Despite advances in feminism, the "law of the father" remains the dominant model of Western psychological and cultural analysis, and the law of the mother continues to exist as an underdeveloped and marginal concept. In her radical rereading of the Greek myth, Oresteia, Amber Jacobs hopes to rectify the occlusion of the mother and reinforce her role as an active agent in the laws that determine and reinforce our cultural organization. According to Greek myth, Metis, Athena's mother, was Zeus's first wife. Zeus swallowed Metis to prevent her from bearing children who would overthrow him. Nevertheless, Metis bore Zeus a child-Athena-who sprang forth fully formed from his head. In Aeschylus's Oresteia, Athena's motherless status functions as a crucial justification for absolving Orestes of the crime of matricide. In his defense of Orestes, Zeus argues that the father is more important than the mother, using Athena's "motherless" birth as an example. Conducting a close reading of critical works on Aeschylus's text, Jacobs reveals that psychoanalytic theorists have unwittingly reproduced the denial of Metis in their own critiques. This repression, which can be found in the work of Sigmund Freud and Melanie Klein as well as in the work of more contemporary theorists such as André Green and Luce Irigaray, has resulted in both an incomplete analysis of Oresteia and an inability to account for the fantasies and unconscious processes that fall outside the oedipal/patricidal paradigm. By bringing the story of Athena's mother, Metis, to the forefront, Jacobs challenges the primacy of the Oedipus myth in Western culture and psychoanalysis and introduces a bold new theory of matricide and maternal law. She finds that the Metis myth exists in cryptic forms within Aeschylus's text, uncovering what she terms the "latent content of the Oresteian myth," and argues that the occlusion of the law of the mother is proof of the patriarchal structures underlying our contemporary social and psychic realities. Jacobs's work not only provides new insight into the Oresteian trilogy but also advances a postpatriarchal model of the symbolic order that has strong ramifications for psychoanalysis, feminism, and theories of representation, as well as for clinical practice and epistemology.
Homicide represents the result of an exhaustive search of the world literature regarding homicide. More than 7,000 entries have been compiled from references selected from major indexes in libraries from outstanding universities, government agencies, and military posts; science libraries; law libraries; and the Library of Congress. Each entry features a one- or two-word annotation that indicates whether it is an article or a book, and all entries conform to the American Psychological Association stylebook guidelines. Key-word and author indexes provide quick access to works pertaining to particular subjects or by a certain author.
Understanding Parricide is the most comprehensive book available about juvenile and adult sons and daughters who kill their parents. Dr. Heide moves far behind the statistical correlates of parricide by synthesizing the professional literature on parricide in general, matricide, patricide, double parricides, and familicides. As a clinician, she explains the reasons behind the killings. Understanding Parricide includes in-depth discussion of issues related to prosecuting and defending parricide offenders. The book is enriched with its focus on clinical assessment, case studies, and follow-up of parricide offenders, as well as treatment, risk assessment, and prevention.
"It was Rebecca's son, Thomas, who first realized the victim's identity. His eyes were drawn to the victim's head, and aided by the flickering light of a candle, he 'clapt his hands and cryed out, Oh Lord, it is my mother.' James Moills, a servant of Cornell . . . described Rebecca 'lying on the floore, with fire about Her, from her Lower parts neare to the Armepits.' He recognized her only 'by her shoes.'"—from Killed Strangely On a winter's evening in 1673, tragedy descended on the respectable Rhode Island household of Thomas Cornell. His 73-year-old mother, Rebecca, was found close to her bedroom's large fireplace, dead and badly burned. The legal owner of the Cornells' hundred acres along Narragansett Bay, Rebecca shared her home with Thomas and his family, a servant, and a lodger. A coroner's panel initially declared her death "an Unhappie Accident," but before summer arrived, a dark web of events—rumors of domestic abuse, allusions to witchcraft, even the testimony of Rebecca's ghost through her brother—resulted in Thomas's trial for matricide. Such were the ambiguities of the case that others would be tried for the murder as well. Rebecca is a direct ancestor of Cornell University's founder, Ezra Cornell. Elaine Forman Crane tells the compelling story of Rebecca's death and its aftermath, vividly depicting the world in which she lived. That world included a legal system where jurors were expected to be familiar with the defendant and case before the trial even began. Rebecca's strange death was an event of cataclysmic proportions, affecting not only her own community, but neighboring towns as well. The documents from Thomas's trial provide a rare glimpse into seventeenth-century life. Crane writes, "Instead of the harmony and respect that sermon literature, laws, and a hierarchical/patriarchal society attempted to impose, evidence illustrates filial insolence, generational conflict, disrespect toward the elderly, power plays between mother-in-law and daughter-in-law, [and] adult dependence on (and resentment of) aging parents who clung to purse strings." Yet even at a distance of more than three hundred years, Rebecca Cornell's story is poignantly familiar. Her complaints of domestic abuse, Crane says, went largely unheeded by friends and neighbors until, at last, their complacency was shattered by her terrible death.
