The eminent Coleridgean and Romantic scholar Morton D. Paley here examines the twenty-four portraits known to have been painted of Coleridge during his life. Illustrated with reproductions throughout.
This book provides a critical and biographical account of the fascinating hand-made book of rector William Greswell (1848-1923), in which he assembled British and American reviews and accounts of the Romantic poet, critic, philosopher, and religious thinker Samuel Taylor Coleridge (1772-1834). J.C.C. Mays re-evaluates Coleridge’s nineteenth-century reputation through the lens provided by Greswell’s workbook. Mays demonstrates how Coleridge is one of the most complicated and influential religious thinkers of the nineteenth century, whose “religious musings” (most prominently as published in Aids to Reflection and On the Constitution of the Church and State, but also in posthumous collections such as Confessions of an Inquiring Spirit) cast a long shadow over religious thinking in nineteenth-century England and America. Although Greswell was but one of Coleridge’s many readers in the nineteenth century, his engagement with Coleridge’s writings was noteworthy for the sheer mass of the materials he assembled, and the breadth of the Coleridge he depicts. Greswell’s Coleridge is a Coleridge in whom all Coleridgeans will be interested.
Coleridge has been perceived as the youthful author of a few brilliant poems. This study argues that his poetry is actually a continuous process of experimentation and provides a new perspective on both familiar and unfamiliar poems, as well as the relation between Coleridge's poetry and philosophical thinking.