Caravan of Souls is a guidebook to the Sufi path of Hazrat Inayat Khan, a spiritual philosophy of love, harmony, and beauty. It is a foundational text for all students of the path, as well as anyone interested in learning about the history of the Inayatiyya. Within these pages the reader will find the essential teachings and methods of the order and movement he founded, as well as an inspiring array of sayings, poems, songs, prayers, stories, and biographical portraits.
"Sherwin Bitsui's new poetry collection, Flood Song—a sprawling, panoramic journey through landscape, time, and cultures—is well worth the ride."—Poets & Writers “Bitsui’s poetry is elegant, probative, and original. His vision connects worlds.”—New Mexico Magazine “His images can tilt on the side of surrealism, yet his work can be compellingly accessible.”—Arizona Daily Star “Sherwin Bitsui sees violent beauty in the American landscape. There are junipers, black ants, axes, and cities dragging their bridges. I can hear Whitman's drums in these poems and I can see Ginsberg's supermarkets. But above all else, there is an indigenous eccentricity, ‘a cornfield at the bottom of a sandstone canyon,’ that you will not find anywhere else.”—Sherman Alexie Native traditions scrape against contemporary urban life in Flood Song, an interweaving painterly sequence populated with wrens and reeds, bricks and gasoline. Poet Sherwin Bitsui is at the forefront of a new generation of Native writers who resist being identified solely by race. At the same time, he comes from a traditional indigenous family and Flood Song is filled with allusions to Dine (Navajo) myths, customs, and traditions. Highly imagistic and constantly in motion, his poems draw variously upon medicine song and contemporary language and poetics. “I map a shrinking map,” he writes, and “bite my eyes shut between these songs.” An astonishing, elemental volume. I retrace and trace over my fingerprints Here: magma, there: shore, and on the peninsula of his finger pointing west— a bell rope woven from optic nerves is tethered to mustangs galloping from a nation lifting its first page through the man hole—burn marks in the saddle horn, static in the ear that cannot sever cries from wailing. Sherwin Bitsui’s acclaimed first book of poems, Shapeshift, appeared in 2003. He has earned many honors for his work, including fellowships from the Witter Bynner Foundation and Lannan Foundation, and he is frequently invited to poetry festivals throughout the world. He lives in Tucson, Arizona.
A blistering novel about a writer’s creative response to the daily onslaught of fake news, memory, and the ways in which truth gives over to fiction “An absorbing portrait of an inspired artist in the midst of our maddening cultural moment” —Ayad Akhtar, author of Homeland Elegies When Satya, a professor and author, attends a prestigious artists' retreat to write, he finds the pressures of the outside world won’t let up: the president rages online; a dangerous virus envelops the globe; and the twenty-four-hour news cycle throws fuel on every fire. For most of the retreat fellows, such stories are unbearable distractions, but for Satya, who sees them play out in both America and his native India, these Orwellian interruptions begin to crystallize into an idea for his new novel, Enemies of the People, about the lies we tell ourselves and one another. Satya scours his life for instances in which truth bends toward the imagined and misinformation is mistaken as fact. Mixing Satya’s experiences—as a father, husband, and American immigrant—with newspaper clippings, the president’s tweets, and observations on famous works of art, A Time Outside This Time captures a feverish political moment with intelligence, beauty, and an eye for the uncanny. It is a brilliant interrogation on life in a post-truth era and an attempt to imagine a time outside this one.
"This novel in verse is a powerful first-person account of Misael Martâinez, a Salvadoran boy whose family joins the caravan heading north to the United States. We learn all the different reasons why people feel the need to leave -- the hope that lies behind their decision, but also the terrible sadness of leaving home. We learn about how far and hard the trip is, but also about the kindness of those along the way. Finally, once the caravan arrives in Tijuana, Misael and those around him are relieved. They think they have arrived at the goal of the trip -- to enter the United States. But then tear gas, hateful demonstrations, force and fear descend on these vulnerable people. The border is closed. The book ends with Misael dreaming of El Salvador. This beautiful and timely story is written in simple but poetic verse by Jorge Argueta, the award-winning author of Somos como las nubes / We Are Like the Clouds. Award-winning Mexican illustrator Manuel Monroy illuminates Misael's journey. An author's note is included, along with a map showing the caravan's route."--
After attending college in Lebanon, Fawzia returns home to Jeddah and takes up secretly with her forbidden college sweetheart. When her reckless behavior leads to family tragedy, she is drawn into an unlikely friendship with a mysterious old storyteller, the niece of a legendary tribal chief.
Clare Pollard's fourth collection is steeped in folktale and ballads, and looks at the stories we tell about ourselves. From the Pendle witch-trials in 17th-century Lancashire to the gangs of modern-day east London, Changeling takes on our myths and monsters. These are poems of place that journey from Zennor to Whitby, Broadstairs to Brick Lane. Whether relocating the traditional ballad 'The Twa Corbies' to war-torn Iraq, introducing us to the bearded lady Miss Lupin, or giving us a glimpse of the 'beast of Bolton', Changeling is a book about our relationship with the Other: fear and trust, force and freedom.
A collection of poems arranged in such catagories as poems that make you smile, send messages, or share feelings; poems that contain "beats that repeat" or "word play"; and special kinds of poems such as limericks, songs, and haiku.