Helen Knightly has spent a lifetime trying to win the love of a mother who had none to spare. And as this electrifying novel opens, she steps over a boundary she never dreamt she would even approach. But while her act is almost unconscious, it also seems like the fulfilment of a lifetime's buried desire. Over the next twenty-four hours, her life rushes in at her as she confronts the choices that have brought her to this crossroads. 'Exhilarating, unforgettable ... This is a remarkable novel in which every word is vital, each nuance felt ... Candid, gut-wrenching, at times horribly funny and often beautifully touching ... The genius which guides The Almost Moon is its absolute, horrible, multiple truths; its staggering clarity' Eileen Battersby, Irish Times 'As moving as it is unquestionably gripping' Observer 'As gripping as it is strange and wild ... My God, it grips ... I lay awake half the night, feverishly hoping both that it would never end, and that it would all be over soon' Rachel Cooke, Evening Standard
In Laurel, Mississippi, in 1935, one daughter of a wealthy and troubled family stood accused of murdering her mother. On her testimony, authorities suspected an equally prominent and well-to-do businessman, her reputed lover, of assisting. Ouida Keeton apparently shot her mother, chopped her up, and disposed of most of her body parts down the toilet and in the fireplace, burning all but the pelvic region, the thighs, and the legs. Attempting to dispose of these remains on a narrow, one-lane, isolated road, Ouida left a trail of evidence that ended in her arrest. People had seen her driving to the road. Within hours, a hunter and his dogs found the cloth in which she had wrapped her mother’s legs. Touted as the most sensational crime in Mississippi history at the time, the Legs Murder of 1935 is almost entirely forgotten today. The controversial outcome, decided by an unsophisticated jury, has been left muddled by ambiguity. With The Legs Murder Scandal, Hunter Cole presents an intricately detailed description of the separate trials of Ouida Keeton and W. M. Carter. Having researched trial transcripts, courthouse records, medical files, and vast newspaper coverage, the author reveals new facts previously distorted by hearsay, hushed reports, and misinformation. Cole pursues many unanswered questions such as what, really, did Ouida Keeton do with the rest of her mother? The Legs Murder Scandal attempts to provide the reader with clarity in this story, which is outlandish, harrowing, and intriguing, all at once.
#1 New York Times bestselling author Stephanie Laurens brings you a tale of mysterious death, feuding families, star-crossed lovers—and shoes to die for. With her husband, amateur-sleuth the Honorable Barnaby Adair, decidedly eccentric fashionable matron Penelope Adair is attending the premier event opening the haut ton’s Season when a body is discovered in the gardens. A lady has been struck down with a finial from the terrace balustrade. Her family is present, as are the cream of the haut ton—the shocked hosts turn to Barnaby and Penelope for help. Barnaby calls in Inspector Basil Stokes and they begin their investigation. Penelope assists by learning all she can about the victim’s family, and uncovers a feud between them and the Latimers over the fabulous shoes known as Lady Latimer’s shoes, currently exclusive to the Latimers. The deeper Penelope delves, the more convinced she becomes that the murder is somehow connected to the shoes. She conscripts Griselda, Stokes’s wife, and Violet Montague, now Penelope’s secretary, and the trio set out to learn all they can about the people involved, and most importantly the shoes, a direction vindicated when unexpected witnesses report seeing a lady fleeing the scene—wearing Lady Latimer’s shoes. But nothing is as it seems, and the more Penelope and her friends learn about the shoes, conundrums abound, compounded by a Romeo-and-Juliet romance and escalating social pressure…until at last the pieces fall into place, and finally understanding what has occurred, the six intrepid investigators race to prevent an even worse tragedy. A pre-Victorian mystery with strong elements of romance. A novel of 76,000 words. An entry in The Casebook of Barnaby Adair series, the events in this novel occur between the events described in the Casebook novels, THE MASTERFUL MR. MONTAGUE and the upcoming LOVING ROSE: THE REDEMPTION OF MALCOLM SINCLAIR. Praise for the works of Stephanie Laurens “Laurens’s writing shines.” Publishers Weekly “Stephanie Laurens never fails to entertain and charm her readers with vibrant plots, snappy dialogue, and unforgettable characters.” Historical Romance Reviews. Praise for Where the Heart Leads: Volume 1 in the Casebook of Barnaby Adair "A satisfying blend of mystery and romance." Publishers Weekly "In an Amanda Quick-style suspense/romance, Laurens never loses touch with her characters' deep emotions or the haunting mystery." Romantic Times
