Grandpa Garnier used to say, Love is like a bucking bronco. It takes guts and determination to hang on, but it's worth the ride. If only Grandpa was around now to help Tyson Garnier out of this mess. The famous pro football player is suddenly saddled with a very public scandal—and an illegitimate child. Tyson needs a good nanny now if he's going to salvage his career. And plain, no-nonsense Dakota Brown is the ideal candidate. Dakota doesn't care for football—or for a man who doesn't seem to want his own son. But she needs this job, and that precious little baby needs her. Dakota isn't Tyson's kind of woman. But the more he sees of her—and the more he sees of his son—the harder he wants to hang on.
This fascinating collection of traditional metaphors and figures of speech, groups expressions according to theme. The second edition includes over 1,500 new entries, more information on first known usages, a new introduction and two expanded indexes. It will appeal to those interested in cultural history and the English language.
"Why don't you come up and see me sometime?" Mae West invited and promptly captured the imagination of generations. Even today, years after her death, the actress and author is still regarded as the pop archetype of sexual wantonness and ribald humor. But who was this saucy starlet, a woman who was controversial enough to be jailed, pursued by film censors and banned from the airwaves for the revolutionary content of her work, and yet would ascend to the status of film legend? Sifting through previously untapped sources, author Jill Watts unravels the enigmatic life of Mae West, tracing her early years spent in the Brooklyn subculture of boxers and underworld figures, and follows her journey through burlesque, vaudeville, Broadway and, finally, Hollywood, where she quickly became one of the big screen's most popular--and colorful--stars. Exploring West's penchant for contradiction and her carefully perpetuated paradoxes, Watts convincingly argues that Mae West borrowed heavily from African American culture, music, dance and humor, creating a subversive voice for herself by which she artfully challenged society and its assumptions regarding race, class and gender. Viewing West as a trickster, Watts demonstrates that by appropriating for her character the black tradition of double-speak and "signifying," West also may have hinted at her own African-American ancestry and the phenomenon of a black woman passing for white. This absolutely fascinating study is the first comprehensive, interpretive account of Mae West's life and work. It reveals a beloved icon as a radically subversive artist consciously creating her own complex image.
25th ANNIVERSARY EDITION • From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road: an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, Blood Meridian traces the fortunes of the Kid, a fourteen-year-old Tennesseean who stumbles into the nightmarish world where Indians are being murdered and the market for their scalps is thriving. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
Since prehistory, bunkers have been built as protection from cataclysmic social and environmental forces, and as places of power and transformation. Today, the bunker has become the extreme expression of our greatest fears- from pandemics to climate change and nuclear war. And once you look, it doesn't take long to start seeing bunkers everywhere. In Bunker, acclaimed urban explorer and cultural geographer Bradley Garrett explores the global and rapidly growing movement of 'prepping' for social and environmental collapse, or 'Doomsday'. From the 'dread merchants' hustling safe spaces in the American mid-West to eco-fortresses in Thailand, from geoscrapers to armoured mobile bunkers, Bunker is a brilliant, original and never less than deeply disturbing story from the frontlines of the way we live now, an illuminating reflection on our age of disquiet and dread that brings it into new, sharp focus. The bunker, Garrett shows, is all around us, in malls, airports, gated communities, the vehicles we drive. Most of all, he shows, it's in our minds.
Like cities everywhere, Melbourne is two cities. There is the city of space and place, of the streets and parks and buildings where we live. Then there is the city of words, the imagined city that has inspired or directed the building of the material city, and that holds the memories of the lives its people have led. Before the invasion of the settlers, the Aborigines who lived in what would become Melbourne patterned their lives in song and dance, word and ritual, that joined them in a seamless reality of place and space: past, present and future. The settlers displaced this with the chartered streets where solid buildings aspired to the ostentatious wealth of London or Paris, and narrow lanes and alleyways crawled with the misery of poverty. As new forms of transport arrived, new suburbs spread. Successive waves of immigration brought people from around the world as the city passed through cycles of prosperity and depression and changed from British to Antipodean to cosmopolitan. Each wave brought its own dreams. Each appropriated what they liked in the new land as they tried to build their separate pasts into a common future. In this study of Melbourne as a city imagined through words, John McLaren examines the words of writers who, in memoir and autobiography, diaries and journalism, fiction and poetry, have shared their perceptions of the city, its conflicts and its celebrations. He shows how this past lives on beneath today's city, taking us back to the boats that filled its harbour, the rivers that run beneath its streets and the ghosts who dance in its market. His book offers its readers new prospects of reading, and new ways of seeing the city within the city.
An authoritative guide to the action-packed film genre With 24 incisive, cutting-edge contributions from esteemed scholars and critics, A Companion to the Action Filmprovides an authoritative and in-depth guide to this internationally popular and wide-ranging genre. As the first major anthology on the action film in more than a decade, the volume offers insights into the genre’s historical development, explores its production techniques and visual poetics, and provides reflections on the numerous social, cultural, and political issues it has and continues to embody. A Companion to the Action Film offers original research and critical analysis that examines the iconic characteristics of the genre, its visual aesthetics, and its narrative traits; considers the impact of major directors and stars on the genre’s evolution; puts the action film in dialogue with various technologies and other forms of media such as graphic novels and television; and maps out new avenues of critical study for the future. This important resource: Offers a definitive guide to the action film Contains insightful contributions from a wide range of international film experts and scholars Reviews the evolution of the genre from the silent era to today’s age of digital blockbusters Offers nuanced commentary and analysis of socio-cultural issues such as race, nationality, and gender in action films Written for scholars, teachers and students in film studies, film theory, film history, genre studies, and popular culture, A Companion to the Action Film is an essential guide to one of international cinema’s most important, popular, and influential genres.