A Book of Burlesque, Sketches of English Stage Travestie and Parody
Author: William Davenport Adams
Publisher:
Published: 1891
Total Pages: 260
ISBN-13:
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Author: William Davenport Adams
Publisher:
Published: 1891
Total Pages: 260
ISBN-13:
DOWNLOAD EBOOKAuthor: William Davenport Adams
Publisher:
Published: 2018-08-28
Total Pages: 240
ISBN-13: 9783337642990
DOWNLOAD EBOOKAuthor: William Davenport 1851-1904 Adams
Publisher: Wentworth Press
Published: 2016-08-25
Total Pages: 248
ISBN-13: 9781360929798
DOWNLOAD EBOOKThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: William Davenport Adams
Publisher: Palala Press
Published: 2015-09-01
Total Pages: 244
ISBN-13: 9781341138782
DOWNLOAD EBOOKThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: William Davenport Adams
Publisher:
Published: 2015-07-26
Total Pages: 248
ISBN-13: 9781331984429
DOWNLOAD EBOOKExcerpt from A Book of Burlesque, Sketches of English Stage Travestie and Parody About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: William Adams
Publisher:
Published: 2017-01-05
Total Pages: 114
ISBN-13: 9781540651747
DOWNLOAD EBOOK"Self-respect: The secure feeling that no one, as yet, is suspicious."-page 70Why is it that when reading Mencken one feels that they'd be more comfortable if they were wearing a flak jacket? Once again, in his 'A Book of Burlesques,' Mencken, the master of irreverence, gives forth a collection of philosophical sayings running the gamut from downright boring to uproariously hilarious. Now I'm looking forward to reading his 'In Defense of Women.' I'm sure that women-hood will never be in more need of defending than after reading what H. L. has to say in their defense.Recommendation: 'A Book of Burlesques' offers a glimpse into the warped mind of Mencken. That may not be everyone's cup of pomegranate wine. Read at your own risk."Man weeps to think that he will die so soon. Woman, that she was born so long ago."-page 72Excerpt from "A Book of BurlesqueBy William Davenport Adams":Shall I to Honor or to Love give way? Go on, cries Honor; tender Love says, Nay; Honor aloud commands, Pluck both boots on; But softer Love does whisper, Put on none.In the end, he "goes out hopping, with one boot on, and t'other off." Again, there was a passage in the drama called "The Villain," in which the host supplied his guests with a collation out of his clothes--a capon from his helmet, cream out of his scabbard, and so on. In like manner, Pallas, in Mr. Bayes's tragedy, furnishes forth the two usurping kings:--Lo, from this conquering lance Does flow the purest wine of France: And to appease your hunger, I Have in my helmet brought a pie; Lastly, to bear a part with these, Behold a buckler made of cheese.Of the direct parody in the burlesque a few instances will suffice.
Author: William Davenport Adams
Publisher:
Published: 2020-04-12
Total Pages: 178
ISBN-13:
DOWNLOAD EBOOKWho shall say when the spirit of burlesque first made its appearance on our stage? There were traces of it, we may be sure, in the Mysteries and Moralities of pre-Elizabethan days; the monkish dramatists were not devoid of humour, and the first lay playwrights had a rough sense of ridicule. The "Vice" which figured in so many of our rude old dramas had in him an element of satire, and the pictures drawn of his Satanic Majesty were conscious or unconscious caricatures of the popular conception of the Evil One.
Author: DowningA. Thomas
Publisher: Routledge
Published: 2017-07-05
Total Pages: 291
ISBN-13: 1351555707
DOWNLOAD EBOOKThis volume takes an interdisciplinary approach to studying a wide range of subjects associated with the creation, performance and reception of 'opera' in varying social and historical contexts from the eighteenth to the twentieth centuries. Each essay addresses migrations between genres, cultures, literary and musical works, modes of expression, media of presentation and aesthetics. Although the directions the contributions take are diverse, they converge in significant ways, particularly with the rebuttal of the notion of the singular nature of the operatic work. The volume strongly asserts that works are meaningfully transformed by the manifold circumstances of their creation and reception, and that these circumstances have an impact on the life of those works in their many transformations and on a given audience's experience of them. Topics covered include transformations of literary sources and their migration into the operatic genre; works that move across geographical and social boundaries into different cultural contexts; movements between media and/or genre as well as alterations through interpretation and performance of the composer's creation; the translation of spoken theatre to lyric theatre; the theoretical issues contingent on the rendering of 'speech' into 'song'; and the transforming effects of aesthetic considerations as they bear on opera. Crossing over disciplinary boundaries between music, literary studies, history, cultural studies and art history, the volume enriches our knowledge and understanding of the operatic experience and the works. The book will therefore appeal to those working in the field of music, literary and cultural studies, and to those with a particular interest in opera and musical theatre.