Although the book is about murder. Heide does not limit herself to purely individual or family-based analysis. She is interested in connecting all the factors which lead to these tragic situations, in good and bad parenting and in social reform. It is this breadth of analysis which makes the book so readable and so useful. --Judith Bevan in ACCO Child Psychology & Psychiatry Review "This book is a compassionate examination of adolescent patricide offenders (APO′s) in the United States of America. It could be commended to anyone interested in how children are initiated into society." --Joanna Adler, University of Kent at Canterbury Kathleen Heide′s sensitive and important account of family life gone wrong examines the shocking phenomenon of adolescents who kill their parents. Using actual case studies and a careful analysis of FBI data, Kathleen M. Heide discusses the motivations and backgrounds of these troubled adolescents, and what emerges is a tragic portrait--the adolescent murderer is almost always a terrified victim of severe child abuse, neglect, and dysfunctional parenting who kills out of desperation. Drawing upon her skill and experience as a scholar, clinician, and expert witness, Heide asserts that a combination of five interconnected problems creates the conditions for parricide: The youth is raised in a chemically dependent or otherwise dysfunctional family; the child is severely abused sexually, physically, and/or verbally; violence in the child′s family escalates; the youth becomes increasingly vulnerable to stressors in the home environment; and the child has ready access to a firearm. Why Kids Kill Parents begins with a foreword by notable criminologist Hans Toch, and concludes with an examination of types of intervention that are effective in treating severely abused children who kill their parents. Heide proposes ways in which the media and the educational system can prevent child abuse and parricide by fostering functional families and mitigating the effects of dysfunctional ones. Why Kids Kill Parents is essential reading for all those who care about the nurturing of children and families in today′s society, as well as professionals in juvenile justice, criminology, law, mental health, education, and youth advocacy. "Heide′s book offers an integrative understanding of both the dysfunctional family and child who kills. Of particular interest to clinicians is the chapter on assessment. This volume is the most comprehensive resource found on children who kill." --Youth Violence "The resolution of such questions as `What is a just response to a parricide by an abused child?′ is a societal one. Our society permits divergent ideas (and data) to surface and to compete for adoption. In such a system a scientist and clinician such as Kathleen Heide can play a precious role. The work summarized in Why Kids Kill Parents is a testament to this role. It is also a credit to its author, who cares about ameliorating suffering and reducing despair." --from the Foreword by Hans Toch "Why Kids Kill Parents contains a goldmine of material for diverse theoretical and practical applications, from aggression theory and legal analysis to specific, practical suggestions for therapy. Kathleen Heide has produced a valuable resource that, I hope and expect, will become a model for similar investigations and serve as a foundation for rational policy development." --Carolyn Rebecca Block, Illinois Criminal Justice Information Authority, Women & Criminal Justice Vol. 6 No. 2 1995 "I have read Dr. Heide′s book, Why Kids Kill Parents, and believe it is the best available book on the topic. . . . Unlike the other books on this topic, Why Kids Kill Parents indicates a comprehensive knowledge of the prior literature and of the frequency and pattern of juvenile homicide. No other book covers etiology and treatment. Dr. Heide is a scientist, advocate, and clinician, and her book reflects all these perspectives." --William Willbanks, Florida International University "In an unprecedented fashion, Kathleen Heide offers comprehensive definitions of childhood maltreatment that delineate the nature and scope of various types of abuse and neglect, which the adolescent parricide offender endures in a family where violence is all too common an experience. . . . This book is a must-read for all professionals who are involved in the care of and in contact with children and adolescents." --Susan Crimmins, MSW, Clinical Social Worker and Researcher, Journal of Contemporary Criminal Justice Vol. 9 No. 2 1993 "It is easy to see why this book has captured a commendable degree of media attention. It is well-written, fascinating in fact, so it is extremely interesting to read. Underlying this is a crucial observation, that Kathleen Heide′s work has been well-received within legal, clinical, and other professional circles--that it has affected and is likely to have further implications for the way that adolescent parricide offenders are handled by the courts." --Patricia Van Voorhis, Assistant Professor, University of Cincinnati
