Cambridge University Library's collection of illuminated manuscripts is of international significance. It originates in the medieval university and stands alongside the holdings of the colleges and the Fitzwilliam Museum. The University Library contains major European examples of medieval illumination from the ninth to the sixteenth centuries, with acknowledged masterpieces of Romanesque, Gothic and Renaissance book art, as well as illuminated literary texts, including the first complete Chaucer manuscript. This catalogue provides scholars and researchers easy access to the University Library's illuminated manuscripts, evaluating the importance of many of them for the very first time. It contains descriptions of famous manuscripts, for example the Life of Edward the Confessor attributed to Matthew Paris, as well as hundreds of lesser-known items. Beautifully illustrated throughout, the catalogue contains descriptions of individual manuscripts with up-to-date assessments of their style, origins and importance, together with bibliographical references.
A complete catalogue of early books acquired by the diplomats W. G. Aston, Ernest Satow, and Heinrich von Siebold in Japan. The bulk of the 2,500 items are wood-block printed books of the Edo period. The editors' introduction is followed by entries giving title, author/editor/illustrator, date of publication and/or printing, all participating publishers, and the seals of previous owners.
For some five hundred years, Hebrew books have been counted among the treasures of the University of Cambridge, and Cambridge University Library's current holdings of Hebrew manuscripts (excluding most of the 140,000 fragments in its Genizah collections) are in excess of a thousand items. A wide range of Hebrew literature is represented, with substantial numbers in Bible, Bible Versions and Commentaries, Talmud, Halakhah, Liturgy, Science, Poetry, Philosophy and Kabbalah. The bulk of the material is late mediaeval but there are also earlier items, among them the famous Nash Papyrus from the second pre-Christian century. Although this collection is among the world's most important, attempts, beginning in the mid-Victorian period, to describe it in detail, and to publish the results, have never met with success. In this volume, Stefan Reif, assisted by Shulamit Reif, has attempted to set the situation right by providing careful descriptions that will guide researchers in codicologial matters and will alert them to data of special scholarly significance, without overwhelming them with the kind of prolix treatment that characterised manuscript study in the nineteenth century. The volume has benefited not only from local Cambridge expertise but also from world-wide scholarly co-operation and includes many references to recent publications, as well as a representative selection of photographed folios. There are essays on the history of Hebraists and Hebraic at Cambridge that will interest historians, as well as extensive indexes that will provide easy access to the rich and varied contents of the descriptions.
Orietta Da Rold provides a detailed analysis of the coming of paper to medieval England, and its influence on the literary and non-literary culture of the period. Looking beyond book production, Da Rold maps out the uses of paper and explains the success of this technology in medieval culture, considering how people interacted with it and how it affected their lives. Offering a nuanced understanding of how affordance influenced societal choices, Paper in Medieval England draws on a multilingual array of sources to investigate how paper circulated, was written upon, and was deployed by people across medieval society, from kings to merchants, to bishops, to clerks and to poets, contributing to an understanding of how medieval paper changed communication and shaped modernity.