Author: Laura MONRÓS GASPAR
Publisher: Ediciones Universidad de Salamanca
Published: 2011-03-24
Total Pages: 19
ISBN-13:
DOWNLOAD EBOOKLa publicación de este volumen representa un caso relativamente insólito. Un pequeño grupo de jóvenes investigadores de menos de treinta años convence a un grupo mucho más numeroso de la misma edad para celebrar en Salamanca la First Conference of Young Researchers on Anglophone Studies. El resultado es deslumbrante. No solo demuestran una gran capacidad organizativa, sino que los resultados individuales de las aportaciones científicas son sobresalientes. Este volumen, Current Trends in Anglophone Studies, recoge una selección revisada de las propuestas presentadas en el Encuentro y gira en torno a una estructuración tripartita clásica: estudios culturales, lingüísticos y literarios. En ella caben todos aquellos que se mueven en el campo de los estudios anglófonos. Cada uno de estos campos podría haber sido suficiente para celebrar un congreso, pero parece razonable que en este tipo de encuentros tengan cabida todos. De ese modo, este volumen se convierte en un ejemplo de aproximación interdisciplinar a los estudios anglófonos. Desde un punto de vista cuantitativo, los estudios culturales ocupan sin duda un espacio menor. Sin embargo, sobresale la variedad de temas tratados, así como la internacionalización de los autores, dentro de este apartado. Estudiantes españoles e italianos acometen estudios relacionados con la música, la pintura, el cine, la traducción, la marginalidad social o el impacto de las nuevas tecnologías en la producción artística. Si no pareciera demasiado atrevido, podría decirse que estos jóvenes estudiosos irían más allá de lo que un día ya lejano pudieron imaginar Richard Hoggard o Raymond Williams. Los estudios aquí presentados reflejan, sin duda, la evolución que la propia sociedad ha experimentado en estos últimos cincuenta años y exploran la relación entre las prácticas culturales, la vida diaria, y los contextos económicos, políticos e históricos. No es de extrañar que una gran parte de las contribuciones presentadas en este volumen se centren en el estudio de la lengua, ya que la demanda del inglés se ha incrementado de forma considerable en los últimos años. Sobresalen los análisis puramente filológicos y sobre todo los relacionados con el aprendizaje del inglés como segunda lengua. Por eso, destacan estudios que contemplan rasgos morfológicos, léxicos o sintácticos. Sin embargo, el mayor número de participaciones hace referencia al ya citado aprendizaje del inglés como L2, tanto desde el análisis de materiales, como desde la práctica oral o escrita. Las contribuciones literarias ofrecen una evaluación teórica, formal e interpretativa de distintas tendencias desde perspectivas tanto interdisciplinares como interculturales. Cronológicamente los estudios abarcan textos desde el siglo XVIII hasta nuestros días, con un acento especial en los autores más contemporáneos y en el género narrativo. En general estos estudios se fijan en textos concretos y los analizan desde perspectivas culturales, sociológicas o psicológicas. Pero abundan menos las aproximaciones desde la teoría literaria, desde la técnica narrativa o, como tal vez cabría esperar al tratarse de estudiantes tan jóvenes, desde la aplicación de las nuevas tecnologías. Por el contrario, se repiten temas como los traumas heredados de la Guerra de Vietnam, las cicatrices del 11 de septiembre o los problemas de género. En definitiva, se trata de una selección de artículos claramente prometedora, que transmite la seguridad de que el futuro de la Filología Inglesa está en buenas manos y podrá experimentar una positiva evolución en los próximos años. Por todo ello, hay que felicitar a todos los participantes individuales y, sobre todo, a los organizadores del evento, y editores de este volumen, que han demostrado una enorme capacidad de trabajo y de saber hacer.
Author: Allen A. Brown Collection (Boston Public Library)
Publisher: Boston : The Trustees
Published: 1919
Total Pages: 976
ISBN-13:
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