local highways—not in memoriam, but as announcements of his intention to kill. And to kill in particularly horrific and efficient ways: using the personal details about the victims that they've carelessly posted in blogs and on social networking websites. The case lands on the desk of Kathryn Dance, the California Bureau of Investigation's foremost kinesics—body language-expert. She and Deputy Michael O'Neil follow the leads to Travis Brigham, a troubled teenager whose role in a fatal car accident has inspired vicious attacks against him on a popular blog, The Chilton Report. As the investigation progresses, Travis vanishes. Using techniques he learned as a brilliant participant in MMORPGs—Massively Multiplayer Online Role-Playing Games—he easily eludes his pursuers and continues to track his victims, some of whom Kathryn is able to save, some not. Among the obstacles Kathryn must hurdle are politicians from Sacramento, paranoid parents, and the blogger himself, James Chilton, whose belief in the importance of blogging and the new media threatens to derail the case and potentially Dance's career. It is this threat that causes Dance to take desperate and risky measures... With Jeffery Deaver's signature style, Roadside Crosses is filled with dozens of plot twists, cliff-hangers, and heartrending personal subplots that take a searing look at the accountability of blogging and life in the online world.
From William Dickson's Rip Van Winkle films (1896) to Baz Luhrmann's big-budget production of The Great Gatsby (2013) and beyond, cinematic adaptations of American literature participate in a rich and fascinating history. Unlike previous studies of American literature and film, which emphasize particular authors like Edith Wharton and Nathaniel Hawthorne, particular texts like Moby-Dick, particular literary periods like the American Renaissance, or particular genres like the novel, this volume considers the multiple functions of filmed American literature as a cinematic genre in its own right-one that reflects the specific political and aesthetic priorities of different national and historical cinemas even as it plays a decisive role in defining American literature for a global audience.
Former U.S. Marine sniper Quarry has found a new vocation as a professional assassin. But when his latest contact turns out to be an old acquaintance from his military days, the fresh-faced hit man finds himself battling against his own conscience as secrets from the past start to reveal themselves. Written by renowned comics writer and author of the Quarry novel series, Max Allan Collins (Road to Perdition, Batman) and illustrated by Szymon Kudranski (Batman: Streets of Gotham) and Edu Menna (The Twilight Zone), Quarry’s War marks the long-serving hit man’s first ever comic book appearance. Collects Quarry’s War #1-4 “You’ll want to enlist in Quarry’s War” – The Multiverse “Another Collin’s hit most definitely!” – Nerdly “You’re in for a crime fiction treat.” – Rogues Portal
The instant New York Times bestselling thriller from the “master of ticking bomb suspense” (People) who created Lincoln Rhyme and Kathryn Dance is “a tour de force…the suspense never flags” (Kirkus Reviews). When a night-time call to 911 from a secluded Wisconsin vacation house is cut short, offduty deputy Brynn McKenzie leaves her husband and son at the dinner table and drives up to Lake Mondac to investigate. Was it a misdial or an aborted crime report? Brynn stumbles onto a scene of true horror and narrowly escapes from two professional criminals. She and a terrified visitor to the weekend house, Michelle, flee into the woods in a race for their lives. As different as night and day, and stripped of modern-day resources, Brynn, a tough deputy with a difficult past, and Michelle, a pampered city girl, must overcome their natural reluctance to trust each other and learn to use their wits and courage to survive the relentless pursuit. The deputy's disappearance spurs both her troubled son and her new husband into action, while the incident sets in motion Brynn's loyal fellow deputies and elements from Milwaukee's underside. These various forces race along inexorably toward the novel's gritty and stunning conclusion. The Bodies Left Behind is an epic cat-and-mouse chase, told nearly in real-time, and is filled with Deaver's patented twists and turns, where nothing is what it seems, and death lingers just around the next curve on a deserted path deep in the midnight forest.
SOON TO BE A MAJOR TELEVISION EVENT FROM NBC, STARRING RUSSELL HORNSBY, ARIELLE KEBBEL, AND MICHAEL IMPERIOLI. Lincoln Rhyme faces “an Orwellian nightmare” (The New York Times) as a twisted techno-genius destroys lives with impunity by stealing personal information from behind the impenetrable walls of cyberspace. Rhyme’s cousin Arthur has been arrested on murder charges, and the evidence against the estranged relative Lincoln hasn’t seen in years is perfect—too perfect. Lincoln and his partner Amelia Sachs piece together a deadly pattern of similarly vicious frame-ups that leads them to the imposing Strategic Systems Datacorp—and a master of identity theft and manipulation known only as “522.” But cracking this ingenious killer’s realm places Rhyme and Sachs exactly where “522” wants them—in line to be the next victims.
